History and Music BA

Core module - Autumn semester

History Workshop

What does it take to be a historian? In this module, you will study the process of historical research, learning discipline-specific methods and essential study and writing skills through close engagement with a historical text (usually a work of narrative non-fiction) linked to your tutor's research interests. You will develop skills in critical reading, historiography, essay writing, bibliographic techniques, and reflection.

The assessment for this module is aimed at giving you a strong foundation in the skills you will need throughout your degree and beyond: critical reading and writing, bibliographic techniques, and the ability to reflect on and articulate your skills as a historian.

20 credits

Core module - Spring semester

The core module for the Spring semester is awaiting approval. We expect you to have the chance to build upon the foundational skills you acquired in the Autumn semester and be introduced to the breadth of historical research interests at Sheffield. You’ll explore ancient and medieval history through to the contemporary world and learn how to frame your own historical questions.

History option module examples:

Empire: From the Ancient World to the Middle Ages

Covering the period from the 4th century BC to the 15th century AD, this module invites students to explore the ancient and medieval worlds through the lens of 'empire'. It provides an introduction to ancient and medieval types of empire, their contacts with and legacies to each other, and the connectedness between East and West in this period. Using a wealth of primary evidence and drawing on corresponding historiographical debates, students explore what it meant to live in ancient and medieval empires, what kind of social, cultural and religious encounters they engendered, and whether there was any space for resistance.

20 credits

The 'Disenchantment' of Early Modern Europe, c. 1570-1770

This module explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the course will be the examination of the supernatural - religious beliefs, but also witchcraft and magic. You will explore the changing ways in which beliefs impinged on people's lives at various social levels. You will also have an opportunity to study the impact on people's world views of such changes as rising literacy, urbanisation, state formation and new discoveries about the natural world. All these will be investigated in the institutional contexts of state and church and the ways in which they sought to channel and mould beliefs and behaviour. This module enables you to understand how the early modern period is distinctive from and links medieval and later modern historical studies.

20 credits

The Making of the Twentieth Century

This module considers the twentieth century as a time that transformed the social and political order in the world, calling into question the role of the European powers in global contexts, and dramatically reorienting the relationship between states and societies. You will engage with case studies representing key themes in twentieth-century global history: imperialism and the processes of decolonisation; the challenges of building the postcolonial nation; revolutions and the emergence of new states; war, genocide and conflict; and the institutions of international order.

In addressing these themes, The Making of the Twentieth Century has a particular aim of counteracting prevailing tendencies towards Eurocentrism.  You will gain a considerable body of knowledge on the histories of Asia, Africa and Latin America especially.  At the same time, emphasis is placed on the empirical and theoretical grounds upon which competing interpretations rest in order to encourage you to develop critical awareness of the character of historical analysis.  More generally, this module aims to develop analytical, conceptual and literary skills through class discussion and written assignments.  Communication skills will also be emphasised in weekly seminars that will allow specific issues to be discussed in more depth, often with reference to primary source material.  Above all, the module seeks to stimulate an interest in history and an appreciation of cultural diversity.

20 credits

The Transformation of the United Kingdom, 1800 to the Present

This module explores the central political, social, economic, cultural and diplomatic developments that have transformed Britain since 1800. Unlike most of its European neighbours, Britain did not experience dramatic moments of revolution, constitution-building, invasion or military defeat; indeed the belief that the nation was set on a course of gradual evolutionary progress was central to many versions of British identity. This course examines how, when and why change occurred in Britain. Key themes include the transition to mass democracy; the impact of industrialisation; shifts in social relationships based on class, gender and ethnicity; and the rise and fall of Britain as an imperial power.

20 credits

The Long View: an introduction to archaeology

This module traces the development of modern humans through to the modern era. It introduces the wide range of materials and methods that archaeologists use to study the past.  The practical laboratory-based classes and field classes provide experience in the basic identification, investigation and interpretation of archaeological evidence. They are supported by lectures that introduce archaeological methods, theories and worldwide case studies. From field to laboratory using examples from throughout the world, you will learn about how archaeology shapes knowledge about the deep and recent human past.

Through this module students will be introduced to debates on the formation and development of archaeological thought through a world-wide perspective from the Palaeolithic to the present. They will be presented with techniques and ideas used by archaeologists to explore the human record and understand the past. It offers an opportunity to explore and discover the archaeological record through practical engagement, using field and laboratory methods, while also highlighting the importance of selecting analytical techniques appropriate to the question posed and the data available. The module will enable students to develop core skills in decoding and critically understanding literature, observation, recording, analysis and interpreting archaeological evidence.

20 credits

Music option module examples:

History of Western Music

This module considers key moments in the history of Western music from the 1500s to the present day. Taking individual composers and works, it aims to introduce students to different approaches to the study of music history, the development of particular musical genres, and the impact of cultural, historical and geographical context on composers. In addition, the module will consider ways of writing about music, and the use of primary and secondary sources for informing critical discussions of the subject.

20 credits

Music in a Global Context

Whatever kind of music study you decide to specialise in, you'll do it better if you see it in the context of music as a phenomenon common to all humanity. You'll understand what's different about your own chosen field but also how the music you love derives from diverse cultural sources.In this module we examine how any music uses specific ways of organising sound to serve particular cultural purposes. You'll learn to recognise and describe diverse musical styles, research them through scholarly sources, present an analysis using appropriate audio-visual technology, and take control of the transferable skills you're developing.

20 credits

Tonal Music Analysis and Criticism

In this module you'll address the core skills of listening to, analysing, and writing critically about Western Classical music. With a focus on eighteenth-century 'common practice' tonality, you will study harmony, counterpoint, melody, texture and form in preparation for analysing short pieces, and will learn to write about the music you hear as well as the notes you see on the page. Your work will also prepare you for future music modules.

10 credits

Exploring Tonal Styles

This module builds core skills of hearing, describing and using tonal procedures in a range of Western musical styles. It extends MUS133 Tonal Music Analysis and Criticism by moving on from classical 'common practice' to explore styles that use tonality in different ways.

We'll explore styles like Medieval and Renaissance music, jazz and rock. You'll produce analyses from written scores and recordings, and write examples and exercises in the appropriate styles. You'll develop musicianship skills that prepare you for composition, analysis and performance work in subsequent years.

10 credits

Technologies for Music

Nowadays, most forms of music-related study involve music technologies. This module introduces you to a range of pertinent technologies, focussing around using computer in four key areas; sound recording, editing, transformation and representation, and a more general approach to computing required to complete tasks in many music modules. In each case, you will experience some of the many ways in which specific technologies serve many different music disciplines. You will go onto learn the essential principals of those technologies, before learning how they work in practice. By the end of the module, you will be versed in basics of digital audio, microphone choices and placement, sound recording techniques, wave-editing, MIDI, sound effect and plugins, file types and format, digital transcription and scoring and visual representation of sound. You will engage with University systems and through period of reflection complete a portfolio that contextualises your transferable skills.

10 credits

Composition

In this module you will develop your composition skills, practice writing music in staff notation, and learn to write effectively for different instrumental and vocal forces. Drawing on the models of a diverse range of classical composers of the 20th and 21st centuries, we will focus on techniques for writing inventive melodies and rhythms, and employing wide-ranging approaches to harmony. The module aims to give you a foundation in composition and increase your confidence in preparation for further study.

20 credits

Performance

In this module you will develop the musical and intellectual abilities appropriate to solo performance. The theoretical background is considered, focusing on the aural and analytical skills essential to performance at an advanced level. An awareness of style and interpretation, as well as effective preparation and communication are built into teaching. You will receive one to one tuition in addition to attending whole class performance lectures.

20 credits

Music Psychology

In this module you will engage with some of the most provocative questions about musical thought and behaviour: What are the characteristics of the musical mind? Why do we feel emotions when listening to or performing music? How does music and music therapy influence our health and wellbeing? Can music make you smarter? The module is designed such that no prior formal musical or psychological training is necessary.

You will develop knowledge of the scientific methods used to study music from a psychological perspective, and how findings can inform applications in education, healthcare, and the creative industries.

10 credits

Popular Music Studies

This module provides an introduction to the academic study of popular music. You will explore the various definitions of 'popular music' in relation to their socio-cultural context, and investigate some of the major issues and debates of popular music studies.

Lecture materials and in-class tasks will engage with approaches to the analysis of popular music and media, issues of representation, and the relationship between popular musicians and their audiences. Assessments involve critical engagement with the themes of the module in relation to a popular music artist or piece of your choosing.

10 credits

Folk Music Participation

This module is based upon participation in and preparation for folk sessions hosted by the Department of Music. Through intensive preparation of challenging repertoire, as well as the skills to enable improvised participation, you will develop your understanding of the demands and pleasures of session practice, and your knowledge of the repertoires concerned (British folk traditions), and be encouraged to reflect upon the roles and responsibilities of individual participants within the group. You will also be required to attend a professional ensemble concert or concerts within the university concert series, or an equivalent online event.

10 credits

Composing Electronic Music

The lectures on this module introduce you to various forms of electronic music composition. Through creative practice, key principles of composition with technology are introduced and a number of broad genres are set in a historical and analytical context. A diverse range of software tools are used, further enhancing your digital skills. You will learn how to process and develop a range of recorded and synthetic sound material, before considering some of the various ways in which those materials may be used to compose electronic pieces. After making a number of short etudes throughout the first half of the module, you select one area in which to complete your own original work.

10 credits

History core module:

Historians and History

This course will introduce students to the most influential 'schools' of historical practice in operation in the second half of the twentieth century and which remain influential today. These include Marxism, the Annales school, quantitative history, history from below, feminist and gender history, and postmodernism, as well as English empiricism. Lectures will provide an overview of each approach, and discuss the historical context in which it emerged. In seminars, students will be taught to assess critically the opportunities and limitations of each approach.

20 credits

The Uses of History

This module explores the theory and practice of public history by providing students with the opportunity to communicate their scholarly work to an audience beyond the boundaries of our discipline. Students will articulate an aspect of their own historical interests to a non-academic audience and evaluate the use of history outside academic settings. The course will engage in debate about important questions facing historians in the present, and consider ideas about the role and purposes of History as an academic subject.

20 credits

History optional module examples:

Optional modules are 20 credits each. Dual honours students will normally take between one and three modules from across our options and document options, depending on if you choose to major or minor in history.

In addition to the optional modules listed below, we expect you to have the opportunity to take a new module that will introduce you to the practice of historical research and support you to develop information awareness. This will provide a stepping stone from the critical source work of document options to your third-year dissertation. You’ll develop essential skills in locating and evaluating sources while gaining firsthand experience of designing, developing, and presenting a short research project.

A Protestant Nation? Religion, Politics and Culture in England 1560-1640

On the accession of Elizabeth I, England became an officially Protestant country but the Church, State and laypeople did not necessarily agree about the nature of changes needed to accommodate the new religion. On the level of national government policy, we shall explore what governments expected from their subjects and how they attempted to secure religious conformity during the reigns of Elizabeth I, James I and Charles I. How far did anti-Catholicism define English identity in this period? Did authorities at the national and local levels disagree about how severely religious minorities should be treated?

20 credits

Culture in Early Modern Europe

Culture is the key to understanding how societies thought and behaved in the past. Early modern Europe - a period of immense cultural change and conflict - is no different. This wide ranging module introduces students to ideas about culture and examines how cultural history has revolutionised what we know about the lives of men, women and children in Europe between 1500 and 1800. Building on a rich historiography and through a series of intriguing case studies, the module draws on wide range of sources - such as diaries, letters, and legal records, to printed works, art and archaeology - to enter into the many cultures of early modern Europe. The module explores issues like material culture, youth culture, cultures of protest, intellectual culture, and religious culture. It asks whether we can talk about different cultures of men and women and how cultures were affected by social and economic inequalities. It thinks about forces of cultural integration and pressures of cultural conflict. And it explores ideas of cultural change, and how these changes helped create the modern world.

20 credits

Byzantine Intersectionality: Gender, Race and Power in the Medieval Mediterranean, c.500-1300

How did race and gender appear before modernity? How similar were they to how race and gender appear to us today? And can the tools of intersectionality, an approach developed by the critical race theorist Kimberlé Crenshaw that thinks of different kinds of identities as deeply intertwined in structuring our lives, help us understand the medieval world? These questions sit at the heart of this module, which will guide you through the Byzantine world, the survivor of the Roman empire in the East, stretching from the Balkans to Syria, but with a particular focus on the manifold ways in which this world and its power hierarchies were structured by complex ideas about gender and race. From castrated men, or eunichs, sleeping at the foot of the emperor's bed, to saints assigned female at birth who decided to spend their lives as men in male monasteries, this course will ask us to reconsider the assumptions we make about gender and race today, by tracing both how far they have come from the medieval period, and how far they have deviated from it. It will both start and conclude with some bigger historiographical questions: does the existence of race and gender in the past, the realities of racial and sexual hierarchy, offer us an origins story or an opportunity for liberation today?

20 credits

Decolonisation: The End of Empire & the Future of the World

The world was transformed in the twentieth century. A world of empires and colonies became a world of independent states. In this module we analyse this global transformation. Why did it happen - and how? How much really changed? For people around the globe - from imperial rulers in Europe to anti-colonial nationalists in the 'third world' - the crumbling of European empires was an opportunity to shape the future of their own communities and of the world. Sometimes negotiated, often violent, these hard-fought struggles over the future created the world we live in today.

20 credits

Gender and the Georgians: Sex and Society in Britain 1714-1837

Eighteenth-century Britain witnessed great change: historians have argued for a 'revolution' in industry, the 'birth of a consumer society' and the emergence of a 'public sphere' of political debate; global trade expanded, towns grew, and new Enlightenment ideas flourished. In this context, gender identities and roles were redefined, understandings of the body debated, and notions of masculinity and femininity contested. This module explores these ideas about gender, and how they informed people's experiences, from polite fashions to the criminal underworld, bluestocking sobriety to drunkenness in gentlemen's clubs, and from 'subcultures' of homosexuality to the first 'feminists'

20 credits

Gender, Race and Class in Nazi Germany 1933-1945

This module analyses German society from 1933 to 1945 from the perspective of gender, race and class. We will examine the dynamics of inclusion and exclusion under the Nazi dictatorship through the lens of the agency of ‘Aryan’ women and men, the persecution of ‘racially’ defined minorities and by probing into the connections between social class and both consent and popular dissent. While racial categories were pivotal for Nazi policy, their application and their outcomes intersected with issues of gender and class, whether in the forced sterilization of (mostly) women, or in labour market policies that limited gainful employment of women. Through the focus on gender, race and class as dimensions of policy, collective agency and experiences in Germany from 1933 to 1945, the module will offer an introduction into key aspects of the Nazi dictatorship and its dynamics.

20 credits

Holy Russia, Soviet Empire: Nation, Religion, and Identity in the 20th Century

This module explores the twentieth-century history of Russia, the Soviet Union, and its successor states. Rather than approaching this turbulent period in history by focusing on the rise and fall of different political leaders (as is often the case in survey courses), we instead approach this subject through the prism of nation, religion and identity. The course probes the following questions: What did the 'Russian revolution mean for the multi-national empire created by the Romanovs? How far did the communist party manage to create a 'Soviet' identity, and on what was this based? Did the Bolsheviks attempt to create an atheist society succeed? And what happened to 'Soviet' identity when communist leaders began to lose their grip on power in the final decades of the twentieth century?

20 credits

Life Worth Living

What does it mean for a life to go well? How does one live life well? What is a flourishing life? These questions have shaped intellectual endeavour for millennia. Life Worth Living explores approaches to these questions through engagement with diverse traditions/thinkers including classical Greek philosophy, Buddhism, Judaism, Christianity, Islam, Confucianism, Existentialism, Marx, and Nietzsche. The module includes historical analysis of these traditions, visits from individuals whose lives are shaped by them, fieldwork to discuss the ideas beyond the classroom, and assessments to help students develop their own vision of a life worth living.

20 credits

Looking East: British Perceptions of the Soviet Union from the Holodomor to the Early Cold War

In this module you will learn about how Britons perceived the Soviet Union during the Stalin era. You will examine the reasons why some Britons responded in adulatory fashion to the Soviet experiment, and why others saw a malignant force out to undermine Britain's institutions and way of life. You will understand how the Soviet Union was represented across the media and in different cultural forms, and discover what this reveals about how Britons thought about themselves between the 1930s and 1950s; their hopes, fears, and introspection about their place in the world.The module covers key topics that act as landmarks in the chronology of British attitudes to the Soviet experiment, including the Holodomor (Ukrainian Terror-Famine), Stalin's purges, the Nazi-Soviet Pact, the wartime alliance, and the start of the Cold War. The module also considers other less well-known episodes that influenced British perceptions: the Metropolitan-Vickers affair in 1933; the Russophobia of press outlets such as the Saturday Review (1933-1936); and Moscow Dynamo's football tour in November 1945. These incidents will also be set against wider themes that influenced the reactions of Britons, notably the role of 'fellow travellers' and itinerant sceptics, international political dynamics (such as affinity for fascist alternatives), and cultural representations in literature and other media forms.

20 credits

Postcolonial France and Britain: Empire and its legacies since 1945

In 1942, Winston Churchill declared, 'I have not become the King's First Minister in order to preside over the liquidation of the British Empire'. However, between 1945-1960 a quarter of the world's inhabitants revolted against colonialism and colonial rule. So how did we get from Churchill's certainty that the Empire will endure to the emergence of 65 new sovereign states - and what were the consequences in Europe of that massive shift? 

This module looks at postwar Western Europe through an imperial lens, applying new perspectives from the field of postcolonial studies which argue that empire and metropole should not be examined separately. The module covers three main themes: the question of what empire and its loss meant to the colonisers; migration from former colonies to Europe and its consequences; and the memory, representation and historiography of empire. Focusing on Britain and France the module uses a wide range of sources and approaches to explore cultural, social and political aspects of post-colonial Europe.

You will learn what empire meant to Europeans in the twentieth century, and in what ways colonialism and its legacies have shaped the history of Europe since the end of formal imperial rule between 1945 and 1980.  Over the course of the semester we'll examine a variety of topics, beginning with an introduction to postcolonialism as a theory and a means of examining and understanding the world. We'll then start exploring how the colonial empires were perceived at the end of the Second World War. We'll look at the late-colonial state and new forms of colonial rule, including changing ideas about colonial governance, race and equality. Then we'll move to the failure of the late-colonial project: was the decision to withdraw from empire an orderly retreat? In particular, we'll focus on reactions to and debates about decolonisation in Algeria and Kenya in metropolitan societies. We'll examine the experiences of the Windrush generation, and questions of race relations, policing, and the emergence of racial discourses in politics and society.The focus here will be on the 1958-70s for the British case (Enoch Powell) and the 1960s in France with the emergence of the Front Nationale and the emergence of anti-racism campaigns and movements since 1968. We will finish our semester examining the 'second generation' with questions on ethnicity, difference and belonging through the concepts of 'post-colonial fracturing'. Through sport, culture and music we'll look at national identity - was the 1998 French world cup team a representation of multicultural France? We'll end the semester on the question of colonial nostalgia, former settler's repatriation to Europe, and the problems of commemoration in the French case.

20 credits

Religion in an Age of Terror: Ancient Texts and the Making of Modern Israel.

This module will look at the origins, growth and development of conflict and violence in the Abrahamic traditions (Judaism, Christianity and Islam), in order to provide a historical perspective on the roots of contemporary religious violence. The focus of the module will be a case-study on the conflict in Israel/Palestine (especially between 1947-67). Primary source analysis will be of the Bible/Quran (and related material), and the documents relating to the establishment of the state of Israel in 1948. Related topics will include: theories of religious violence; religious terrorism; politics and religion; and the roots of religious 'fundamentalism.'

20 credits

Shell-Shock to Prozac: Mental Health in Britain

This course charts the history of psychiatry and mental health in Britain. We start at the First World War, with the large-scale management of psychiatric casualties (shell-shock). We will look at the uptake of psychoanalysis in interwar Britain, contrasted with 'extreme' asylum treatments such as lobotomy and insulin coma therapy. We shall then gauge the impact of the National Health Service from 1948, the closure of the asylums, and the impact of new drug therapies (including the iconic Prozac). Finally we shall analyse the rise of patient activism, and the emergence of new 'epidemic' illnesses such as depression and self-harm.

20 credits

The Export of England: Seventeenth Century Trade and Empire

This module considers the commercial and territorial expansion of seventeenth-century England. It examines how England's commerce was transformed from the largely bilateral cloth trade with Europe conducted by mercantile corporations, to a multilateral commerce conducted under several conditions (the 'navigation system, 'free trade', joint-stock companies). These changes coincided with the foundation of North American and West Indian colonies, building on earlier experiences in Ireland, and the course will consider their developing relations with the metropolis. Throughout, the focus will be on whether these changes were a consequence of deliberate 'mercantilist' state policies, or of the initiative of thousands of individuals.

20 credits

The Heretic, the Witch and the Inquisitor: The Medieval Inquisition from the Cathars to Joan of Arc

The Inquisition - an extraordinary court instituted by bishops from the 13th century to judge heretics and encourage their return to the Roman Church - marks an important development in medieval history and has played an essential role in modern perceptions of the Middle Ages. By focusing on some of the best known sources of the Inquisition, which have been important in recent historiography as well as contemporary fiction (The Name of the Rose), this module allows you to reflect on how a better understanding of the Middle Ages and a critical questioning of modern prejudices can benefit from each other.

The module focuses on two main source collections (which are available online in English translation): the inquisition record of Jacques Fournier, bishop of Pamiers in South France in the early 14th century, who became Pope Benedict XII, and the two trials of Joan of Arc, i.e., the accusation trial of 1431, at the end of which she was burned at the stake, and the rehabilitation trial of the 1450s that overturned the verdict of the first trial. It examines other forms and continuations of inquisition, such as the Spanish Inquisition (starting in 1478), the Roman Inquisition (which famously condemned Galileo in 1633), and the beginning of the witch-craze of the early modern period in late medieval Europe.

20 credits

The History of American Foreign Relations

George Washington famously warned against 'the insidious wiles of foreign influence' in his farewell address in 1796. But history has challenged any idea of the United States as a self-contained, bounded nation. Rather, the U.S. has played an active role in world affairs and has been profoundly shaped by events and people outside its borders. This course surveys the history of the U.S. in global context, beginning with America's first forays into overseas expansion in the late nineteenth century. We will cover both the major foreign policy moments and trends in U.S. history ;wars, government initiatives and interventions abroad, interstate diplomacy 'as well as the less formal encounters, migrations, and transnational exchanges that constitute American foreign relations. Primary and secondary source readings, lectures, and discussions will pay particular attention to the intersections between changes at home and developments abroad.

20 credits

The Making of Modern India, 1780-1965

Modern South Asian history has been an exceptionally fertile field of scholarly exploration, with many new insights and theoretical developments emerging from this field. This module will study the recent historiographical trends while looking closely at several historical developments during the period of British rule and the immediate post-colonial period. The module will be divided into four parts: the early colonial period, the late colonial period, the period of anti-colonial resistance or the national movement, and the post-colonial/Nehruvian era. The themes to be studied include: land/agrarian settlements, British expansionist policies, the revolt of 1857, the formation of caste identities, British famine policies, socio-religious reforms, Gandhian mass-mobilization, Islamic assertions, the national movement, Nehruvian socialism, partition of the subcontinent, and post-colonial legacies.

20 credits

Trumpism: An American Biography

Donald Trump's election, commentators claim, was unprecedented as well as unexpected: a break with more than two centuries of custom. Yet closer scrutiny of American history suggests Trump is no aberration. The module will interrogate the U.S. past to better understand the present, looking at the likes of populism as a political language, whiteness as a psychological wage, masculinity as a path to high office, protectionism as an economic policy, and deindustrialization as a political spur. By asking historical questions about the roots of Trump's rise, we will situate the American present in a complex and often painful past.

20 credits

Modern Chinese History: Beyond Revolution

This module will examine key themes in the histories of China's short twentieth century, with a primary focus on interpretations of 'modernity' and 'progress', explanations of revolution, and the ways in which new approaches in scholarship have influenced our understanding of China's recent past. While the structure of the module is loosely chronological, the emphasis is not on the detail of events but on the critical analysis of broad social and political changes, and we will examine these through recent historical writing on China and a range of primary textual and visual sources.

20 credits

Modern Japanese History

This module will explore key themes in the modern history of Japan from the mid-nineteenth to the late twentieth century, while developing core skills in reading primary sources and historical analysis. Broad themes include identity and nation-building, social and economic change, war and its practical and cultural legacies. Key sub-disciplinary approaches will be based in social and cultural history, with some excursions into other historiographical approaches. It will be delivered through weekly lectures, and seminars structured around developing primary source analysis skills and relating these to appropriate secondary literature. 

20 credits

History document option module examples:

Document option modules are 20 credits each. Dual honours students have the option to take one document option module.

History document modules have a narrower focus than our standard option modules and usually cover a specific event, a movement, or a moment in time. They help you develop your skills in the use and analysis of primary sources which will be invaluable as you progress through your degree. Dual honours students have the option to take one document option module.

From Democratic Marxism to Dictatorship: the 1973 Coup in Chile

This document option explores the coup of 11 September 1973 as a turning point in Chilean, Latin American and global history. It will use primary sources to explore events on both sides of this critical date, casting light on life in Chile under both democracy and dictatorship. This module will also situate the Chilean coup in international and global history, asking why events in a small Latin American country held such global importance. We'll use government documents to explore why  the United States found it necessary to intervene against the Allende government and assist the reactionary forces who supported the military coup and transcripts of interviews to grasp how everyday life changed for Chileans in 1973. We'll also explore the significance of events in Chile for the wider global Cold War, using music, art and documents left by activists to ask why everyday people in countries across the world - including the United Kingdom - mobilised in solidarity with the Chilean people and in the name of human rights, and we'll also assess the impact this activism had.

20 credits

Murder in the cathedral: the Becket Affair

On 29 December 1170, Thomas Becket, Archbishop of Canterbury, was brutally murdered in his cathedral by four knights of his King and one-time friend, Henry II. In the space of ten years, a close friendship had been ruined, and Thomas' stubbornness, flight to France, and untimely death created additional tensions for the English king. This document option investigates events surrounding Thomas' death and the emergence of his cult. It asks how a minor squabble became a continent-wide cause célèbre, forcing Henry into an act of ritual humiliation to clear his name while ensuring that Thomas' memory lived on.

20 credits

The Irish Republican Brotherhood, 1858-85

Britain's 'Irish problem' has long roots. This document module examines one of the most important violent Irish organisations that challenged British sovereignty in Ireland. Founded in 1858, the Irish Republican Brotherhood (IRB) (or the Fenian movement, as it was also known) was a transatlantic movement dedicated to the overthrow of the British state in Ireland. Fuelled by hatred for the British after the dreadful Famine in Ireland of the 1840s, the Fenians constructed a sophisticated organisation that was part secret society, terrorist cell structure and propaganda machine. It was the early forerunner of the Irish Republican Army. This document option investigates aspects of Fenianism from a range of angles. Using sources written and produced by contemporaries, we will consider the dynamics of the IRB and its place within nineteenth-century Ireland.

20 credits

The Medieval Inquisition

The Inquisition - an extraordinary court instituted by bishops from the 13th century to judge heretics and encourage their return to the Roman Church - marks an important development in medieval history and has played an essential role in modern perceptions of the Middle Ages. By focusing on some of the best known sources of the Inquisition, which have been important in recent historiography as well as contemporary fiction (The Name of the Rose), this document option will help students reflect on how a better understanding of the Middle Ages and a critical questioning of modern prejudices can benefit from each other.

20 credits

The Myth of Venice

Historians typically debunk fabrications, but myths can themselves be the focus of historical study. During this module you will explore the Myth of Venice, its production, diffusion, and reception. On the one hand, Venice was celebrated as the ideal republican government, a bulwark in defence of Christendom, but it was also the city of state terror, secret police, and seductive 'oriental' luxury, famous for its libertine pleasures. The course also considers how these myths have endured and influenced the academic writing of Venetian history, as a city that was somehow unique and 'outside time'.

Across the module you will examine a wide variety of sources relating to the myth, and develop the skills required for their interpretation, including descriptions of the city by Venetians and foreigners; political tracts, histories and satire; paintings, sculpture and architecture; theatre and literature. (All sources are provided in English translation.) The close focus on a single city allows us to cover a broad period of time, from the leading centre of Mediterranean trade in the fifteenth century, to a growing sense of the city as a centre of tourism and idle pleasure in the eighteenth century, to the city as a symbol of a romantic past in the revolutionary era of the nineteenth century.

Throughout the module a lot of emphasis will be placed on interactive learning activities. During the lecture workshops, you will engage with materials through interactive exercises. In the seminars, you will be asked to take responsibility as part of a small team for leading the learning activities. As well as having the potential for being a lot of fun, this is also important for developing key transferable skills - my past students have commented how useful they found this for their development and how much they enjoyed doing it.

20 credits

The Putney Debates, October 1647

Following the first English civil war there was political stalemate over the post-war settlement. By late 1647 there were calls for revolutionary political change, not least at the famous Putney debates. They came at a crucial moment in the development of the revolution, and successive editors between 1891 and 2007 presented the records of the debates in varying contexts in order to reveal the fundamental significance of the revolution. This module explores the background to the debates at Putney, what was said, and also considers how different editions of the debates reflect the shifting significance attached to the English revolution.

20 credits

The Ten Commandments

This document option examines the Ten Commandments, perhaps the most well known 'legal' code in the world. Through the close study of key primary sources from the Hebrew Bible and the cultures that informed its writing, all readily available in modern English translation, the module explores the ancient Near Eastern context for these commands, the four texts in the Hebrew Bible that contend for the name Ten Commandments, and the role this text played in the political, social, economic, and ethical aspects of ancient life.

20 credits

Welfare children: the state, the family, and society in modern Britain

This module charts the rise and decline of the welfare state through its influence of modern British childhood and on the family. With a particular focus on primary sources, it traces the ideological origins of welfare in British imperialism and eugenics, and is attentive to those who have been excluded from so-called universal entitlements. It engages with the scholarship of Black feminists who have termed the 'welfare state' a 'malfare state'. We will examine the everyday lives reshaped by the state - through healthcare, work, education, housing, and maternity services - in the second half of the twentieth century, paying particular attention to the way that the city of Sheffield shaped and was shaped by the welfare state. We are also interested in the way that the political economy, specifically the shift from Keynesianism to Neoliberalism - changed society and the state. How did ordinary men, women, and children experience major economic change, and how did they challenge - or promote - these changes? In Sheffield, a city shaped by steel and then mass unemployment, this is a particularly fraught history. We draw on a number of different historiographical and political traditions in this course, including socialism, feminism, and liberalism. Primary sources are central to our analysis.  We nuance our understanding through sources ranging from private diaries, family photographs, and archival ephemera through to political speeches and to public buildings, including those we see around us every day in the city of Sheffield. 

20 credits

Music

Optional modules range across performance, composition, musicology, music psychology, ethnomusicology, music technology, and musical industries.

Some modules run every year, and some run every other year. Some modules are open to both Year 2 and Year 3. These strategies enable us to offer a wider choice of modules.

Every Year:

Intermediate Performance

This module will introduce you to performance practice and techniques related to performance at an intermediate level. It will act as preparation for advanced performance in Year 3 Recitals, and builds on the foundation work completed as part of Performance in Year 1. You will take individual instrumental/vocal lessons, which will run alongside workshop-based lectures throughout the academic year. You will also attend 6 lunchtime, rush hour or evening concerts across the year and write a short critical review.

20 credits

Intermediate Composition

This module follows on from Composition in Year 1 to support the development of your compositional practice. You will study more advanced techniques of 20th and 21st Century classical music and develop strategies for making longer pieces. You'll write for small ensembles and soloists, including collaboration with advanced performers taking the MA Performance Studies, and you will have opportunities to get your work played in concerts. This work will prepare you for other composition-related modules, including Portfolio of Compositions and Special Project in Year 3.

20 credits

Creative Applications of Music Technology

This module will introduce you to a range of technologies that might be used for creative purposes and provides an opportunity for further electronic music composition. The module necessarily focuses upon the science of music (sound and the digital medium, filters, reverbs, synth design, computer music programming) before engaging with the construction of two works: one that is very synth driven (a dance music style) and one that further develops your electroacoustic music study. The technological aspects of the module are quite broad and strengthen essential transferable skills and computer literacy. The creative aspects of the module develop your original composition profile whilst augmenting skills in sound design and commercial composition.

20 credits

Work in Music

The module provides an opportunity for students to examine in depth a working environment of interest to them and to undertake work-related learning through contact with a professional music setting. Students will take responsibility for approaching and communicating with external music organisations and professionals with a view to securing advice or practical experience. Module tutors will provide support and will also have access to a directory of local and national organisations that students might approach. Through seminar sessions, students will be supported in developing clear aims and objectives for the module and will receive guidance regarding module assessments. Through experience of a work environment, students will develop specialist knowledge, reflective skills and a critical awareness of primary research methods.

20 credits

Alternative years:

Creative Performance

This module introduces you to contemporary, jazz and classical improvisation. By learning and developing these skills over a series of practical and taught sessions, you will become more flexible and confident as a performer.

20 credits

Ensemble Performance

This module will present you with the opportunity to develop ensemble performance skills in a supervised situation. You will form an ensemble with fellow students prior to the module commencing, and your ensemble will programme a contrasting selection of repertoire for study and public performance. Particular attention will be paid to ensemble considerations, though technical matters and the development of stylistic awareness will also form an important part of the module.

20 credits

Orchestral Technique

This module covers the essential knowledge and skills for scoring music for symphony orchestra, as well as for smaller groupings of orchestral instruments. The module equips you for arranging and writing music for ensembles you might find yourself working with in the future, as a player, composer, conductor or teacher. The Orchestral Technique module is appropriate for all music students, but is particularly important for those specialising in composition. It will give you relevant knowledge of instruments, repertoire and techniques, and also provide the background training you will need for composing for media and film, and for live performance.

20 credits

Sound and Moving Image

This module gives you the opportunity to compose sound and music for film and other visual media, and position sound and music within the filmmaking process. Using a variety of software, you will be responsible for the entire project from the ideas stage through to the creation of all audio materials. A diverse range of existing movies, audiovisual works and relevant literature will be studied, and you will be expected to use these to inform your own work.

20 credits

Music in Renaissance Europe

This module will introduce you to European musical cultures in the fifteenth and sixteenth centuries and the research methods through which they are discovered and studied. You'll investigate the roles played by music in the everyday life of street and home, as well as in religion and politics.

The module links music to some of the big critical themes in the European history of the period, including Europe's expanding international horizons through trade and colonialism, the dramatic increase in the circulation of books thanks to new printing technology, and conflict both within and between religious faiths.

20 credits

Baroque Music

Public knowledge of baroque music today is shaped by the predominance of a canon; of music considered authoritative or great,; which for ideological and historical reasons is dominated by white European male composers. This module sets out to help change that. Students will investigate music created using staff notation between c.1600-1750 by a musician who was NOT a white European man, which is obscure or completely unknown in the present day.

Teaching will use case studies to explore the skills required to transcribe and research Baroque music—such as literature search, accessing and working with Early Modern primary sources, analysing baroque music (including, where relevant, song texts), transcription and editing of music and text, researching baroque performance practice, contextualising music, addressing issues of gender and ethnicity critically within a historical frame.

20 credits

Mozart in Vienna, 1781-1791

In this module, you will examine Mozart's career as performer and composer in Vienna (1781-91), looking at the environments and circumstances in which he worked and the aesthetic contexts in which he thrived. Topics will include: the circumstances that led Mozart to move from Salzburg to Vienna in 1781; his career as a performer; aesthetic, historical and contextual issues in 1780s Vienna; Mozart's instrumental, operatic and sacred works composed in Vienna; and Mozart's status as a musical-cultural icon in the nineteenth and twentieth centuries.

20 credits

Opera and Identity

This module gives you the opportunity to explore, understand and debate contemporary critical issues about the relationship between opera and identity. Focussing on opera from 1800 to the present day, the historical and social contexts surrounding the creation, premiere, and reception of opera forms the backdrop to the study of individual works in relation to topics including race, gender, sexuality, class, colonialism, religion, exoticism, political ideology, and national identity. From exoticised 19th-century Italian constructions of Egypt, through to the interplay of gender and sexuality in the depiction of pop culture icon Anna Nicole Smith, the operatic stage provides a forum for the consideration of some of society's most pertinent and widely debated issues.

20 credits

Analysis of Classical and Early Romantic Music

This module will introduce you to musical analysis in the western classical tradition. The emphasis is on the internal and external workings of musical forms in the late eighteenth and early nineteenth centuries, focussing on Haydn's and Mozart's mastery of standard classical forms, on Beethoven's formal manipulations, and on the interaction of form and expression in the early nineteenth century (e.g. Schubert and Chopin).

Topics will include: motivic, thematic, melodic and rhythmic manipulation; interrelationships between counterpoint, harmony and melody; standard formal patterns; formal expansions and contractions; wit and humour in the late eighteenth century; expression and form.

20 credits

The Broadway Musical

This module addresses the development of the Broadway musical, focusing on leading figures and critical issues. It looks at shows such as My Fair Lady and Oklahoma!, examines aspects of identity such as race and sexuality, and unpacks the collaborative nature of the genre. Alongside lectures on set works, you will pursue an individual project on a topic of your own choice, allowing freedom to identify with the work being studied.

20 credits

Jazz Studies

This module introduces some of the key figures and developments in the history of jazz, from its origins as an early twentieth-century American music, to its various contemporary manifestations across the world. You will engage with the contexts and debates that have shaped (and continue to shape) the performance, reception, representation, and study of jazz music, and will conduct independent research into a jazz-related topic of your choosing.

20 credits

Topics in Popular Music

In this module you'll explore in depth a range of models, case studies and themes for the study of Popular Music. You'll be introduced to varying analytical and critical approaches to the study of popular musics in global perspective, with topics including (e.g.): how popular musicians learn; popular music and humour; popular music as world music; reading popular music 'texts'; understanding business models; and conducting a popular music ethnography. As well as developing a factual knowledge of the genres covered in the module, you will develop a critical awareness of research methods and discursive themes in the field of popular music studies.

The module aims for diversity both in the styles and population groups represented and in the critical and analytical approaches discussed. The exact topics may vary with the specialisms of the teaching team, but you'll always be free to formulate a focus that interests you for your assessed project, which you'll develop with regular input from tutors and peers.

20 credits

Musical Culture in East Asia

This module introduces the musical life of East Asia, including China, Korea, Japan and neighbouring areas, in historical and cultural context. While emphasising traditional East Asian music and musical theatre, you'll also examine East Asia's participation in the culture of Western-style classical and popular musics.

You'll learn to recognise many forms of East Asian music and explain how they use sound in pursuit of particular cultural goals. You'll also carry out a guided research project on a cultural, historical and/or analytical topic in East Asian music.

20 credits

Traditional Music in the Modern World

This module will introduce you to the study of folk and traditional music, focussing on a range of contemporary folk music cultures. You'll learn to use a range of approaches (ethnomusicology; critical and culture theory; political theory) to consider the traditional identities these music cultures construct, and how they relate to their modern, economic, political and technological contexts. Past and current definitions of the terms folk music and traditional music are explored, and music cultures are investigated in terms of specific debates and contexts, such as revivalism, nationalism, institutionalisation, competition and education.

20 credits

Ethnomusicology

This module introduces ethnomusicology as a way of researching musical culture, with selected musical traditions explored as case studies in applying and assessing ethnomusicological methods. These methods typically emphasise 'ethnography', in which the primary sources are live human beings and knowledge is produced by interacting with them through musical participation, observation and interviewing.

You'll have the opportunity to conduct an ethnographic fieldwork project, either face-to-face or 'virtual', and write up the results in your assessed work. Alternatively, you can submit an essay examining published ethnomusicological research on a specific topic. Either way, you should reflect critically on how musical knowledge is produced by ethnomusicological methods.

20 credits

Psychology of Music: methods and applications

This module lays the foundation for you to be able to research a music-psychological topic using psychological research methods and consider its relevance for musical life and the music profession. You'll work on developing skills in psychological research approaches, through teaching that is problem-based, meaning that you will work on research design and data collection methods to tackle an issue or problem that may be encountered in musical contexts. A combination of methods is considered including qualitative and quantitative data collection, reflection, observation and literature research. Included problems may relate to musical development, psychology of performance, and music engagement.

20 credits

Music and Wellbeing

This module introduces you to the important ways in which music contributes to our sense of wellbeing. Wellbeing is not simply about feeling ok but has health implications for society. Music plays a vital role in fostering wellbeing. In the module, we cover four distinct areas where health and wellbeing may be challenged; these include special educational needs in schools, the use of music for people with dementia, as well as some specialised clinical settings where music is used. As part of your work on the module, you will be able to design your own music intervention.

20 credits

Music Psychology in Everyday Life

This module will introduce you to theories, empirical investigations and applications of music psychology relevant to everyday life. You will learn about the diverse uses of music in everyday situations, which may include personal, communal and commercial settings. The reasons for music use in these situations are explored and possible explanations of music's ability to support functions are critically reviewed, including social, emotional, personal, educational and commercial impacts. The module will be delivered through lectures, group discussions, and small research projects.

20 credits

Community, Music and Education

This module will engage you in the current debates and practices of music in education and community settings, from the formal classroom setting and instrumental studio, through the work done by community support groups, to more recreational musical practice in the community. Questions of music's place in the curriculum, the relationship between school and home music, and the challenges of providing a vibrant musical education for all people, will be addressed in lectures and discussions.

You will work in mentored groups to investigate and support community music-making or school-based music education in Sheffield, building your skills as a researcher, and learning about career options including teaching, delivering and managing music provision for young people and vulnerable adults. You will finish the module knowing more about music and its contribution to education and society, through your critical reflection on published research evidence, and through school and community fieldwork visits.

20 credits

Sound Recording Practice

This module examines the fundamental theories of recording. Focussing upon the recording of both sound and music, it provides you with an opportunity to realise an original track. The module engages briefly with technical aspects of recording (microphone types, sound file formats) before using practical work and listening to decide upon choice of microphone, placement and capture. By making field recordings, location recordings, and session-based recordings, you will acquire a broad understanding of relevant issues and methods. The mixing and mastering of session-based recordings results in your finished track and helps you develop the skills required in the professional sound studio.

20 credits

History optional module examples:

There are two dissertation options available. All students can choose to take the 20 credit short dissertation. Students who wish to major in History can choose to take the 40 credit dissertation; in this case the dissertation must be taken in combination with a Special Subject.

In addition to the modules listed below, we expect you to have the opportunity to take a new module that will give you the chance to build on your core work in your second year and learn how to navigate conflicting and controversial disputes in history and historiography by focusing on a single interpretive issue.

Dissertation

The Dissertation in History is an exercise of 9-11,000 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and the availability of sources. In each case students work independently under the guidance of a supervisor.

40 credits

Short Dissertation

The dissertation in History is an exercise of 7,500-8,500 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and an availability of sources. In each case students work independently under the guidance of a supervisor.

20 credits

Making History Public

This core module is designed to allow students the opportunity to produce a piece of public history. It will equip students with the skills required to effectively communicate their scholarly research to a non-academic audience, and develop transferable skills beyond the traditional academic skills of a History degree. Drawing on any aspect of their experience as History undergraduates, students will design and produce an accessible digital artefact presenting a topic or theme of their choosing. Students will be supported by workshops and seminars to identify suitable topics and develop communication and digital skills central to public history, and will also be encouraged to bring their extra-curricular skills and interests to this module. A virtual exhibition will showcase student work to the whole History community. In addition, students will submit an interpretative written exercise, situating and explaining the artefact they have created and analysing their experience over the course of the module.

20 credits

History Special Subject examples:

Special subjects are 40 credits each. Dual honours students have the option to take one special subject.

Cannibals and Christians: Mexico and Spain, c.1492-1600

This module examines the extraordinary clash of cultures which occurred following the 'discovery' of America, and the reciprocal relationship which developed between Europe and the 'New World' in the sixteenth century. Focusing on the sixteenth-century discovery, conquest and settlement of Central and South America, especially Mexico, the module will address such themes as the nature of the encounter, the intellectual and cultural impact, trade and exchange, migration, evangelisation and empire. The module addresses the encounter from a wide range of perspectives, evaluating the encounter from the viewpoint of sailors, conquistadors, priests, historians, explorers, missionaries, administrators and the indigenous people themselves.

40 credits

Fascism and Anti-Fascism in Britain, 1923-1945

This module examines three inter-related issues in order to assess the impact of fascism in Britain between the wars. Making full use of one of the best archives for this purpose in the country held here in the Special Collection of the University Library, first we examine the political organization, the ideas and the culture of 'native' British fascism from its inception in 1923 to the Second World War. Second, we move on to explore active and ideological resistance to British fascist and racist organisations by a loose coalition of Communists, Socialists, Liberals and even Conservatives, as well as the resistance mounted by those religious and ethnic groups most affected by fascist racial provocation and violence. Third, we will consider how contemporary interpretations of fascism, and formal and more informal relations with the European dictatorships, contributed to the National Government's policy of appeasement on the one hand, and, on the other hand, to the greater definition of what was quintessentially 'British' about Britain's war aims with the outbreak of World War Two. We will approach these topics by analysing primary source material, including political pamphlets and propaganda, newspapers, public records, memoirs, oral testimonies, visual material, film and recordings, and novels.

40 credits

Italy in the Age of Dante, ca. 1200-1350

In the 13th and 14th centuries, northern-central Italy was one of the most urbanized, economically dynamic and culturally innovative parts of Western Europe, to the point that important scholars of the past have seen the Italian city-states as forerunners of modern concepts of republicanism and individualism. The cultural efflorescence of this period is still visible in the historical city centre of many Italian towns, in the frescoes of Giotto, and in the literary works of authors such as Dante Alighieri (1265-1321), best known for his exploration of the Christian afterlife in the Divine Comedy. And yet, Dante's Italy was also plagued by instability, civil wars and factionalism, as exemplified by the poet's banishment from his city, Florence, on account of political rivalries. How did the Italian city-states manage to flourish economically and culturally in such a fraught political landscape? How could they reconcile intellectual sophistication and religious revival on one side, and significant levels of violence and turmoil on the other? This module will make use of sources such as artwork, chronicles, literature and charters to explore various facets of the political, social and cultural life of the communes with the aim of providing a deeper understanding of this multi-faceted society.

The module will introduce you to the political, religious, social, and cultural landscapes of the Italian city-states between the 13th and the 14th century. It will develop your awareness of the historiographical interpretations of the period and its key features, e.g., the communal movement, merchant capitalism, the 14th century crisis and lay sanctity.

40 credits

Mao and the Making of Twentieth-Century China

In 2015, citizens in Henan Province erected a 120-foot gold statue of Mao Zedong, which was swiftly torn down on government orders. Why does Mao still provoke such strong feelings? To some he is a monster: history's greatest mass murderer. But recently historians have painted a richer picture of Mao's China, trying to understand its social character, political culture, and role in Cold War rivalries. Focusing on the origins, character, and legacy of Maoist rule, and devoting most of our attention to the period between the declaration of the People's Republic in 1949 and Mao's death in 1976, we will use translated primary sources, a rich visual culture, and a burgeoning scholarly literature to explore Maoist thought and its critics; major upheavals like the Great Leap Forward and Cultural Revolution; and everyday life under 'Communism with Chinese characteristics'.

40 credits

Nomadland: The Peoples of the Steppe, 600-1000

Nomads are the dark matter of history. Choosing neither to produce written sources, nor found cities which are the usual target of archaeology, they defy the typical means of investigation of the historian. Yet their political impact – from the Huns of Attila to the Mongols of Ghengis Khan – was vast. Fear of the nomad other, framed in terms of barbarism, is one of the defining literary themes of the settled civilisations who were their neighbours. This fear had a huge impact on settled society: the Great Wall of China was built to keep nomads out.This course asks how we can look beyond the fearsome, caricatured image produced by sedentary authors to reconstruct the politics, mentalities, and lifestyles of these crucial agents of pre-modern history. To do so, we will focus on the varied experiences of the nomadic peoples who emerged in the aftermath of the disintegrations of the great Turkic Khaganate in the seventh century. The Khaganate stretched over the vast, flat, grasslands of the Steppe, from China to Hungary and its successors settled regions across modern day Kazakhstan, Uzbekistan, Russia, Ukraine and the Balkans. These new peoples and their cultural and political choices fundamentally transformed the region, and had a profound impact on the great empires around them, namely Byzantines, Sassanian Iranians, and the Islamic caliphate.Throughout, we will use material culture and sources written originally in Greek, Arabic, Armenian and Slavonic (all available in modern English translation), to ask: how do we write a history of a people who chose not to write? 

40 credits

Permissive Britain? Social and Cultural Change 1956-74

This module explores British society and culture as the nation moved from an era of austerity to one of unprecedented affluence. Key topics include the impact of affluence on class and gender relationships, the emergence of a national youth culture, changes and continuities in sexual behaviour, and debates about immigration and race. The unit encourages students to assess the significance of reforming legislation that relaxed the censorship regime, decriminalised homosexuality, enabled easier access to abortion, liberalised the divorce system and abolished capital punishment, examining the arguments of those who resisted, as well as those who championed the 'permissive society'.

40 credits

Popes, Caliphs, Emperors, ca. 1130-1215

The Crusades are known as religious wars, in search of the earthly and heavenly Jerusalem. Yet they were only part of the complex interactions between peoples of different politics, religions, and cultures in the medieval Mediterranean basin. Using sources including histories, letters, buildings, art and mosaics, this module will examine how religion intertwined with medieval politics, culture and society. From Iberia to Jerusalem, and from Italy to Africa, we will investigate religion's role in expressing political power and in the everyday life of the people who lived there. How was religious authority received, understood, and contested by contemporaries?

40 credits

Red Continent: Socialism in Twentieth Century Africa

When we think about the history of 'socialism', we might first consider Marx and Mao, Lenin and the Soviet Union, even Castro and Cuba. Africa rarely features in these conversations. Yet no fewer than 35 African countries claimed to be 'socialist' at some point in the late twentieth century. There was little consensus as to what 'socialism' meant in Africa, however. To some, it was a homegrown ideology, with its origins in 'traditional' village life. To others, it was a set of imported theories that could propel anticolonial liberation struggles. Critics alleged that Africa's socialists were simply pawns of Cold War superpowers. Socialism's proponents responded that they were building a new future after empire - a vision which had evaporated by the end of the century, but increasingly of interest to historians today.

Rather than seek an encyclopaedic understanding of socialism in every African country, this special subject module combines in-depth studies of key cases with the study of broader, transnational themes. We will examine the political thought of major thinkers, including pan-Africanists among the diaspora, anticolonial leaders, and public intellectuals. We will assess the 'African socialist' project in Tanzania and the military dictatorship in Ethiopia which preached Marxist revolution. Yet no leader or government controlled the meaning of socialism, as their visions were challenged by students, workers, and women's activists. Locating African socialism in a global context, we will follow the transnational journeys of these figures as they forged relationships with Cold War actors and contributed to the radical project of the Third World. 

The thematic classes will trace connections and divergences between these socialist experiences in Africa. We will investigate the role that the media played in communicating socialism. We will understand how artists, directors, and novelists all engaged with the ideas of socialism. The module will take us into the villages, to see how rural communities responded to state-making projects which were imposed from national capitals. Then we will explore the concrete design of Africa's 'socialist cities' and the livelihoods of the men and women who lived among them. Finally, we will gain an understanding of life in post-socialist Africa and ask 'what's left of the African left?' 

In this module, students will work with a wide range of primary source material. This includes excerpts from the work of major African intellectuals, like Kwame Nkrumah, Léopold Senghor, and Julius Nyerere. Students will examine how these ideas were put into practice (or not) through material drawn from government archives and diplomatic cables. Moving beyond the vision of the state, we will also analyse student magazines, film, poetry, fiction, street photography and architecture. All source material and secondary reading will be provided in English, either as original or in translation.

40 credits

Resistance & Liberation in South Africa: Gandhi to Mandela

This module analyses resistance to segregation, apartheid, and white supremacy in South Africa. Drawing upon memoirs, oral histories, novels, films, speeches, news reporting, online databases, and document collections, we begin with the non-violent campaigns led by Mohandas Gandhi in the 1900s against the segregation of Indians in South Africa, and end with Nelson Mandela's election as president in the country's first non-racial democratic elections in 1994. We will explore the inspirations, nature, and effects of a wide range of forms of political, social, and cultural resistance by opponents of white supremacy - from ordinary people to elite politicians - both inside South Africa and around the world.

40 credits

Revolution, Dictatorship and Democracy in Latin America, 1944-90

This special subject uses the three themes of revolution, dictatorship and democracy to examine the history of Latin America in the second half of the twentieth century. Beginning with Guatemalan Revolution (1944-54), this module explores key events over the next four decades, including the Cuban Revolution of 1959, the rise of anticommunist dictatorships across the region in the 1960s and 1970s, the Nicaraguan Revolution of 1979, and the 'Third Wave' of democratisation that swept the region in the 1980s. Throughout, we will identify and analyse regional trends in Latin American history while remaining attentive to national dynamics. In particular, this module will focus on two subregions of Latin America: the Southern Cone (especially Chile, Argentina and Brazil) and Central America (especially Nicaragua, Guatemala and El Salvador). Primary sources will include government documents, speeches, visual sources and other cultural outputs, including song, poems, and testimonials. This mix of different sources will allow students to consider the ways in which gender, race, and class all shaped how different Latin Americans experienced the second half of the twentieth century.

40 credits

The National Security State, Treason, and Individual Rights during the Twentieth Century

National security scares over 'whistleblowers' such as Edward Snowden, Chelsea Manning or Kathrine Gun have catapulted the image of the 'traitor' back into public discourse. At the same time, controversies over Wikileaks' political agenda and Russian interference with the Brexit referendum and the 2016 US presidential elections were as much discussed in terms of British and US national security as a threat to the security of 'the West' as a whole. These conflicts stand at the end of a century that has seen the rise of the modern surveillance state and transnational security frameworks organized through institutions such as Interpol, NATO, and the Warsaw Pact states (until 1989/91). 

Over the course of the 20th century, more and more people saw themselves suspected of betrayal of the community. The First World War transformed older clearly defined criminal offenses of 'high treason' against the sovereign and their immediate family members to wider accusations of treason against the nation, state, and people. The rise of communism and fascism triggered the building of new domestic public security apparatuses in the interwar period. War crimes and genocide of the Second World War further complicated debates on the morality of collaboration with the enemy. In response, security agencies professionalized their work and the early Cold War saw calls for transnational bloc-wide security regimes to combat subversion by the Cold War enemy. Since then, state surveillance has come to be seen more and more as a constant everyday threat to privacy and individual rights after the digital revolution of the 1970s. 

In this special subject, we explore through rich source material the political, emotional, social, and cultural dynamics that were at play when individuals or groups from across Europe, the US and Soviet Union were accused of betraying society. We will consider how people's ethnic, gender, and class background impacted their fate of becoming 'traitors'. Taken together, their cases will provide answers to the central question of how demands for the professionalization of the national security state have impacted ordinary people's lives and rights under different forms of government and how they shape our contemporary understandings of democracy and authoritarianism.

40 credits

The Rise and Fall of the British Transatlantic Slave Trade, 1640-1807

The transatlantic slave trade is the largest forced migration in human history. Europeans transported 12 million captive Africans across the Atlantic Ocean between the sixteenth and nineteenth centuries. This contributed to the development of a transatlantic economic system that linked three continents - Europe, Africa, and the Americas - and which funnelled wealth created through the exploitation of enslaved Africans into the hands of Europeans.  Britain was the pre-eminent slave trading nation of the eighteenth century. From 1640 to 1807, British vessels trafficked 3.2 million captive Africans across the Atlantic to work in the plantation economies of North America and the Caribbean. This module traces the rise and fall of Britain's participation in the transatlantic slave trade, studying developments in West Africa, the Caribbean, and Britain, and exploring the linkages between the three. It begins in the seventeenth century with the corporate activities of the London-based Royal African Company, moves into the eighteenth century when non-corporate merchants based in the outports of Liverpool and Bristol dominated the trade, and ends with Abolitionist efforts to abolish British involvement in the trade in the late eighteenth and early nineteenth centuries.  The module is fully Atlantic in scope. Using a wide range of primary and secondary sources we will analyse the process of cross-cultural exchange on the West African coast, the horrors of the Middle Passage, the exploitation of enslaved Africans in the Caribbean plantation system, and the direct and indirect impacts of the transatlantic slave trade on early modern Britain. We will make regular use of case studies to explore the history of the transatlantic slave trade 'from below', foregrounding the lived experience of enslavement for captive Africans and the vital role of African Abolitionists in precipitating the process of abolition.

40 credits

The United States and the Cold War, 1945-1975

The Cold War shaped American foreign policy as well as domestic politics and culture for much of the second half of the 20th century. But how all-encompassing was the Cold War? How did non-state actors react to and influence the course of its development? And how 'cold' was the Cold War? This module will examine the Cold War with fresh perspective. We will revisit the traditional historiography, which focuses on high policy actors and U.S. relations with the Soviet Union. But we will also gain new insight from an emerging literature that challenges such a deterministic and elite framing of what was a global conflict that involved multiple actors at all levels of society, many of whom brought with them complex motivations that existed prior to, or outside of, the rigid Cold War binary. In addition to these secondary sources, we will explore a wide range of primary source material, from declassified State Department documents to Third World assertions of sovereignty to popular films and novels.

40 credits

The Wars for Vietnam: Empire, Decolonisation and Liberation

In the middle decades of the twentieth century, Vietnam was wrenched by wars: a world war, a war of decolonisation, a civil war, the Cold War, and a war against its erstwhile communist allies. By studying these conflicts, we not only learn about modern Vietnam, but also the French empire, U.S. foreign policy, and communist internationalism in the mid-20th Century. As case studies, these wars shed light on larger global processes of imperial conquest, decolonisation and neo-colonial control, communist revolution and the limits of internationalism. As an archetype of national liberation, events in Vietnam also profoundly shaped anti-colonial struggles around the world and social movements in the United States and Europe, from Black Power to the women's liberation movement. This module explores the wars for Vietnam through the themes of empire, decolonisation, and liberation, paying close attention to Vietnamese perspectives, exploring the role of France, the United States, the Soviet Union, and China, and uncovering the global reverberations of these conflicts. We will investigate the historiography which set the broad parameters of debate, as well as newer scholarship which has challenged these orthodox interpretations, and we will examine a wide range of primary sources, from government documents, memoirs, and oral histories, to images, fiction, and film.

40 credits

The West & the East in each other's eyes 1850-2000

The idea that the 'East' and the 'West' are fundamentally different in their thinking and values and are locked in a mutually antipathetic 'clash of civilizations' is an age-old one. It has been argued by European and Asian politicians and writers alike, by imperialists and anti-imperialists, 'orientalists' and their critics, and has been manifested in a range of approaches and ideologies, including 'Orientalism', 'Occidentalism', pan-Asianism, pan-Islam, and Samuel Huntington's notorious 'clash of civilizations' thesis. It has fed into both colonialist and anti-colonialist thought. This course is intended as a case study in the history of ideas. We will investigate how ideas of a division between 'West' and 'East' have been expressed and developed in the late 19th and 20th centuries and how they have been deployed by politicians in a range of different countries and contexts. We will also examine some of the more subtle, alternative formulations of East/West cultural difference, assimilation and appropriation that have been articulated in the same period. The course will encourage you to rethink how cultures relate to each other, and about what is distinctively 'Western' or 'Eastern' about political and economic organization, human rights, democracy and secularism. Can we really talk about 'East' and 'West' as meaningful categories, and if not, when and how did people start using these terms and why, and what does that tell us about how we should understand the world and write about it? In semester 1, after an initial introduction of the themes and questions of the course, the next 4 weeks ('the West looks at the East') will analyse Western accounts of the East. The second half of the first semester ('the East looks at the West') then undertakes a chronological and thematic analysis of the different ways in which Asian governments and writers have understood, analysed and critiqued the West and its values. The second semester ('the East looks at the East') concentrates on how Asian governments and thinkers have understood the East, and their views of how far it can be said to enshrine coherent non-Western values. As well as studying transnational movements (pan-Asianism, pan-Islam and the Non-aligned Movement), we will also study selected Asian writing on democracy, human rights, nationalism, and secularism up to the present day.
During the course we will be using a wide range of documents in translation - from constitutional debates, political tracts, government declarations, policy documents and educational literature, to travel accounts, speeches, letters, poetry and images.
The course is intended to help you to rethink how you understand Western and non-Western cultures and to provide you with a more informed sense of the roots and nature of current global geo-political and cultural tensions.

40 credits

The World of Intoxicants in Early Modern England

Intoxicants were a key feature of early modern societies. This is as true for 'old' world alcohols like wine, beer, ale, and other fermented drinks as it is for 'new' intoxicants like opiates, tobacco, sugar, caffeines, chocolate, and distilled liquors that began to enter European diets after 1600 from the Levant, the Americas, and Asia. Focusing on intoxicants in England, this module considers a) the ongoing importance and, indeed, increasing significance of alcohols to culture, society, and economy over the course of the seventeenth century and b) the introduction and popularisation of new intoxicants over the same period.

40 credits

Tools of Empire? Medicine, Science and Colonialism, 1800-1950

Western science and biomedicine have, for long, been seen as symbols and agents of progress. Research in the last two decades has, however, revealed their close ties with the history of colonial conquest and rule - so much so that scientific discoveries such as guns, steamboats, and quinine have been seen as 'tools of empire'. This module will, however, go beyond this fact and discuss much larger questions of equal relevance. It will, for instance, deal with the question of the 'consumption' of science in the colonies, the role of the colonies in constituting western science, the role of medicine in furthering colonial hegemony, the 'reinvention' of traditional sciences such as Unani and Ayurveda under colonial influence, the relationship between scientific centres and peripheries, and post-colonial developments with respect to medical and scientific administration. In exploring these themes, the module will not limit itself to any particular region, but will draw upon readings from South Asia, Africa, and the Americas.

40 credits

Visions and Violence: race, empire and identity in mid-nineteenth-century Britain

British expansion did not result from a single, coherent imperial strategy, or a fit of 'absence of mind'; it developed from specific cross-cultural encounters and competing colonial visions. Some saw the Empire as a place of adventure, others an opportunity for Christianisation, still others as a 'New World' in which to build a Greater Britain. These visions were always contested and challenged both overseas and in Britain. This module explores these contested visions and the impact of empire at home. It is structured around different 'visions of empire' including those of humanitarians; missionaries; settlers; travellers; scientists and the British public.

40 credits

The Great Depression in the Age of Empire

During the interwar period, the United States and European nation-states were thrown into near simultaneous and deep social and economic crisis, ushering a decade of de-globalization, which was spurred by deep financial and monetary crisis, the breakdown of international trade, protectionism, border closures, and world-wide disruptions in the production and circulation of goods and foodstuffs. But what did interwar de-globalization mean for the colonial world? This course will explore the joint crises of European colonialism and capitalism during the 1930s. Using case studies from the British, French, Dutch, and Portuguese colonial empires in Africa, Asia, and the Caribbean, the course will examine the politics of European imperial economic blocs while seeking to move beyond Western-centric understandings of this global crisis. Bringing together perspectives from political, economic, social, intellectual, and cultural history, we will look at the workings of colonial capitalism, commodity production patterns, the role of imperial states in the management of colonial economies, peasant uprisings, and urban strikes. Sources may include pamphlets, novels, administrative documents produced by colonial states, peasants' petitions, labour control devices and objects (e.g. workbooks, tax receipts), films, etc. 

Topics for discussion will include channels of contagion of economic crisis to Asia, Africa, and the Caribbean; responses of colonial powers and nominally independent nations; the collision of imperial and indigenous capitalisms; debates about industrialization and manufacturing; overlapping political, social, and economic crisis; and the roots of decolonization. A century after the onset of the 1929 Wall Street Crash, and the beginning of a decade of global economic fragmentation or 'de-linking', what can we learn from the experience of countries which were then under formal and informal colonial rule? Did they manage to 'weather the storm' or did the crisis on the contrary reveal and exacerbate irremediable tensions? 

This course seeks to introduce students to the various ways in which a crucial episode of economic crisis has been experienced and discussed in areas of the world which are known today as the 'Global South' and whose economic and political role will shape the twenty-first century. Through critical engagement with a wide range of historical sources, they will develop the skills to distil arguments and marshal relevant evidence.

40 credits

Music

Final year dual students must take at least 20 credits from among the project modules. Optionally, you can also take a second project module at 20 or 40 credits.
Additionally, optional modules range across performance, composition, musicology, music psychology, ethnomusicology, music technology, and musical industries.

Some modules run every year, and some run every other year. Some modules are open to both Year 2 and Year 3. These strategies enable us to offer a wider choice of modules.

Project modules (run every year):

Recital

This unit constitutes a practical examination of a cross-section where each student will explore and investigate appropriate styles of interpretation and performance for a representative range of repertoire, from the classical period to the present day, the whole informed by reference to recent musicological scholarship and current theories relating to performance practice. Work will be supported and supplemented by individual instrumental instituton. If preferred, a themed recital may be programmed. A 45-minute public recital demonstrating keen stylistic awareness, accomplished technical control, imaginative use of colour and texture and highly communicative. The student will engage with the audience in expressing their interpretations of chosen repertoire at a professional standard.

60 credits

Extended Prepared Instrumental or Vocal Recital

In this module you will develop your advanced practical skills to demonstrate the ability to communicate meaning in music through a public performance at a professional standard. You will prepare a programme, in any musical style and on any instrument, which exhibits your repertorial range containing works of a contrasting nature from different historical periods and contain a contemporary work. Your work will be supported by individual instrumental tuition.

Instrumental or Vocal Recital can be taken in 20 and 40 credit versions. The length of the recital should be approximately 25 minutes for MUS303 Instrumental or Vocal Recital (20 credits); 35-40 minutes for MUS334 Extended Instrumental or Vocal Recital (40 credits).

40 credits

Dissertation

This module gives you the opportunity to undertake intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present, presenting the findings of your investigation as a substantial piece of scholarly written work, and in the process consolidating and further developing your research and critical skills. Your dissertation topic should enable you to demonstrate the ability to place music in its historical and cultural context, and to support your arguments with informative comments based on detailed analysis.

Dissertation can be taken in 20 or 40 credit versions. The length of the dissertation should be approximately 6000 words for MUS301 Dissertation (20 credits); 9500 words for MUS332 Extended Dissertation (40 credits).

20 credits

Extended Dissertation

This module gives you the opportunity to undertake intensive study of a particular aspect of musical sound/material, behaviour or thinking, from the past or present, presenting the findings of your investigation as a substantial piece of scholarly written work, and in the process consolidating and further developing your research and critical skills. Your dissertation topic should enable you to demonstrate the ability to place music in its historical and cultural context, and to support your arguments with informative comments based on detailed analysis. Dissertation can be taken in 20 or 40 credit versions.

40 credits

Portfolio of Compositions

This final year module supports your independent composition practice and builds upon skills acquired over previous years. Compositions may be for small or large forces of instruments or voices, may combine instruments with electronics, or may be electroacoustic. Where possible the module will culminate in a public performance of some of the work produced.

Portfolio of Compositions can be taken in 20 or 40 credit versions. The length of the portfolio should be approximately 10 minutes for MUS302 Portfolio of Compositions (20 credits); 20 minutes for MUS333 Extended Portfolio of Compositions (40 credits).

20 credits

Extended Portfolio of Compositions

This final year module supports your independent composition practice and builds upon skills acquired over previous years. Compositions may be for small or large forces of instruments or voices, may combine instruments with electronics, or may be electroacoustic. Where possible the module will culminate in a public performance of some of the work produced.

Portfolio of Compositions can be taken in 20 or 40 credit versions. The length of the portfolio should be approximately 10 minutes for MUS302 Portfolio of Compositions (20 credits); 20 minutes for MUS333 Extended Portfolio of Compositions (40 credits).

40 credits

Special Project

This module allows you to negotiate a special project that does not conform to Dissertation, Performance and Composition, on a topic agreed with tutors on a case-by-case basis. It affords an opportunity for you to work with others outside of your discipline and to communicate your work to non-specialist audiences where appropriate. The project must be public-facing and potentially have career-oriented goals; it may include a placement activity.

Special Project can be taken in 20 or 40 credit versions. MUS3040 Special Project (20 credits) comprises the project itself, presented through a public self-designed website and blog. MUS3041 Extended Special Project (40 credits) adds a critical reflective essay that serves to link the project to extant academic work and provide a context for aspects of the project itself.

20 credits

Extended Special Project

This module allows you to negotiate a special project that does not conform to Dissertation, Performance and Composition, on a topic agreed with tutors on a case-by-case basis. It affords an opportunity for you to work with others outside of your discipline and to communicate your work to non-specialist audiences where appropriate. The project must be public-facing and potentially have career-oriented goals; it may include a placement activity.

Special Project can be taken in 20 or 40 credit versions. MUS3040 Special Project (20 credits) comprises the project itself, presented through a public self-designed website and blog. MUS3041 Extended Special Project (40 credits) adds a critical reflective essay that serves to link the project to extant academic work and provide a context for aspects of the project itself.

40 credits

Options (alternating years):

Analysis of Classical and Early Romantic Music

This module will introduce you to musical analysis in the western classical tradition. The emphasis is on the internal and external workings of musical forms in the late eighteenth and early nineteenth centuries, focussing on Haydn's and Mozart's mastery of standard classical forms, on Beethoven's formal manipulations, and on the interaction of form and expression in the early nineteenth century (e.g. Schubert and Chopin).

Topics will include: motivic, thematic, melodic and rhythmic manipulation; interrelationships between counterpoint, harmony and melody; standard formal patterns; formal expansions and contractions; wit and humour in the late eighteenth century; expression and form.

20 credits

Baroque Music

Public knowledge of baroque music today is shaped by the predominance of a canon; of music considered authoritative or great,; which for ideological and historical reasons is dominated by white European male composers. This module sets out to help change that. Students will investigate music created using staff notation between c.1600-1750 by a musician who was NOT a white European man, which is obscure or completely unknown in the present day.

Teaching will use case studies to explore the skills required to transcribe and research Baroque music—such as literature search, accessing and working with Early Modern primary sources, analysing baroque music (including, where relevant, song texts), transcription and editing of music and text, researching baroque performance practice, contextualising music, addressing issues of gender and ethnicity critically within a historical frame.

20 credits

Creative Performance

This module introduces you to contemporary, jazz and classical improvisation. By learning and developing these skills over a series of practical and taught sessions, you will become more flexible and confident as a performer.

20 credits

Community, Music and Education

This module will engage you in the current debates and practices of music in education and community settings, from the formal classroom setting and instrumental studio, through the work done by community support groups, to more recreational musical practice in the community. Questions of music's place in the curriculum, the relationship between school and home music, and the challenges of providing a vibrant musical education for all people, will be addressed in lectures and discussions.

You will work in mentored groups to investigate and support community music-making or school-based music education in Sheffield, building your skills as a researcher, and learning about career options including teaching, delivering and managing music provision for young people and vulnerable adults. You will finish the module knowing more about music and its contribution to education and society, through your critical reflection on published research evidence, and through school and community fieldwork visits.

20 credits

Ensemble Performance

This module will present you with the opportunity to develop ensemble performance skills in a supervised situation. You will form an ensemble with fellow students prior to the module commencing, and your ensemble will programme a contrasting selection of repertoire for study and public performance. Particular attention will be paid to ensemble considerations, though technical matters and the development of stylistic awareness will also form an important part of the module.

20 credits

Ethnomusicology

This module introduces ethnomusicology as a way of researching musical culture, with selected musical traditions explored as case studies in applying and assessing ethnomusicological methods. These methods typically emphasise 'ethnography', in which the primary sources are live human beings and knowledge is produced by interacting with them through musical participation, observation and interviewing.

You'll have the opportunity to conduct an ethnographic fieldwork project, either face-to-face or 'virtual', and write up the results in your assessed work. Alternatively, you can submit an essay examining published ethnomusicological research on a specific topic. Either way, you should reflect critically on how musical knowledge is produced by ethnomusicological methods.

20 credits

Jazz Studies

This module introduces some of the key figures and developments in the history of jazz, from its origins as an early twentieth-century American music, to its various contemporary manifestations across the world. You will engage with the contexts and debates that have shaped (and continue to shape) the performance, reception, representation, and study of jazz music, and will conduct independent research into a jazz-related topic of your choosing.

20 credits

Mozart in Vienna, 1781-1791

In this module, you will examine Mozart's career as performer and composer in Vienna (1781-91), looking at the environments and circumstances in which he worked and the aesthetic contexts in which he thrived. Topics will include: the circumstances that led Mozart to move from Salzburg to Vienna in 1781; his career as a performer; aesthetic, historical and contextual issues in 1780s Vienna; Mozart's instrumental, operatic and sacred works composed in Vienna; and Mozart's status as a musical-cultural icon in the nineteenth and twentieth centuries.

20 credits

Musical Culture in East Asia

This module introduces the musical life of East Asia, including China, Korea, Japan and neighbouring areas, in historical and cultural context. While emphasising traditional East Asian music and musical theatre, you'll also examine East Asia's participation in the culture of Western-style classical and popular musics.

You'll learn to recognise many forms of East Asian music and explain how they use sound in pursuit of particular cultural goals. You'll also carry out a guided research project on a cultural, historical and/or analytical topic in East Asian music.

20 credits

Music and Wellbeing

This module introduces you to the important ways in which music contributes to our sense of wellbeing. Wellbeing is not simply about feeling ok but has health implications for society. Music plays a vital role in fostering wellbeing. In the module, we cover four distinct areas where health and wellbeing may be challenged; these include special educational needs in schools, the use of music for people with dementia, as well as some specialised clinical settings where music is used. As part of your work on the module, you will be able to design your own music intervention.

20 credits

Music in Renaissance Europe

This module will introduce you to European musical cultures in the fifteenth and sixteenth centuries and the research methods through which they are discovered and studied. You'll investigate the roles played by music in the everyday life of street and home, as well as in religion and politics.

The module links music to some of the big critical themes in the European history of the period, including Europe's expanding international horizons through trade and colonialism, the dramatic increase in the circulation of books thanks to new printing technology, and conflict both within and between religious faiths.

20 credits

Music Psychology in Everyday Life

This module will introduce you to theories, empirical investigations and applications of music psychology relevant to everyday life. You will learn about the diverse uses of music in everyday situations, which may include personal, communal and commercial settings. The reasons for music use in these situations are explored and possible explanations of music's ability to support functions are critically reviewed, including social, emotional, personal, educational and commercial impacts. The module will be delivered through lectures, group discussions, and small research projects.

20 credits

Opera and Identity

This module gives you the opportunity to explore, understand and debate contemporary critical issues about the relationship between opera and identity. Focussing on opera from 1800 to the present day, the historical and social contexts surrounding the creation, premiere, and reception of opera forms the backdrop to the study of individual works in relation to topics including race, gender, sexuality, class, colonialism, religion, exoticism, political ideology, and national identity. From exoticised 19th-century Italian constructions of Egypt, through to the interplay of gender and sexuality in the depiction of pop culture icon Anna Nicole Smith, the operatic stage provides a forum for the consideration of some of society's most pertinent and widely debated issues.

20 credits

Orchestral Technique

This module covers the essential knowledge and skills for scoring music for symphony orchestra, as well as for smaller groupings of orchestral instruments. The module equips you for arranging and writing music for ensembles you might find yourself working with in the future, as a player, composer, conductor or teacher. The Orchestral Technique module is appropriate for all music students, but is particularly important for those specialising in composition. It will give you relevant knowledge of instruments, repertoire and techniques, and also provide the background training you will need for composing for media and film, and for live performance.

20 credits

Psychology of Music: methods and applications

This module lays the foundation for you to be able to research a music-psychological topic using psychological research methods and consider its relevance for musical life and the music profession. You'll work on developing skills in psychological research approaches, through teaching that is problem-based, meaning that you will work on research design and data collection methods to tackle an issue or problem that may be encountered in musical contexts. A combination of methods is considered including qualitative and quantitative data collection, reflection, observation and literature research. Included problems may relate to musical development, psychology of performance, and music engagement.

20 credits

Sound and Moving Image

This module gives you the opportunity to compose sound and music for film and other visual media, and position sound and music within the filmmaking process. Using a variety of software, you will be responsible for the entire project from the ideas stage through to the creation of all audio materials. A diverse range of existing movies, audiovisual works and relevant literature will be studied, and you will be expected to use these to inform your own work.

20 credits

Sound Recording Practice

This module examines the fundamental theories of recording. Focussing upon the recording of both sound and music, it provides you with an opportunity to realise an original track. The module engages briefly with technical aspects of recording (microphone types, sound file formats) before using practical work and listening to decide upon choice of microphone, placement and capture. By making field recordings, location recordings, and session-based recordings, you will acquire a broad understanding of relevant issues and methods. The mixing and mastering of session-based recordings results in your finished track and helps you develop the skills required in the professional sound studio.

20 credits

The Broadway Musical

This module addresses the development of the Broadway musical, focusing on leading figures and critical issues. It looks at shows such as My Fair Lady and Oklahoma!, examines aspects of identity such as race and sexuality, and unpacks the collaborative nature of the genre. Alongside lectures on set works, you will pursue an individual project on a topic of your own choice, allowing freedom to identify with the work being studied.

20 credits

Topics in Popular Music

In this module you'll explore in depth a range of models, case studies and themes for the study of Popular Music. You'll be introduced to varying analytical and critical approaches to the study of popular musics in global perspective, with topics including (e.g.): how popular musicians learn; popular music and humour; popular music as world music; reading popular music 'texts'; understanding business models; and conducting a popular music ethnography. As well as developing a factual knowledge of the genres covered in the module, you will develop a critical awareness of research methods and discursive themes in the field of popular music studies.

The module aims for diversity both in the styles and population groups represented and in the critical and analytical approaches discussed. The exact topics may vary with the specialisms of the teaching team, but you'll always be free to formulate a focus that interests you for your assessed project, which you'll develop with regular input from tutors and peers.

20 credits

Traditional Music in the Modern World

This module will introduce you to the study of folk and traditional music, focussing on a range of contemporary folk music cultures. You'll learn to use a range of approaches (ethnomusicology; critical and culture theory; political theory) to consider the traditional identities these music cultures construct, and how they relate to their modern, economic, political and technological contexts. Past and current definitions of the terms folk music and traditional music are explored, and music cultures are investigated in terms of specific debates and contexts, such as revivalism, nationalism, institutionalisation, competition and education.

20 credits