English and History BA

English literature pathway core modules:

Renaissance to Revolution

This module surveys the poetry and prose from the early modern period in England, i.e., that written between the beginnings of the sixteenth century through the seventeenth century to the late eighteenth century. We will look at different genres, from court complaint to sonnets, prose fiction, erotic verse, restoration drama and the works of writers such as Donne, Herbert, Spenser, Marlowe, Dyrden, Milton and Pope. The texts studied will be related to critical methods that help us understand the relationships between literature and the culture, society, and politics of the period in which it was produced.

40 credits

English literature pathway optional modules:

Early Englishes

Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Beowulf and Piers Plowman). We will use a variety of techniques , literary, linguistic, anthropological, cultural historical, to analyse each text, thereby opening up discussion of the issues that preoccupied the English of the time, from glorious monster-slaying to the slow surrender of pagan belief to terror at the imminent arrival of Antichrist and on to the first expressions of love and desire. Texts will initially be studied in translation so no prior knowledge of Old or Middle English is necessary, but students will also be given the opportunity to examine texts in the original language.

20 credits

Foundations in Literary Study: Biblical and Classical Sources in English Literature

This module provides foundational knowledge about the treatment of Biblical and Classical sources in English Literature. It is an important unit for the study of literature and the Humanities, preparing students for work at higher levels. Typically a Biblical or Classical source and a literary text will be discussed together, to expose a range of meanings and to prepare participants for their own research about both the Bible and Classical material as literature and the treatment of Bible and Classical material in Literature. It will also prepare students for independent research. It is recommended that all students of English take this module.

20 credits

Contemporary Literature

This module introduces students to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Studying Theatre: A History of Dramatic Texts in Performance

Covering classical, contemporary and popular texts, Studying Theatre; A History of Dramatic Text in Performance aims to turn an interest in theatre and theatre-going into a more thorough appreciation of the ways in which playwriting, acting, design and performance have shaped theatre's development. Each week students will study a particular play and the historical context that informed its first performances and its theatrical afterlife. The course emphasis is on theatre as a social practice and practical discipline. Seminars and lectures will focus on the play in performance, and the processes that underlie production. Students do not need previous knowledge or experience, but should be prepared to try some new approaches to texts, for example through practical workshops.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work—commodity fetishism; alienation—and investigate Freud's philosophy of the subject through selected readings from his writings. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical and Literary Thought but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

Hybrid Forms? Comedy and Tragedy

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a ‘pure’ genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Wole Soyinka.

20 credits

History of English

This module traces the history of the English language of the Fifth century AD through to the present day. Students will learn about the development of English over this period, looking at the factors which have shaped the language, and learning a variety of techniques for studying the language. The module will also introduce students to the range and variety of the English language at all periods, and to the ways in which English influences, and is influenced by, other languages.

20 credits

Introduction to Creative Writing

The aim of this unit is to help students to develop their expressive and technical skills in writing poetry and prose and to improve their abilities as an editor and critic of their own and other people's writing. Students will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on students' own writing. This exploration will help students to develop their own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give students the expereince of being workshopped as well as to establish basic creative writing techniques on Level 1 to preparing students for the challenges of Creative Writing Level 2.

20 credits

Introduction to Cinema

This module aims to study a cross-section of the most important American films up to the present day and to develop both a formalist and an institutional analysis of these works. Its intention is to study the growth of the classical Hollywood style, a matter of a sophisticated range of technical stratagems as well as of a genre-based cinema, and of the institution of Hollywood itself, the most significant force in cinema to-day.

20 credits

English language pathway core modules:

The Sounds of English

This module is an introduction to the subdisciplines of Linguistics known as Phonetics and Phonology, focusing specifically on the sounds of the English language. It is designed to provide a solid understanding of how speech sounds are made and how they function in use. The lectures will present descriptions of English speech sounds and theories to explain their behaviour in a range of different accents and contexts, and the workshop classes will provide hands-on experience in using and thinking about the sounds of English. The module serves as an essential basis for more advanced linguistic study.

10 credits

The Structures of English

This module is an introduction to the syntax of natural languages, focussing on the syntactic structure of contemporary English. This module is intended as a sister module to the 10-credit 'Sounds of English' module, which runs in parallel. It is designed to provide a firm grounding in the descriptions of English sentence structure(s), and to introduce students to the main theories and methods of syntactic argumentation. The lectures will cover major topics in the formal description of English sentences, while the workshop classes will provide hands-on experience in analysing and thinking about sentence structure. The module serves as an essential basis for more advanced linguistic study.

10 credits

English language pathway optional modules:

Varieties of English

This course explores the extraordinary diversity of the English language today, and is concerned with describing the features, use and status of contemporary varieties of English in Britain and around the world. Extraterritorial varieties are located within histories of expansion, colonialism, and globalisation, and considered in relation to the role of English as an international language. We investigate developments which led to the social and geographic distribution of certain present day varieties in Britain. Students will apply tools of description for all linguistic levels, and develop awareness of sociolinguistic aspects of language such as social indexing, attitudes and standardisation, as well as the relationship between variation and change.

20 credits

Early Englishes

Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Beowulf and Piers Plowman). We will use a variety of techniques , literary, linguistic, anthropological, cultural historical, to analyse each text, thereby opening up discussion of the issues that preoccupied the English of the time, from glorious monster-slaying to the slow surrender of pagan belief to terror at the imminent arrival of Antichrist and on to the first expressions of love and desire. Texts will initially be studied in translation so no prior knowledge of Old or Middle English is necessary, but students will also be given the opportunity to examine texts in the original language.

20 credits

Exploring Literary Language

This module explores the language of literary texts. We will look at how different literary styles create particular effects and describe these styles and effects using linguistics. The course aims to provide students interested in English literature with a practical introduction to language, and to provide students interested in language with experience of applying linguistic analysis to literary texts. The emphasis is on a hands-on approach, and topics covered will include sentence structure, register, narrative structure, conversation analysis (with reference to drama and dialogue) and point of view in narrative fiction. The texts studied will be predominantly literary and twentieth century, and will include extracts from novels, plays, poetry and short stories.

20 credits

History of English

This module traces the history of the English language of the Fifth century AD through to the present day. Students will learn about the development of English over this period, looking at the factors which have shaped the language, and learning a variety of techniques for studying the language. The module will also introduce students to the range and variety of the English language at all periods, and to the ways in which English influences, and is influenced by, other languages.

20 credits

Linguistic Theory

This module explores how language is structured by examining central issues in linguistic theory, building upon the concepts introduced in EL112 Sounds of English and ELL113 Structure of English. Students will be instructed in (1) foundational theories and concepts in areas such as phonology, morphology, syntax, and semantics, (2) the linguistic evidence that informs these approaches, (3) the analytical techniques required to apply these theories to language data, and (4) the relevance of such theoretical models for the wider study of language. The module will develop analytical tools in using linguistic theory, training students to rigorously interpret language data within theoretical frameworks

20 credits

Core history modules:

The core module for the Spring semester is awaiting approval. We expect you to have the chance to build upon the foundational skills you acquired in the Autumn semester and be introduced to the breadth of historical research interests at Sheffield. You’ll explore ancient and medieval history through to the contemporary world and learn how to frame your own historical questions.

History Workshop

What does it take to be a historian? In this module, you will study the process of historical research, learning discipline-specific methods and essential study and writing skills through close engagement with a historical text (usually a work of narrative non-fiction) linked to your tutor's research interests. You will develop skills in critical reading, historiography, essay writing, bibliographic techniques, and reflection.

The assessment for this module is aimed at giving you a strong foundation in the skills you will need throughout your degree and beyond: critical reading and writing, bibliographic techniques, and the ability to reflect on and articulate your skills as a historian.

20 credits

Optional history modules:

Empire: From the Ancient World to the Middle Ages

Covering the period from the 4th century BC to the 15th century AD, this module invites students to explore the ancient and medieval worlds through the lens of 'empire'. It provides an introduction to ancient and medieval types of empire, their contacts with and legacies to each other, and the connectedness between East and West in this period. Using a wealth of primary evidence and drawing on corresponding historiographical debates, students explore what it meant to live in ancient and medieval empires, what kind of social, cultural and religious encounters they engendered, and whether there was any space for resistance.

20 credits

The 'Disenchantment' of Early Modern Europe, c. 1570-1770

This module explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the course will be the examination of the supernatural - religious beliefs, but also witchcraft and magic. You will explore the changing ways in which beliefs impinged on people's lives at various social levels. You will also have an opportunity to study the impact on people's world views of such changes as rising literacy, urbanisation, state formation and new discoveries about the natural world. All these will be investigated in the institutional contexts of state and church and the ways in which they sought to channel and mould beliefs and behaviour. This module enables you to understand how the early modern period is distinctive from and links medieval and later modern historical studies.

20 credits

The Making of the Twentieth Century

This module considers the twentieth century as a time that transformed the social and political order in the world, calling into question the role of the European powers in global contexts, and dramatically reorienting the relationship between states and societies. You will engage with case studies representing key themes in twentieth-century global history: imperialism and the processes of decolonisation; the challenges of building the postcolonial nation; revolutions and the emergence of new states; war, genocide and conflict; and the institutions of international order.

In addressing these themes, The Making of the Twentieth Century has a particular aim of counteracting prevailing tendencies towards Eurocentrism.  You will gain a considerable body of knowledge on the histories of Asia, Africa and Latin America especially.  At the same time, emphasis is placed on the empirical and theoretical grounds upon which competing interpretations rest in order to encourage you to develop critical awareness of the character of historical analysis.  More generally, this module aims to develop analytical, conceptual and literary skills through class discussion and written assignments.  Communication skills will also be emphasised in weekly seminars that will allow specific issues to be discussed in more depth, often with reference to primary source material.  Above all, the module seeks to stimulate an interest in history and an appreciation of cultural diversity.

20 credits

The Transformation of the United Kingdom, 1800 to the Present

This module explores the central political, social, economic, cultural and diplomatic developments that have transformed Britain since 1800. Unlike most of its European neighbours, Britain did not experience dramatic moments of revolution, constitution-building, invasion or military defeat; indeed the belief that the nation was set on a course of gradual evolutionary progress was central to many versions of British identity. This course examines how, when and why change occurred in Britain. Key themes include the transition to mass democracy; the impact of industrialisation; shifts in social relationships based on class, gender and ethnicity; and the rise and fall of Britain as an imperial power.

20 credits

The Long View: an introduction to archaeology

This module traces the development of modern humans through to the modern era. It introduces the wide range of materials and methods that archaeologists use to study the past.  The practical laboratory-based classes and field classes provide experience in the basic identification, investigation and interpretation of archaeological evidence. They are supported by lectures that introduce archaeological methods, theories and worldwide case studies. From field to laboratory using examples from throughout the world, you will learn about how archaeology shapes knowledge about the deep and recent human past.

Through this module students will be introduced to debates on the formation and development of archaeological thought through a world-wide perspective from the Palaeolithic to the present. They will be presented with techniques and ideas used by archaeologists to explore the human record and understand the past. It offers an opportunity to explore and discover the archaeological record through practical engagement, using field and laboratory methods, while also highlighting the importance of selecting analytical techniques appropriate to the question posed and the data available. The module will enable students to develop core skills in decoding and critically understanding literature, observation, recording, analysis and interpreting archaeological evidence.

20 credits

Try a new subject:

The flexible structure of your first year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Core English literature modules:

Literature and Critical Thought (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Literature and Critical Thought (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Optional English literature modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Literature and Critical Thought (b)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

20 credits

Romanticism to Modernism (b)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies.

20 credits

Crime Writing: from the fin de siècle to the Golden Age

How did the genre of crime writing become so influential? This module will examine the cultural history of crime writing from 1890-1950, in a range of genres including detective novels, short stories, plays and films, and true crime writing or reportage. By focusing on a number of narratives of crime, the module will invite an analysis of how this genre is engaged with and subverted by writers wrestling with a modernity that included developments including two World Wars, imperialism and anticolonial movements, women's suffrage and presence in the workplace and a hugely increased use of technology, alongside the rise of criminology and psychoanalysis.

20 credits

Exiles and Monsters: An Introduction to Old English

This module explores the language and literature of Anglo-Saxon England, enabling you to read and understand the earliest English literature. You will learn how to read Old English, developing a good understanding of Old English grammar and gaining familiarity with the language and literature through translating a range of texts. We will examine the historical background and cultural contexts of these texts, introducing you to the breadth and variety of Old English texts, and to differing critical approaches to them.

20 credits

Good Books: Intertextual Approaches to Literature and the Bible

Literature, film and television constantly return to the Bible as a source of narrative, character and image. Biblical texts are translated, rewritten, transposed and radically challenged by literature from the medieval period to the present day and so intertextual readings of the Bible and literature provide insight into the ways authors engage with politics, philosophy, and tradition. Our module explores a range of intertextual relationships, from medieval dream poetry through to contemporary writing and cultural representation, including a range of genres and approaches. We will analyse film, TV and visual media as well as literary forms, to explore the ways in which creative writers interpret and re-imagine biblical narratives and tropes.

20 credits

Creative Writing Prose Fiction 2

The aim of this unit is to help students to develop their expressive and technical skills in writing prose fiction at Level 2 and to improve their abilities as an editor and critic of their own and other people's writing. Students will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. The emphasis throughout will be on reading as a writer and writing as a reader.

20 credits

Satire and Print in the Eighteenth Century

Against a background of political, religious and cultural ferment, new ideas of the individual's relationship to the state emerged in the early-eighteenth century. New kinds of readers, authors, and an increasingly powerful book trade reshaped the literary map of Britain. Those fraught relationships are captured in the prose and poetry of the satirists upon this course. The political, religious and economic satires of writers including Defoe, Pope, Swift, Ramsay, Finch, Gay, Leapor, Montagu, Addison and Steele will be read as a new and troubled relationship between the individual and the state emerged alongside a vigorously contested idea of 'Britain' in literature.

20 credits

The Novella and the Uncanny

This course will explore novellas from across the last 150 years which represent uncanny experiences of haunting, madness, obsession, and psychological and political disorientation, with these intense experiences often refracted through the consciousness of a central character. We will consider whether the particularities of this literary form lend themselves to representing experiences at the 'limits of reason'. Texts will include works by Kafka, Camus, George Eliot, Ayn Rand, Pynchon and others. The course will encompass the study of some relevant theory, including Freud's essay 'The Uncanny' - which itself contains an analysis of Hoffman's bizarre short story 'The Sandman'.

20 credits

Shakespeare: Page, Stage, Screen

This module focuses on the poetry and plays of William Shakespeare. You will read a wide range of his works and analyse them in the context of the cultural and historical energies of sixteenth- and seventeenth-century England, as well as exploring how they have been reinvented and reimagined through performance and as texts which have been refashioned through editorial intervention or adaptation. The module considers the range of dramatic styles and genres that Shakespeare uses, alongside the conditions of performance, kinds of publication, and the characteristics of the language in which he worked. It also relates the texts to critical methods that help illuminate the relationships between drama and the culture, politics, and religion of the period and the ways in which Shakespeare's works have been remade for different times and contexts.

20 credits

Introduction to Interactive Digital Narrative

Interactive digital narratives are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You are walking through the woods and hear a horrible noise coming from up ahead. Do you run forward to investigate or do you hide in the bushes?' Here both 'run forward' and 'hide' will be links so that you can choose what you want to do and find out what happens when you do it. The module includes both critical and creative work. You will read digital narratives - not just adventures but explorations of a wider range of experience - and think about how they are structured, how they evoke virtual spaces, and their relationship with games and gaming. You will also make a narrative of your own, using the creative process to learn more about the nature of digital stories. You don't need any special knowledge of computers or coding - everything necessary is taught in the module. Students from previous years have found it extremely helpful to be able to talk about their projects in interviews for jobs involving digital communication and content creation.

20 credits

Black Lyric: Poetics and Politics of Hip Hop

This module introduces students to Hip Hop as a musical, cultural and literary phenomenon. Both extremely popular and highly controversial, we will explore the history of Hip Hop from its early developments to the present. The module is organised around two principal ideas. The first is that, largely as a consequence of social, economic and racial oppressions experienced by so many artists working in this mode, Hip Hop is  inherently political.   

The second idea: Hip Hop is poetical. That is, its lyrics are bona fide literary, hiding almost in plain sight. The genre's best MCs are also some of our finest contemporary poets. Rappers' work deserves and actually requires critical attention. Working mainly in a North American context, over the course of the module, we will reflect upon the various ways in which Hip Hop combines aesthetic innovation with radical social commentary.

Each week, we will focus on a specific artist or group, and attend carefully to 1-2 albums. Expect to study some 'mainstream' work (e.g., Fugees, Cardi B but NOT Vanilla Ice). You will also study underground, 'conscious' and alternative artists. 

Throughout, radical forms (rhetorical, prosodic, intertextual, figurative) collide messily with explicit contents (racism, misogyny, violence, protest). Our aim is to start understanding Hip Hop in its troubling, ingenious complexity.







 

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Victorian Women Poets: Stressing Sex

This module will introduce you to a range of Victorian women poets and the critical and ideological debates that surround their work. Reading the poetry of canonical writers, such as Elizabeth Barrett Browning and Christina Rossetti alongside less familiar works by, for example Mathilde Blind and Amy Levy, you will engage with questions of gender and genre and to think about how women employed different poetic forms and voices to respond to the political, scientific and religious upheavals of the nineteenth century. We will also also explore the gender politics of the literary canon and consider how a focus on women writers from diverse class, national and ethnic backgrounds might resist powerful narratives about Victorian literature and culture.

20 credits

Creative Writing: Poetry, Experimentation, De/Construction

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while discovering themes and concepts of self and selves, borders and boundaries of both psyche and language, the liminal, memory, as creative source of self invention, concepts of I as Non-I, Anti-I, gender, history, identity and culture as complex components of identity, identity as construction, identity as self-theory, as text(s). During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

Representing the Holocaust

This course will examine fictional and non-fictional, literary and filmic, representations of the Holocaust, and considers the use and extension of conventional textual forms to do so, including documentary film, memoir, short story and cartoon. Texts covered will include Elie Wiesel's 'Night', Claude Lanzmann's film 'Shoah', Martin Sherman's 'Bent', Martin Amis's 'Time's Arrow' and Ida Fink's stories in 'A Scrap of Time'.

20 credits

Road Journeys in American Culture: 1930-2000

This module analyses the development of road narratives from the 1930s to the present, looking at the ways in which this narrative trope tells the story of American culture and society throughout the twentieth-century. The module aims to address some or all of the following questions. Do road journeys reflect or run away from political realities 'at home'? To what extent is the road journey a gendered space predominantly occupied by men? Are certain groups of people allowed to travel and other groups not? Is the road journey a metaphor for American colonization and expansion, or something else more ambiguous? Texts to be studied include films such as 'The Wizard of Oz', 'Bonnie and Clyde', The Straight Strory', and 'O Brother, Where Art Thou?' novels such as 'On the Road' by Jack Kerouac, 'Lolita' by Vladimir Nabokov, and 'The Music of Chance' by Paul Auster, and poems by Elizabeth Bishop and Amy Clampitt.

20 credits

Radical Theory

The premise of this course is the necessity to re-interpret the university as a site for philosophical speculation and theory-based intervention. Run collectively, the course will address, to use Walter Benjamin's terms, the catastrophe of the status quo, and is structured around three aims, which are: 1) to address 'moments' of crisis such as, for example, climate change; the neoliberal, market-driven higher education system; the state of exception; the myth of the human; 2) to theorise these crises, and 3) to explore the relationship between theory and practice: in particular to explore theorised agency as enabling political activism.

20 credits

Literature and Critical Thought (a)

This course introduces writers, concepts and approaches fundamental to contemporary literary theory, and explores their application to diverse relevant texts. You will engage in a transhistorical study of the formal, literary and cultural functions of genre (e.g. in the forms of comedy and tragedy). You will also encounter theorists such as Karl Marx, Sigmund Freud, Ferdinand de Saussure, Mikhail Bakhtin, Roland Barthes, Michael Foucault, Julia Kristeva, Jacques Lacan and Jean Baudrillard. Lectures will introduce and explain this material, and seminars will discuss and apply it to the study of literature. This module helps you develop your academic writing, critical thinking and research skills while studying the work of major theorists.

40 credits

Voice, Body, Power: Forms of Resistance in Contemporary Drama

Focusing on 21st century examples and contemporary debates, this module examines the ways that theatre today tackles highly charged themes like marginality and diversity, homeland and displacement, resources and accessibility, participation and exclusion. You will explore theatre in Britain, but our case studies aim to reflect and promote the diversity that a British context encompasses. Playwrights whose work we look at might include Sabrina Mahfouz, Antoinette Nwandu or Tatenda Shamiso, and companies might include Breach Theatre, Paper Birds or Talawa. By studying a range of plays, companies and contexts, you will develop a complex awareness of the strategies for representation and resistance that theatre can offer. This module will suit you if you want to broaden your knowledge of contemporary drama and you enjoy studying production materials as well as play scripts and critical reading. In addition, you will have the opportunity to practise original dramatic writing of your own, developed with the tutor's guidance and support.

 

20 credits

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

Core English language modules:

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

Phonetics

This module aims to provide a detailed understanding of speech sounds, how they are produced, how perceived, how they vary from one language to another, and how they are analysed. Lectures will deal with the three core areas of phonetics: articulation, acoustics and audition. The course has a practical as well as a theoretical component. There will be weekly classes in which students will learn to recognise, produce and transcribe the sounds of the International Phonetic Alphabet. The application and history of phonetics will also be covered.

20 credits

Syntax

This module builds on what students have learnt in ELL113 Structure of English at Level 1, providing a more in-depth look at the structure and organising principles of sentences. We develop the tree structures students learn in first year, and see how these structures form a system of representation that can be used for any language. This involves thinking about the universal constraints on the grouping of words into phrases, and consideration of various operations that move elements around inside sentences to generate the word orders we see written or hear spoken, while at the same time ensuring that sentences satisfy formal constraints. In other words, the module provides an opportunity for students to think in more depth about why sentences are structured the way that they are.

20 credits

Exiles and Monsters: An Introduction to Old English

This module explores the language and literature of Anglo-Saxon England, enabling you to read and understand the earliest English literature. You will learn how to read Old English, developing a good understanding of Old English grammar and gaining familiarity with the language and literature through translating a range of texts. We will examine the historical background and cultural contexts of these texts, introducing you to the breadth and variety of Old English texts, and to differing critical approaches to them.

20 credits

Language and Cognition

This module introduces students to the key theories and frameworks at the core of cognitive linguistics. The module explores the relationships between language and the human mind and considers how recent advances in the study of human cognition can enhance our understanding of the conceptual processes that underpin the production and reception of discourse. The module introduces students to such concepts as embodiment, prototypes, situated simulation, profiling, mental representation, conceptual mapping, and conceptual integration. The module equips students with the necessary knowledge and analytical skills to design and carry out their own investigations into language and cognition.

20 credits

Writing the Real

In both fiction and drama, there is an approach to writing called 'realism' (or, in the case of theatre, 'naturalism'). Realist writers make a commitment to telling their readers about the world as it actually is and this means avoiding supernatural or speculative material and instead focusing on the experiences of ordinary people in a world that is recognisably like our own. The hey-day of realism was the nineteenth century but, since then, virtually all writers have had to take up a position in relation to it and decide whether to write about a world in which people have guardian angels and animals can talk or focus instead on 'real life' in contemporary London or New York City or Lagos. The module examines how realist and non-realist styles work linguistically and you will learn to analyse both kinds of text in a fine-grained way. You will read examples by British authors from different backgrounds as well as writers from other parts of the world. Narrative is central to how we define ourselves and understand the world around us, so the module looks beyond the strictly academic and helps you understand more about how we respond to the world through story-telling.

20 credits

Sociolinguistics

This module explores the workings of language in its rich social setting. It includes an investigation of accent and dialect, register and style in relation to social class, gender, age, ethinicity, region and social networks. The module also examines sociolinguistic situations around the world, such as multilingualism and diglossia, pidgins and creoles, new Englishes and other globalised forms of language. The module is intended to be enabling and offers an opportunity for students to develop a sense of their own ethical responsibilities as language users and analysts. Students will be provided with the methodological tools necessary to carry out independent fieldwork and will be encouraged to undertake their own exploration of sociolinguistics.

20 credits

First Language Acquisition

This second-year module is aimed at students who have already taken Introduction to Linguistics at Level 1. In this course, we focus specifically on the first language acquisition of syntactic (and semantic) knowledge. Addressing both theoretical and methodological issues, the course explores the relationship between the logical problem of language acquisition -- how very young children manage to acquire quite abstract and subtle properties of their target grammars in the absence of clear positive evidence -- and the developmental problem of acquisition -- how children recover from systematic errors, and acquire subtle language-specific properties. We also explore the related tension between nativist vs. emergentist explanations for language acquisition and development.

20 credits

Phonology

This module aims to examine phonological theories and the data on which they are constructed, exploring phonological organisation and processes in different languages. Segmental and prosodic (e.g. syllable-based) phenomena will be investigated, using rule- and constraint-based frameworks. As well as being a core part of theoretical linguistics, an understanding of phonology is essential to the studies of historical linguistics, sociolinguistics, psycholinguistics, speech pathologies, language acquisition, and computerised speech synthesis and recognition technologies.

20 credits

Introduction to Interactive Digital Narrative

Interactive digital narratives are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You are walking through the woods and hear a horrible noise coming from up ahead. Do you run forward to investigate or do you hide in the bushes?' Here both 'run forward' and 'hide' will be links so that you can choose what you want to do and find out what happens when you do it. The module includes both critical and creative work. You will read digital narratives - not just adventures but explorations of a wider range of experience - and think about how they are structured, how they evoke virtual spaces, and their relationship with games and gaming. You will also make a narrative of your own, using the creative process to learn more about the nature of digital stories. You don't need any special knowledge of computers or coding - everything necessary is taught in the module. Students from previous years have found it extremely helpful to be able to talk about their projects in interviews for jobs involving digital communication and content creation.

20 credits

Advanced Syntax

This module builds on the material covered in the module Syntax, focusing on both the universal and language-specific rules that govern syntactic structure in human language. The topics covered will expand our understanding of areas of structure that could not be explained in Syntax, including further instances of movement, a more nuanced understanding of verbal structure, and a greater emphasis on data from languages other than English.

20 credits

Historical Linguistics

Language change is a fact of all living languages, and historical linguistics is as much about the present and future as it is about its past. This module introduces the study of how and why languages change, and how languages are related. Students are encouraged to reflect on the ways in which historical linguistics bears on other areas of linguistics. The subject will be approached by 1) levels of inquiry, e.g. semantic, phonological, morphological, syntactic and pragmatic change; and 2) 'big questions', e.g. language families and linguistic prehistory, the role of acquisition in change, linguistic reconstruction, and historical sociolinguistics.

20 credits

Core history modules (choose one):

Historians and History

This course will introduce students to the most influential 'schools' of historical practice in operation in the second half of the twentieth century and which remain influential today. These include Marxism, the Annales school, quantitative history, history from below, feminist and gender history, and postmodernism, as well as English empiricism. Lectures will provide an overview of each approach, and discuss the historical context in which it emerged. In seminars, students will be taught to assess critically the opportunities and limitations of each approach.

20 credits

The Uses of History

This module explores the theory and practice of public history by providing students with the opportunity to communicate their scholarly work to an audience beyond the boundaries of our discipline. Students will articulate an aspect of their own historical interests to a non-academic audience and evaluate the use of history outside academic settings. The course will engage in debate about important questions facing historians in the present, and consider ideas about the role and purposes of History as an academic subject.

20 credits

Optional history modules:
Option modules are 20 credits each. Dual honours students will normally take between one and three modules from across our options and document options, depending on if you choose to major or minor in history.

In addition to the optional modules listed below, we expect you to have the opportunity to take a new module that will introduce you to the practice of historical research and support you to develop information awareness. This will provide a stepping stone from the critical source work of document options to your third-year dissertation. You’ll develop essential skills in locating and evaluating sources while gaining firsthand experience of designing, developing, and presenting a short research project.

A Protestant Nation? Religion, Politics and Culture in England 1560-1640

On the accession of Elizabeth I, England became an officially Protestant country but the Church, State and laypeople did not necessarily agree about the nature of changes needed to accommodate the new religion. On the level of national government policy, we shall explore what governments expected from their subjects and how they attempted to secure religious conformity during the reigns of Elizabeth I, James I and Charles I. How far did anti-Catholicism define English identity in this period? Did authorities at the national and local levels disagree about how severely religious minorities should be treated?

20 credits

Byzantine Intersectionality: Gender, Race and Power in the Medieval Mediterranean, c.500-1300

How did race and gender appear before modernity? How similar were they to how race and gender appear to us today? And can the tools of intersectionality, an approach developed by the critical race theorist Kimberlé Crenshaw that thinks of different kinds of identities as deeply intertwined in structuring our lives, help us understand the medieval world? These questions sit at the heart of this module, which will guide you through the Byzantine world, the survivor of the Roman empire in the East, stretching from the Balkans to Syria, but with a particular focus on the manifold ways in which this world and its power hierarchies were structured by complex ideas about gender and race. From castrated men, or eunichs, sleeping at the foot of the emperor's bed, to saints assigned female at birth who decided to spend their lives as men in male monasteries, this course will ask us to reconsider the assumptions we make about gender and race today, by tracing both how far they have come from the medieval period, and how far they have deviated from it. It will both start and conclude with some bigger historiographical questions: does the existence of race and gender in the past, the realities of racial and sexual hierarchy, offer us an origins story or an opportunity for liberation today?

20 credits

Culture in Early Modern Europe

Culture is the key to understanding how societies thought and behaved in the past. Early modern Europe - a period of immense cultural change and conflict - is no different. This wide ranging module introduces students to ideas about culture and examines how cultural history has revolutionised what we know about the lives of men, women and children in Europe between 1500 and 1800. Building on a rich historiography and through a series of intriguing case studies, the module draws on wide range of sources - such as diaries, letters, and legal records, to printed works, art and archaeology - to enter into the many cultures of early modern Europe. The module explores issues like material culture, youth culture, cultures of protest, intellectual culture, and religious culture. It asks whether we can talk about different cultures of men and women and how cultures were affected by social and economic inequalities. It thinks about forces of cultural integration and pressures of cultural conflict. And it explores ideas of cultural change, and how these changes helped create the modern world.

20 credits

Decolonisation: The End of Empire & the Future of the World

The world was transformed in the twentieth century. A world of empires and colonies became a world of independent states. In this module we analyse this global transformation. Why did it happen - and how? How much really changed? For people around the globe - from imperial rulers in Europe to anti-colonial nationalists in the 'third world' - the crumbling of European empires was an opportunity to shape the future of their own communities and of the world. Sometimes negotiated, often violent, these hard-fought struggles over the future created the world we live in today.

20 credits

Gender and the Georgians: Sex and Society in Britain 1714-1837

Eighteenth-century Britain witnessed great change: historians have argued for a 'revolution' in industry, the 'birth of a consumer society' and the emergence of a 'public sphere' of political debate; global trade expanded, towns grew, and new Enlightenment ideas flourished. In this context, gender identities and roles were redefined, understandings of the body debated, and notions of masculinity and femininity contested. This module explores these ideas about gender, and how they informed people's experiences, from polite fashions to the criminal underworld, bluestocking sobriety to drunkenness in gentlemen's clubs, and from 'subcultures' of homosexuality to the first 'feminists'

20 credits

Gender, Race and Class in Nazi Germany 1933-1945

This module analyses German society from 1933 to 1945 from the perspective of gender, race and class. We will examine the dynamics of inclusion and exclusion under the Nazi dictatorship through the lens of the agency of ‘Aryan’ women and men, the persecution of ‘racially’ defined minorities and by probing into the connections between social class and both consent and popular dissent. While racial categories were pivotal for Nazi policy, their application and their outcomes intersected with issues of gender and class, whether in the forced sterilization of (mostly) women, or in labour market policies that limited gainful employment of women. Through the focus on gender, race and class as dimensions of policy, collective agency and experiences in Germany from 1933 to 1945, the module will offer an introduction into key aspects of the Nazi dictatorship and its dynamics.

20 credits

Holy Russia, Soviet Empire: Nation, Religion, and Identity in the 20th Century

This module explores the twentieth-century history of Russia, the Soviet Union, and its successor states. Rather than approaching this turbulent period in history by focusing on the rise and fall of different political leaders (as is often the case in survey courses), we instead approach this subject through the prism of nation, religion and identity. The course probes the following questions: What did the 'Russian revolution mean for the multi-national empire created by the Romanovs? How far did the communist party manage to create a 'Soviet' identity, and on what was this based? Did the Bolsheviks attempt to create an atheist society succeed? And what happened to 'Soviet' identity when communist leaders began to lose their grip on power in the final decades of the twentieth century?

20 credits

Life Worth Living

What does it mean for a life to go well? How does one live life well? What is a flourishing life? These questions have shaped intellectual endeavour for millennia. Life Worth Living explores approaches to these questions through engagement with diverse traditions/thinkers including classical Greek philosophy, Buddhism, Judaism, Christianity, Islam, Confucianism, Existentialism, Marx, and Nietzsche. The module includes historical analysis of these traditions, visits from individuals whose lives are shaped by them, fieldwork to discuss the ideas beyond the classroom, and assessments to help students develop their own vision of a life worth living.

20 credits

Looking East: British Perceptions of the Soviet Union from the Holodomor to the Early Cold War

In this module you will learn about how Britons perceived the Soviet Union during the Stalin era. You will examine the reasons why some Britons responded in adulatory fashion to the Soviet experiment, and why others saw a malignant force out to undermine Britain's institutions and way of life. You will understand how the Soviet Union was represented across the media and in different cultural forms, and discover what this reveals about how Britons thought about themselves between the 1930s and 1950s; their hopes, fears, and introspection about their place in the world.The module covers key topics that act as landmarks in the chronology of British attitudes to the Soviet experiment, including the Holodomor (Ukrainian Terror-Famine), Stalin's purges, the Nazi-Soviet Pact, the wartime alliance, and the start of the Cold War. The module also considers other less well-known episodes that influenced British perceptions: the Metropolitan-Vickers affair in 1933; the Russophobia of press outlets such as the Saturday Review (1933-1936); and Moscow Dynamo's football tour in November 1945. These incidents will also be set against wider themes that influenced the reactions of Britons, notably the role of 'fellow travellers' and itinerant sceptics, international political dynamics (such as affinity for fascist alternatives), and cultural representations in literature and other media forms.

20 credits

Modern Chinese History: Beyond Revolution

This module will examine key themes in the histories of China's short twentieth century, with a primary focus on interpretations of 'modernity' and 'progress', explanations of revolution, and the ways in which new approaches in scholarship have influenced our understanding of China's recent past. While the structure of the module is loosely chronological, the emphasis is not on the detail of events but on the critical analysis of broad social and political changes, and we will examine these through recent historical writing on China and a range of primary textual and visual sources.

20 credits

Modern Japanese History

This module will explore key themes in the modern history of Japan from the mid-nineteenth to the late twentieth century, while developing core skills in reading primary sources and historical analysis. Broad themes include identity and nation-building, social and economic change, war and its practical and cultural legacies. Key sub-disciplinary approaches will be based in social and cultural history, with some excursions into other historiographical approaches. It will be delivered through weekly lectures, and seminars structured around developing primary source analysis skills and relating these to appropriate secondary literature. 

20 credits

Postcolonial France and Britain: Empire and its legacies since 1945

In 1942, Winston Churchill declared, 'I have not become the King's First Minister in order to preside over the liquidation of the British Empire'. However, between 1945-1960 a quarter of the world's inhabitants revolted against colonialism and colonial rule. So how did we get from Churchill's certainty that the Empire will endure to the emergence of 65 new sovereign states - and what were the consequences in Europe of that massive shift? 

This module looks at postwar Western Europe through an imperial lens, applying new perspectives from the field of postcolonial studies which argue that empire and metropole should not be examined separately. The module covers three main themes: the question of what empire and its loss meant to the colonisers; migration from former colonies to Europe and its consequences; and the memory, representation and historiography of empire. Focusing on Britain and France the module uses a wide range of sources and approaches to explore cultural, social and political aspects of post-colonial Europe.

You will learn what empire meant to Europeans in the twentieth century, and in what ways colonialism and its legacies have shaped the history of Europe since the end of formal imperial rule between 1945 and 1980.  Over the course of the semester we'll examine a variety of topics, beginning with an introduction to postcolonialism as a theory and a means of examining and understanding the world. We'll then start exploring how the colonial empires were perceived at the end of the Second World War. We'll look at the late-colonial state and new forms of colonial rule, including changing ideas about colonial governance, race and equality. Then we'll move to the failure of the late-colonial project: was the decision to withdraw from empire an orderly retreat? In particular, we'll focus on reactions to and debates about decolonisation in Algeria and Kenya in metropolitan societies. We'll examine the experiences of the Windrush generation, and questions of race relations, policing, and the emergence of racial discourses in politics and society.The focus here will be on the 1958-70s for the British case (Enoch Powell) and the 1960s in France with the emergence of the Front Nationale and the emergence of anti-racism campaigns and movements since 1968. We will finish our semester examining the 'second generation' with questions on ethnicity, difference and belonging through the concepts of 'post-colonial fracturing'. Through sport, culture and music we'll look at national identity - was the 1998 French world cup team a representation of multicultural France? We'll end the semester on the question of colonial nostalgia, former settler's repatriation to Europe, and the problems of commemoration in the French case.

20 credits

Religion in an Age of Terror: Ancient Texts and the Making of Modern Israel.

This module will look at the origins, growth and development of conflict and violence in the Abrahamic traditions (Judaism, Christianity and Islam), in order to provide a historical perspective on the roots of contemporary religious violence. The focus of the module will be a case-study on the conflict in Israel/Palestine (especially between 1947-67). Primary source analysis will be of the Bible/Quran (and related material), and the documents relating to the establishment of the state of Israel in 1948. Related topics will include: theories of religious violence; religious terrorism; politics and religion; and the roots of religious 'fundamentalism.'

20 credits

Shell-Shock to Prozac: Mental Health in Britain

This course charts the history of psychiatry and mental health in Britain. We start at the First World War, with the large-scale management of psychiatric casualties (shell-shock). We will look at the uptake of psychoanalysis in interwar Britain, contrasted with 'extreme' asylum treatments such as lobotomy and insulin coma therapy. We shall then gauge the impact of the National Health Service from 1948, the closure of the asylums, and the impact of new drug therapies (including the iconic Prozac). Finally we shall analyse the rise of patient activism, and the emergence of new 'epidemic' illnesses such as depression and self-harm.

20 credits

The Archaeology of the Later Medieval Church in England

This module will provide an overview of the archaeology of the later medieval church in England between 1066 and c.1540. Drawing on a wide range of archaeological, architectural and textual sources it will explore the nature of the church through a series of thematically organised lectures and seminars. Themes covered include the development of the parish church and its architecture, the place of the church in the rural landscape, churchyard archaeology, the impact of the Black Death, the fabric of monastic life, monastic economies and the effects of the Reformation. You will learn to critically evaluate and debate established approaches, and to develop fresh, evidence-based arguments that are relevant to current research.

This unit aims to offer students an advanced introduction to the diverse range of evidence and the chronological frameworks relevant to the study of the later medieval church. It will provide a critical overview of the key debates and theoretical approaches concerning the archaeology of the church, and place them within the broader context of changing perspectives in archaeology. Students will develop their abilities to judge between relevant academic arguments and it will be encouraged to contribute to current research debates, and to develop innovative critical perspectives and evidence-based arguments. The module will foster students' skills in presenting complex ideas, arguments and critical analysis during seminars and presentations and in written contributions.

20 credits

The Export of England: Seventeenth Century Trade and Empire

This module considers the commercial and territorial expansion of seventeenth-century England. It examines how England's commerce was transformed from the largely bilateral cloth trade with Europe conducted by mercantile corporations, to a multilateral commerce conducted under several conditions (the 'navigation system, 'free trade', joint-stock companies). These changes coincided with the foundation of North American and West Indian colonies, building on earlier experiences in Ireland, and the course will consider their developing relations with the metropolis. Throughout, the focus will be on whether these changes were a consequence of deliberate 'mercantilist' state policies, or of the initiative of thousands of individuals.

20 credits

The Heretic, the Witch and the Inquisitor: The Medieval Inquisition from the Cathars to Joan of Arc

The Inquisition - an extraordinary court instituted by bishops from the 13th century to judge heretics and encourage their return to the Roman Church - marks an important development in medieval history and has played an essential role in modern perceptions of the Middle Ages. By focusing on some of the best known sources of the Inquisition, which have been important in recent historiography as well as contemporary fiction (The Name of the Rose), this module allows you to reflect on how a better understanding of the Middle Ages and a critical questioning of modern prejudices can benefit from each other.

The module focuses on two main source collections (which are available online in English translation): the inquisition record of Jacques Fournier, bishop of Pamiers in South France in the early 14th century, who became Pope Benedict XII, and the two trials of Joan of Arc, i.e., the accusation trial of 1431, at the end of which she was burned at the stake, and the rehabilitation trial of the 1450s that overturned the verdict of the first trial. It examines other forms and continuations of inquisition, such as the Spanish Inquisition (starting in 1478), the Roman Inquisition (which famously condemned Galileo in 1633), and the beginning of the witch-craze of the early modern period in late medieval Europe.

20 credits

The History of American Foreign Relations

George Washington famously warned against 'the insidious wiles of foreign influence' in his farewell address in 1796. But history has challenged any idea of the United States as a self-contained, bounded nation. Rather, the U.S. has played an active role in world affairs and has been profoundly shaped by events and people outside its borders. This course surveys the history of the U.S. in global context, beginning with America's first forays into overseas expansion in the late nineteenth century. We will cover both the major foreign policy moments and trends in U.S. history ;wars, government initiatives and interventions abroad, interstate diplomacy 'as well as the less formal encounters, migrations, and transnational exchanges that constitute American foreign relations. Primary and secondary source readings, lectures, and discussions will pay particular attention to the intersections between changes at home and developments abroad.

20 credits

The Making of Modern India, 1780-1965

Modern South Asian history has been an exceptionally fertile field of scholarly exploration, with many new insights and theoretical developments emerging from this field. This module will study the recent historiographical trends while looking closely at several historical developments during the period of British rule and the immediate post-colonial period. The module will be divided into four parts: the early colonial period, the late colonial period, the period of anti-colonial resistance or the national movement, and the post-colonial/Nehruvian era. The themes to be studied include: land/agrarian settlements, British expansionist policies, the revolt of 1857, the formation of caste identities, British famine policies, socio-religious reforms, Gandhian mass-mobilization, Islamic assertions, the national movement, Nehruvian socialism, partition of the subcontinent, and post-colonial legacies.

20 credits

Trumpism: An American Biography

Donald Trump's election, commentators claim, was unprecedented as well as unexpected: a break with more than two centuries of custom. Yet closer scrutiny of American history suggests Trump is no aberration. The module will interrogate the U.S. past to better understand the present, looking at the likes of populism as a political language, whiteness as a psychological wage, masculinity as a path to high office, protectionism as an economic policy, and deindustrialization as a political spur. By asking historical questions about the roots of Trump's rise, we will situate the American present in a complex and often painful past.

20 credits

History document option module examples:

Document option modules are 20 credits each. Dual honours students have the option to take one document option module.

History document modules have a narrower focus than our standard option modules and usually cover a specific event, a movement, or a moment in time. They help you develop your skills in the use and analysis of primary sources which will be invaluable as you progress through your degree. Dual honours students have the option to take one document option module.

From Democratic Marxism to Dictatorship: the 1973 Coup in Chile

This document option explores the coup of 11 September 1973 as a turning point in Chilean, Latin American and global history. It will use primary sources to explore events on both sides of this critical date, casting light on life in Chile under both democracy and dictatorship. This module will also situate the Chilean coup in international and global history, asking why events in a small Latin American country held such global importance. We'll use government documents to explore why  the United States found it necessary to intervene against the Allende government and assist the reactionary forces who supported the military coup and transcripts of interviews to grasp how everyday life changed for Chileans in 1973. We'll also explore the significance of events in Chile for the wider global Cold War, using music, art and documents left by activists to ask why everyday people in countries across the world - including the United Kingdom - mobilised in solidarity with the Chilean people and in the name of human rights, and we'll also assess the impact this activism had.

20 credits

Murder in the cathedral: the Becket Affair

On 29 December 1170, Thomas Becket, Archbishop of Canterbury, was brutally murdered in his cathedral by four knights of his King and one-time friend, Henry II. In the space of ten years, a close friendship had been ruined, and Thomas' stubbornness, flight to France, and untimely death created additional tensions for the English king. This document option investigates events surrounding Thomas' death and the emergence of his cult. It asks how a minor squabble became a continent-wide cause célèbre, forcing Henry into an act of ritual humiliation to clear his name while ensuring that Thomas' memory lived on.

20 credits

The Irish Republican Brotherhood, 1858-85

Britain's 'Irish problem' has long roots. This document module examines one of the most important violent Irish organisations that challenged British sovereignty in Ireland. Founded in 1858, the Irish Republican Brotherhood (IRB) (or the Fenian movement, as it was also known) was a transatlantic movement dedicated to the overthrow of the British state in Ireland. Fuelled by hatred for the British after the dreadful Famine in Ireland of the 1840s, the Fenians constructed a sophisticated organisation that was part secret society, terrorist cell structure and propaganda machine. It was the early forerunner of the Irish Republican Army. This document option investigates aspects of Fenianism from a range of angles. Using sources written and produced by contemporaries, we will consider the dynamics of the IRB and its place within nineteenth-century Ireland.

20 credits

The Myth of Venice

Historians usually debunk fabrications, but myths can themselves be the focus of historical study. This module explores the Myth of Venice, its production, diffusion, and reception. Venice was celebrated as the ideal republican government, but it was also the city of state terror and seductive `oriental¿ luxury. Students will examine a wide variety of sources and develop the skills required for their interpretation: descriptions of the city by Venetians and foreigners; political tracts; maps, paintings and sculpture; theatre and literature. The course concludes by considering how these myths have endured and influenced the writing of Venetian history.

20 credits

The Putney Debates, October 1647

Following the first English civil war there was political stalemate over the post-war settlement. By late 1647 there were calls for revolutionary political change, not least at the famous Putney debates. They came at a crucial moment in the development of the revolution, and successive editors between 1891 and 2007 presented the records of the debates in varying contexts in order to reveal the fundamental significance of the revolution. This module explores the background to the debates at Putney, what was said, and also considers how different editions of the debates reflect the shifting significance attached to the English revolution

20 credits

The Ten Commandments

This document option examines the Ten Commandments, perhaps the most well known 'legal' code in the world. Through the close study of key primary sources from the Hebrew Bible and the cultures that informed its writing, all readily available in modern English translation, the module explores the ancient Near Eastern context for these commands, the four texts in the Hebrew Bible that contend for the name Ten Commandments, and the role this text played in the political, social, economic, and ethical aspects of ancient life.

20 credits

Welfare children: the state, the family, and society in modern Britain

This module charts the rise and decline of the welfare state through its influence of modern British childhood and on the family. With a particular focus on primary sources, it traces the ideological origins of welfare in British imperialism and eugenics, and is attentive to those who have been excluded from so-called universal entitlements. It engages with the scholarship of Black feminists who have termed the 'welfare state' a 'malfare state'. We will examine the everyday lives reshaped by the state - through healthcare, work, education, housing, and maternity services - in the second half of the twentieth century, paying particular attention to the way that the city of Sheffield shaped and was shaped by the welfare state. We are also interested in the way that the political economy, specifically the shift from Keynesianism to Neoliberalism - changed society and the state. How did ordinary men, women, and children experience major economic change, and how did they challenge - or promote - these changes? In Sheffield, a city shaped by steel and then mass unemployment, this is a particularly fraught history. We draw on a number of different historiographical and political traditions in this course, including socialism, feminism, and liberalism. Primary sources are central to our analysis.  We nuance our understanding through sources ranging from private diaries, family photographs, and archival ephemera through to political speeches and to public buildings, including those we see around us every day in the city of Sheffield. 

20 credits

Try a new subject:

The flexible structure of your second year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

Optional English literature modules:

Exiles and Monsters: Reading Old English

This module explores the language and literature of early medieval England (500-1066), enabling you to read, translate, and understand the earliest English literature. You will learn Old English, developing a good understanding of Old English grammar and applying that knowledge as you translate Old English texts. You will also gain familiarity with Old English literature through translating a range of diverse texts. We normally start translating Old English prose in Week 2 and move on to poetry after a few weeks. Texts studied on this module might include Wulfstan's famous sermon to the English (in which he goes on about how sinful the English are), The Battle of Maldon (about a real battle in 991 in which the Vikings defeated the English), Judith (about a woman who chops off the head of the general whose army is besieging her city), and Beowulf (about a hero and several monsters). The module will briefly examine the historical background, cultural contexts, and stylistic features of these texts, introducing you to the breadth and variety of Old English texts and to differing critical approaches to them. No prior knowledge of Old English language or literature is required.

20 credits

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Writing Fiction 3

This module explores techniques and strategies for creating fiction through the critical study of short excerpts from a wide range of novels and short stories, imaginative exercises, discussion and feedback on students own writing. This exploration will help students develop their own creative work while sharpening critical appreciation of both classic and contemporary fiction. Subjects covered will include: narrative voice, character, dialogue, plot, mood, pace and style. Examples will include work by Laurence Sterne, Dickens, Joyce and Anthony Burgess, JG Ballard, Martin Amis, Irvine Welsh, Chuck Palahniuk and Michael Houellebecq.

20 credits

Crime and Transgression in Romantic Literature

This course focuses on the literature of the period 1900-1945, in particular on Anglo-American and Irish Modernism, its origins around World War 1, and the texts of the 1920s and 1930s which register its impact in Britain and North America. While the Modernism movement will be at the centre of the course, represented by Joyce, Woolf, and Eliot for example, we will examine a full range of texts of that period and pay attention to the vast range of styles, issues, and non-modernists movements of the periods. The aesthetic revolution of Modernism will be changed

20 credits

Fin de siècle Gothic

The module examines a range of Gothic texts and their fin de siècle contexts. Writers explored include R.L. Stevenson, Arthur Conan Doyle, Vernon Lee, Oscar Wilde, M.R. James, Bram Stoker, and H.G. Wells. Students will explore a diverse range of contemporary contexts which will enable them to see how theories of degeneration, images of Empire, models of medicine, notions of decadence, and ideas about history can be applied to the fin de siècle Gothic. The focus on ghosts, vampires, and aliens will help identify how a language of 'otherness' articulated the culturally specific anxieties of fin de siècle Britain. Teaching involves a mixture of lectures and seminars.

20 credits

Contemporary Black British Writing

This module will explore the diversity of Black British Writing from the Windrush Era to the present, paying particular attention to rewritings of earlier British texts and experiments with generic and cultural forms. We will use theoretical interrogations of race and colonialism from thinkers including Paul Gilroy, Stuart Hall and Reni Eddo-Lodge to analyse works that radically reformulate key moments in British literature and culture from the Roman invasion to The Canturbury Tales, through the colonial hinterlands of Victorian fiction to the aspiration and culture clash of 1950s London. 

20 credits

The Brontës

'Literature cannot be the business of a woman's life, nor ought it to be.' So advised Robert Southey, Poet Laureate, to a young Charlotte Bronte in 1837. Just ten years later she and her sisters, Emily and Anne, caused a sensation: their first novels, published under pseudonyms just weeks apart, were read and reviewed with astonishment, praise and censure. Now some 200 years since their births, the Bronte siblings (including their brother, Branwell) sustain a thriving industry of literary tourism and their works can be read and enjoyed via a multitude of editions and adaptations. This module will explore the art of the Brontës, their writings, drawings and paintings from collaborative juvenilia through to Charlotte's final novel, Villette. These works shed light upon the socio-cultural trends and political upheavals of the 1840s and 1850s, from the plight of the governess to machine breaking in the industrial North. This module will also ask how and why the Brontës have enjoyed such a varied and long-lasting cultural afterlife.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

Beckett and Late Modernist Experimental Fiction

The module will be looking at Beckett's short fiction and novellas alongside Caribbean, British and Irish experimental fiction of the 1960s and 1970s, and will be exploring the motivations and rationale for the experiments in narrative style and expression, looking at the techniques of experiment used by the writers, and at a range of topics the experiments shape and respond to, including gender, Global North/South relations, Cold War technology and systems theory, psychoanalysis, decolonization, radical and collective subject positions. The writers considered alongside Beckett may include Ann Quin, B.S. Johnson, Beryl Gilroy, Christine Brooke-Rose, Anna Kavan, Shelagh Delaney, Brigid Brophy, J.G. Ballard, Muriel Spark, Maureen Duffy, Wilson Harris

20 credits

Fear of the 'Other': Representation of Identity in Horror Cinema

This module will explore the history of representation of identity in horror cinema, including analysis of gender identity, sexual identity, ethnic/racial identity and national identity among other potential topics.We will first establish the origins, history and formative elements of the genre, considering shared themes, stylistic and narrative traits, aspects of representation and trends within the history of horror cinema. You will then explore the issue of 'othering' through the medium of horror, analysing the representation of women through the predominantly male gaze as either monstrous, victim or 'final girl'; queer representation in horror in which the non-heteronormative has frequently been used as shorthand to imply deviancy/monstrosity; and the representation of people of colour in horror cinema - or rather their lack of representation/stereotyping (see the poster for 2023's The Blackening which showcases an all-black cast with the tagline 'We can't all die first!') Some key theorists that we might study include Laura Mulvey, Linda Williams, Carol Clover, Barbara Creed, Alison Peirse, Harry Benshoff, Tananarive Due, Ashlee Blackwell and Robin Wood. Films we might watch include Get Out, Slumber Party Massacre, The Blackening, Dressed To Kill, Psycho, Halloween, Black Christmas, Night of the Living Dead and I Walked With A Zombie 

20 credits

The Beginning of the End of the World

It is impossible to make sense of our world of pandemics, the climate crisis, economic instability, and violent, divisive rhetoric without an understanding of apocalyptic literature. While 20th and 21st century contributions to apocalyptic literature, such as Octavia Butler's Parable of the Sower, are far ranging in their examination of what the end of the world looks and feels like, they all have their origins in ancient notions of catastrophic ends and the hope for a new beginning. This module will guide you to explore the apocalypse's origins in texts left out of the biblical canon, such as the Dead Sea Scrolls, as well as those that are more well known, such as Revelation. You'll learn to engage critically with a range of literature, including contemporary novels dreaming about the end of colonial violence, and cinematic interpretations about climate apocalypse. You will have the opportunity to apply their knowledge about apocalypses to a text and topic that are important to you.

20 credits

Radical Theory

The driving force of this module is to change the world or, no less ambitiously, to re-interpret the university as a site for philosophical speculation and theory-based intervention. The course will address, to use Walter Benjamin's terms, the catastrophe of the status quo, and is structured around three aims, which are: 1) to address 'moments' of crisis such as, for example, the climate crisis; the neoliberal, market-driven higher education system; systems of privilege (whiteness; masculinity; heteronormativity; ableism, etc.) 2) to theorize these crises, and 3) to explore the relationship between critical theory and practice: in particular to explore theorized agency as enabling political activism.

20 credits

The Idea of America

If you are interested in how and why contemporary (1950-present day) American writers revise myths of America, then this module will appeal to you. We explore how foundational ideas of America (such freedom, equality, democracy, self-reliance, the frontier, capitalism and American exceptionalism) are reimagined by its poets, playwrights and prose writers. You might read works by authors such as Toni Morrison, James Baldwin, Cormac McCarthy, C Pam Zhang, Charles Yu, Arthur Miller and Ocean Vuong and the module is organised around a series of thematic strands that will help you to make connections between writers and key American mythologies. For example, the themes could include a focus on the ongoing legacies of slavery and settler colonisation and/or a study of the role of religion, region and place in shaping literary perspectives of America. You can expect to read a diverse range of works by Asian-American, Native-American, African-American and Arab-American authors and by the end of this module you will develop valuable leadership and employability skills including improved emotional intelligence and global awareness.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Creative Writing Poetry Experiments: (De)Constructing Paper Selves

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while thematically and theoretically we will explore concepts of borders and boundaries of the contemporary poem while looking at complex concepts of identity, self, form and language, inner and outer landscapes, gender and politics, trauma, historicity and phenomenology. We will be focussing on the manifold ways in which language constructs and deconstructs self and selves, breaches old paradigms, looks 'behind' itself (in panic?) and yet audaciously ploughs on towards the 'unforeseeable'. During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Dissertation

This module provides third year students with an opportunity to develop work done in Approved Modules and Core units, or study a relevant topic not included in these courses. Students are expected to show a capacity for research and for organising a long essay. The Dissertation is an essay between 8,000 and 10,000 words, the result of a sustained period of independent study at Level 3. The Dissertation takes the place of a second semester Approved Module. Disertation topics must be approved by the Dissertation convenor, Cathy Shrank. She will take into account appropriate courses that have been taken. She may advise against taking the Dissertation. It is exected that students will formulate a topic with the help of a potential supervisor chosen from the full-time academic staff and after discussion with their Personal Tutor. Registration for the Dissertation depends on availability of supervisors. Dissertation students have a preliminary meeting with their supervisors early in Semester 1 and then meet supervisors at least three times during Semester 2. Normally supervisors read one near-complete draft of the Dissertation not later than the first week after the Easter vacation. The Dissertation is due at the end of Semester 2 and normal assessment submission regulations apply to it.

20 credits

Reading, Writing and Playing with the Creative Essay

This is the essay - but not as you know it. It is, more specifically, the creative essay: a space of play, experiment, criticality, creativity, risk, and sometimes failure. Through lectures delivered by staff from across the Department, you will engage with key examples of the form from different time periods and backgrounds, ranging from Michel de Montaigne to Virginia Woolf, James Baldwin to Teju Cole, Billy-Rae Belcourt and Rebecca Solnit, amongst others. In seminars, you will analyse the techniques writers use to produce essays which are at once personal and critical, giving insights both into the writing 'I' and the object at hand; you will also exchange constructive feedback on your own essays with your peers. Across the module and in the assessment, you will be encouraged to experiment, using this uniquely flexible (and fun!) form to creatively explore the topics, experiences and ideas that really matter to you.

20 credits

Reading Animals

Contemporary literature is filled with stories about animals, and told by animals, which provide astonishing perspectives on animals' experiences—their ideas and feelings, needs and desires; their sense of place, of past and future; their sense of community, loneliness, freedom or danger, or solidarity with humans. In literature, animals tell us what it is like to live in family homes or factories; to go on adventures or to go extinct; to be wild or captive, domestic or feral; to lose their home; to be owned, watched, admired, hunted, worshipped, medically treated, and more. This module looks at literary texts in which nonhuman animals' lives are the central concern. We will study works by writers such as NoViolet Bulawayo, George Saunders, Sabrina Imbler, George Orwell, Yoko Tawada, and Ceridwen Dovey. We will ask: in what ways have authors given voice to animals' experience? What are the most effective literary strategies for representing animals (both portraying and speaking for them)? How have writers re-imagined the fable and other genres in which animals conventionally appear? How are portrayals altered in authors of different race, nation, or gender? And, perhaps most topically, how does literary writing help us rethink animals' importance in an age of extinction and industrial-scale consumption?

20 credits

Privilege and Subversion in Early Modern Drama, 1580-1700

This module surveys the theatre of early modern England, a cultural phenomenon that ranged from the scandalous and iconoclastic drama of Christopher Marlowe to the bawdy, urbane comedy of William Wycherley. We will interrogate the manifold ways in which the privileges and hierarchies of the period (relating, for example, to knowledge, power, gender, politics, sexuality and social class) were interrogated, subverted or upheld by dramatists such as Aphra Behn, John Dryden, Thomas Middleton and John Ford. We will read plays in a variety of genres and will analyse them in the context of landmark cultural and historical changes of sixteenth- and seventeenth-century England, such as religious conflict, colonial expansion, and the growth of London as a centre of pleasure and consumption.The module considers the changing conditions of performance in pre- and post-civil-war theatre, the kinds of publication that dramatists used, and the characteristics of the language with which dramatists worked. It also relates the texts to critical methods that help illuminate the relationships between theatre and the explosive cultural, political, and religious differences of the period.

20 credits

The Invention of Romanticism

This module is about the birth and legacy of romantic-era writing. It studies famous figures such as William Wordsworth, John Keats and Emily Bronte alongside lesser-known writers such as Charlotte Smith, Charles Waterton and John Clare. It is taught by a team who use their research interests in fields such as environmental criticism, gender studies or colonial writing to think about how such authors inform our thinking about the world today. Over the year you'll write two essays and develop a proposal for an end-of-year module conference where, supported by your tutors, you can present your ideas and findings to the class. As well as helping you find your own critical voice and developing your academic writing and research skills, this module believes that the modern world and how we think of it was born and shaped by the literature of the Romantics and it encourages you to think critically about that legacy.

40 credits

Renaissance Literature, Modern Crisis

This module considers early modern and Renaissance literature in relation to some of the pressing concerns of the modern world, e.g. the climate emergency, decolonisation, and gender identity (topics may vary from year to year depending on staff expertise and current events). It will combine historicism (looking at texts in historical contexts) with presentism (thinking about how we read texts in our own historical context). You'll write a critical essay relating early modern literature to a modern priority, and then work on a project whose nature and scope you'll decide in dialogue with your tutor(s): for example, an edited collection of texts based around a shared theme; teaching materials; or a magazine-style article. As well as helping you hone your academic writing and your research and critical thinking skills, this module encourages you to think about how literary texts can speak to problems in the wider world.

40 credits

Research Topics in Theatre and Film

This module introduces you to significant research topics that cut across theatre and film studies, opening up the synergies and divergence between these art forms. Key themes such as Bodies, Identities, Memory, Site and Migration will focus our analysis of diverse historical and contemporary examples, positioned critically alongside notable remakings and sometimes radical adaptations. Research into these case studies will uncover important contexts of creation, production and reception that serve to deepen and problematise their meanings. You will also explore current approaches in theory and criticism that reframe theatre and film in exciting and challenging ways. The module's year-long structure allows substantial time to pursue individual research interests, guided by your tutors and inspired by and extending beyond work we undertake as a group. Reflecting the creative mediums we focus on, this module includes supported assessment options for video essays and project pitches, building skills in editing and audiovisual presentation, as alternatives to the traditional essay. Whether or not you choose to experiment with these formats, you will acquire sophisticated knowledge of film and theatre, deepen your understanding of cinematic and performance languages, and gain valuable skills in creative thinking and expression beyond the written word.

40 credits

Mod Cons: Exploring the Long 20th Century

This module introduces you to current research in the study of literary and related forms of cultural text and practice, focusing on the modern and contemporary periods from the beginning of the twentieth century to the present. With a curriculum adapted each year in response to the current research interests of academic staff, the module focuses on the ways in which literary and related works can be understood in terms of important aesthetic, cultural and socio-political concerns in the period. During this module you will be given the opportunity to develop your critical thinking and your writing and analytical skills through an indepth engagement with a variety of text from the modern and contemporary periods.

40 credits

Optional English language modules:

Research Practice

Research Practice' is normally taken in combination with the 'Dissertation' module. Taken together these two units give students the opportunity to spend a whole year researching a topic of particular interest to them, engaging with new data or primary sources, and working on material that is typically more advanced than that covered in taught modules. 'Research Practice' focuses on the planning of the larger project. Students receive support and training through whole-group workshops and one-to-one support from a supervisor. By the end of the module, students will have designed an appropriate programme of research and begun to implement it. Although support will be provided by supervisors and the module convenor, students will be expected to drive their projects forward themselves and be proactive in seeking guidance and help when they need it. The module is not suitable for students who do not enjoy independent research and reading. In preparation for the module, students will be required to submit a research proposal towards the end of Level 2. Students will receive guidance on this and may seek help with this part of the process from members of academic staff. Registration for this module depends on both the coherence of the research proposal and the availability of suitable supervisors.

20 credits

Exiles and Monsters: Reading Old English

This module explores the language and literature of early medieval England (500-1066), enabling you to read, translate, and understand the earliest English literature. You will learn Old English, developing a good understanding of Old English grammar and applying that knowledge as you translate Old English texts. You will also gain familiarity with Old English literature through translating a range of diverse texts. We normally start translating Old English prose in Week 2 and move on to poetry after a few weeks. Texts studied on this module might include Wulfstan's famous sermon to the English (in which he goes on about how sinful the English are), The Battle of Maldon (about a real battle in 991 in which the Vikings defeated the English), Judith (about a woman who chops off the head of the general whose army is besieging her city), and Beowulf (about a hero and several monsters). The module will briefly examine the historical background, cultural contexts, and stylistic features of these texts, introducing you to the breadth and variety of Old English texts and to differing critical approaches to them. No prior knowledge of Old English language or literature is required.

20 credits

Constructed Languages

This module builds on theories learned in Level 1 and 2 ELL and Language and Literature modules, applying them to the constructed languages ('conlangs') created specifically for books, television, and film. Topics covered will include the grammatical patterns underlying the sound and structural systems of conlangs, the similarities and differences between conlangs and 'natural' human languages, the representation of historical change in conlangs, and the textual use and representation of conlangs in literature.

20 credits

Narrative Style in the Contemporary Novel

On this module you will consider how the contemporary novel experiments with narrative style and technique, and the effects of this on you as a reader. We will be looking at writing in English from all over the world, and from a wide variety of backgrounds and perspectives. We will be looking at key narrative concepts, such as point of view, in order to enable appreciation of the ways in which contemporary writers play with traditional styles. Some of the experimental features we will look at include: disruptions to chronological sequence; the use of second-person ('you') narration; the use of multiple narrators. We will look at how such techniques increase or hinder such experiences as empathy and identification with characters. You will get a chance to work extensively on a contemporary novel of your choice and deepen your enjoyment of it by looking at how it is written.

20 credits

Theolinguistics

This module examines the ways in which people talk about what they hold sacred, both in overtly religious and 'secular' contexts. This module takes a functional approach to language, first asking, what does religious language do for us? Among the topics that will be covered are definitions of religion and religious language, a functional approach to religious language, linguistic features of religious language (for example, religious vocabulary, archaic language, intertextuality, and metaphor), and the use of religious language in a wide range of contexts (contexts could include overtly religious contexts as well as politics, news media, advertising, sport, pop culture). There will be opportunities each week to examine religious language in a variety of contexts, using specific analytic tools. In the assessments, you will have the freedom to develop these skills further by analysing texts of your choice, taken from contexts that suit your interests. The tutor will provide support in finding and selecting these texts. Overall, this module aims to examine the porous boundaries between the sacred and the secular. In so doing, we will consider the language not just of those looking to a sacred supernatural but those who articulate ultimate significance to values and priorities without adherence to organized religion.

20 credits

Teaching English to Speakers of Other Languages

The module introduces and reviews the principles that underlie, and the methodology employed in the teaching of English to speakers of other languages. Among the topics discussed are the teaching of the four main language skills - reading, writing, listening, speaking - and the teaching of the language system - grammar and vocabulary. There are also sessions on the language learning process and the characteristics of communicative language teaching.

20 credits

Language and Gender

This module will explore the relationship between language use and gender identity. We will consider how gender has been defined in social and linguistic research and examine a variety of theoretical perspectives, methodologies and findings (incorporating both quantitiative and qualitative linguistic work). The approach is interdisciplinary (drawing upon sociolinguistics, linguistic anthropology and discourse analysis) and will address the issues of power, status, socialisation and ideology.

20 credits

Approaches to Discourse

The course aims to introduce students to the critical analysis of spoken and written discourse in contemporary social contexts. It provides a range of resources and techniques for analysing texts and dialogue, enabling students to apply them to real life data drawn from a wide variety of contexts. Instruction will cover classical theoretical approaches to the analysis of discourse and genre, including functional grammatical analysis of clauses and sentences, the generic structure of texts, conversational and pragmatic analysis of spoken discourse, and intertextual and interdiscursive analysis. Throughout the topics covered, the students will be encouraged to reflect upon the role of discourse in the structuring of social practices and power relations.

20 credits

Second Language Acquisition

This module will introduce students to major theoretical notions and assumptions in Second Language Acquisition (SLA) - a theory that investigates how language speakers acquire a second language both in adulthood and childhood. The module focuses on the SLA theories that are believed to be constrained by Universal Grammar. It provides a historical overview of how SLA theories have evolved and examines influential concepts to explore how different arguments have been developed and how they have been investigated empirically. At the same time, the module offers students hands-on training in analyzing second language learner data, using their knowledge of syntax and the opportunity to design an SLA project.

20 credits

Dissertation

The 'Dissertation' module is always taken in combination with the 'Research Practice' module and, together, these two units give students the opportunity to spend a whole year researching a topic of particular interest to them, engaging with new data or primary sources, and working on material that is typically more advanced than that covered in taught modules. The final result is a dissertation of up to 7,000 words. Students receive support through whole-group workshops and one-to-one support from a supervisor. In the process, they develop research and communication skills valuable in academic and professional contexts. Although support will be provided by supervisors and the module convenor, students will be expected to drive their projects forward themselves and be proactive in seeking guidance and help when they need it. The module is not suitable for students who do not enjoy independent research and reading

20 credits

Conversation Analysis

In this module we will work with recordings of real conversation, analysing aspects of spoken interaction such as turn-taking, overlap, repair, sequence organisation and topic from the perspective of Conversation Analysis (CA). The module provides an opportunity to: deepen your understanding of how conversation is structurally organised; develop analyses of conversation which are inductive and do not rely on reading the minds of participants but are grounded in the observable linguistic-sequential properties of the talk; and explore the relationship between CA and linguistics.

20 credits

Language attitudes, perceptions and regard

This module examines the ways in which non-specialists react to language variation. Students taking the module will learn about why such reactions matter, both for speakers of stigmatised varieties and languages, but also in relation to theories of language variation and change. The module will introduce students to the field of language regard, which moves the study of non-specialists reactions to language beyond the traditional approaches taken in language attitudes research. Students taking the module will consider the theoretical underpinnings of language regard, and examine topics such as real-time reactions to regional speech, manipulating listener reactions, language attitudes findings, perceptual dialectology, and the sociolinguistic monitor.

20 credits

Researching Readers

Your studies so far will have given you many opportunities to think about how you interpret texts and how texts are discussed by professional critics. This module encourages you to engage with the responses of readers outside of University too, in the wider reading public. Academic discussions regularly make claims about the effects of a text on its 'readers' or 'audience', but these readers are often theoretical constructs rather than actual people. This module is a practical introduction to methods that can be used to collect data so that you can investigate the responses of real readers in a variety of contexts. Methods that we study might include experimental tasks, questionnaires, focus groups and internet resources. We focus on qualitative, verbal data: the things which people say or write about their reading experiences. You will learn how to use that data to test and develop your own textual analyses. For instance, we might use data to explore how readers engage with fictional characters, how they make sense of metaphors, or how they respond emotionally to patterns in language. You will be supported in designing, conducting and reflecting upon your own study of real readers, with free choice of the text you study and the method you use, so there is lots of scope for pursuing what interests you.

20 credits

Experiments in Interactive Digital Narrative

This module offers the chance to learn about and experiment with the possibilities of interactive digital narratives. What are interactive digital narratives? In brief, they are stories designed (a) to be read on screen and (b) to give the reader choice about how to navigate them. For example, you might have come across digital adventure stories that read like this: 'You walk up to the house but the door is locked. Do you search for a hidden key or do you break the door down?' Here both 'search' and 'break' will be links so you can choose what you want to do and find out what happens when you do it. Stories like this are widely available online but writers and artists have used the same approach to explore a wider range of human experience than fantasy adventures. Early in the semester we will think about various issues relating to digital narrative: the relationship between material and virtual worlds, the relationship between author and reader, our fears about Artificial Intelligence. Then you'll create an experimental narrative of your own inspired by your critical reading. You don't need any special knowledge of computers or coding - all that will be taught in the module. The learning you experience as you develop your project will be invaluable if you go on to work in any field where you need to make digital content.

20 credits

Advanced Syntax

This module builds on the material covered in ELL 221 Syntax, focusing on both the universal and language-specific rules that govern syntactic structure in human language. The topics covered will expand our understanding of areas of structure that could not be explained in Syntax, including further instances of movement, a more nuanced understanding of verbal structure, and a greater emphasis on data from languages other than English.

20 credits

Advanced Phonetics

Students will use specialist computer software to provide robust analysis of a range of different phonetic parameters. This will involve working with waveforms, fundamental frequency traces, spectra and spectrograms. Training will take the form of practical demonstrations and guided workshop exercises, linked to a series of 'lab report' assessments. In the final assessment, students will work on either different varieties of English (reocrdings provide by the student cohort), or on another language selected by the module convenor. This module builds on ELL112 Sounds of English and ELL207 Phonetics; successful completion on these modules is therefore a pre-requisite.

20 credits

Language and the Environment

This module will introduce students to a range of research focused on language and the natural environment. We will begin by exploring the discipline of Ecolinguistics and the concept of an 'ecosophy', the ecological philosophy underpinning environmental linguistic research. Students will have an opportunity to define their own key ethical principles and design a small-scale research project around their personal ecosophy. We will examine a range of different linguistic theories and their application in the rigorous and systematic analyses of language and the natural environment. We will also explore different linguistic methodologies which might enable these analyses, drawn from disciplines including discourse analysis, corpus linguistics, and empirical stylistics. We will investigate a variety of different discourse types in our lectures and seminars, including political speeches, the language of environmental documentaries, literary texts, social media, marketing and advertising, and everyday conversation. Students will have the opportunity at the end of the module to use their knowledge and skills to execute their own research project, investigating the relationships between language and the natural world in a discourse of their choice.

20 credits

Historical Linguistics

Language change is a fact of all living languages, and historical linguistics is as much about the present and future as it is about its past. This module introduces the study of how and why languages change, and how languages are related. You are encouraged to reflect on the ways in which historical linguistics bears on other areas of linguistics. The subject will be approached by 1) levels of inquiry, e.g. semantic, phonological, morphological, syntactic and pragmatic change; and 2) 'big questions', e.g. language families and linguistic prehistory, the role of acquisition in change, linguistic reconstruction, and historical sociolinguistics.

20 credits

History optional module examples:
There are two dissertation options available. All students can choose to take the 20 credit short dissertation. Students who wish to major in History can choose to take the 40 credit dissertation; in this case the dissertation must be taken in combination with a Special Subject.

In addition to the modules listed below, we expect you to have the opportunity to take a new module that will give you the chance to build on your core work in your second year and learn how to navigate conflicting and controversial disputes in history and historiography by focusing on a single interpretive issue.

Short Dissertation

The dissertation in History is an exercise of 7,500-8,500 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and an availability of sources. In each case students work independently under the guidance of a supervisor.

20 credits

Making History Public

This core module is designed to allow students the opportunity to produce a piece of public history. It will equip students with the skills required to effectively communicate their scholarly research to a non-academic audience, and develop transferable skills beyond the traditional academic skills of a History degree. Drawing on any aspect of their experience as History undergraduates, students will design and produce an accessible digital artefact presenting a topic or theme of their choosing. Students will be supported by workshops and seminars to identify suitable topics and develop communication and digital skills central to public history, and will also be encouraged to bring their extra-curricular skills and interests to this module. A virtual exhibition will showcase student work to the whole History community. In addition, students will submit an interpretative written exercise, situating and explaining the artefact they have created and analysing their experience over the course of the module.

20 credits

Dissertation

The Dissertation in History is an exercise of 9-11,000 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and the availability of sources. In each case students work independently under the guidance of a supervisor.

40 credits

History Special Subject examples:

Special subjects are 40 credits each. Dual honours students have the option to take one special subject.

Cannibals and Christians: Mexico and Spain, c.1492-1600

This module examines the extraordinary clash of cultures which occurred following the 'discovery' of America, and the reciprocal relationship which developed between Europe and the 'New World' in the sixteenth century. Focusing on the sixteenth-century discovery, conquest and settlement of Central and South America, especially Mexico, the module will address such themes as the nature of the encounter, the intellectual and cultural impact, trade and exchange, migration, evangelisation and empire. The module addresses the encounter from a wide range of perspectives, evaluating the encounter from the viewpoint of sailors, conquistadors, priests, historians, explorers, missionaries, administrators and the indigenous people themselves.

40 credits

Fascism and Anti-Fascism in Britain, 1923-1945

This module examines three inter-related issues in order to assess the impact of fascism in Britain between the wars. Making full use of one of the best archives for this purpose in the country held here in the Special Collection of the University Library, first we examine the political organization, the ideas and the culture of 'native' British fascism from its inception in 1923 to the Second World War. Second, we move on to explore active and ideological resistance to British fascist and racist organisations by a loose coalition of Communists, Socialists, Liberals and even Conservatives, as well as the resistance mounted by those religious and ethnic groups most affected by fascist racial provocation and violence. Third, we will consider how contemporary interpretations of fascism, and formal and more informal relations with the European dictatorships, contributed to the National Government's policy of appeasement on the one hand, and, on the other hand, to the greater definition of what was quintessentially 'British' about Britain's war aims with the outbreak of World War Two. We will approach these topics by analysing primary source material, including political pamphlets and propaganda, newspapers, public records, memoirs, oral testimonies, visual material, film and recordings, and novels.

40 credits

Italy in the Age of Dante, ca. 1200-1350

In the 13th and 14th centuries, northern-central Italy was one of the most urbanized, economically dynamic and culturally innovative parts of Western Europe, to the point that important scholars of the past have seen the Italian city-states as forerunners of modern concepts of republicanism and individualism. The cultural efflorescence of this period is still visible in the historical city centre of many Italian towns, in the frescoes of Giotto, and in the literary works of authors such as Dante Alighieri (1265-1321), best known for his exploration of the Christian afterlife in the Divine Comedy. And yet, Dante's Italy was also plagued by instability, civil wars and factionalism, as exemplified by the poet's banishment from his city, Florence, on account of political rivalries. How did the Italian city-states manage to flourish economically and culturally in such a fraught political landscape? How could they reconcile intellectual sophistication and religious revival on one side, and significant levels of violence and turmoil on the other? This module will make use of sources such as artwork, chronicles, literature and charters to explore various facets of the political, social and cultural life of the communes with the aim of providing a deeper understanding of this multi-faceted society.

The module will introduce you to the political, religious, social, and cultural landscapes of the Italian city-states between the 13th and the 14th century. It will develop your awareness of the historiographical interpretations of the period and its key features, e.g., the communal movement, merchant capitalism, the 14th century crisis and lay sanctity.

40 credits

Mao and the Making of Twentieth-Century China

In 2015, citizens in Henan Province erected a 120-foot gold statue of Mao Zedong, which was swiftly torn down on government orders. Why does Mao still provoke such strong feelings? To some he is a monster: history's greatest mass murderer. But recently historians have painted a richer picture of Mao's China, trying to understand its social character, political culture, and role in Cold War rivalries. Focusing on the origins, character, and legacy of Maoist rule, and devoting most of our attention to the period between the declaration of the People's Republic in 1949 and Mao's death in 1976, we will use translated primary sources, a rich visual culture, and a burgeoning scholarly literature to explore Maoist thought and its critics; major upheavals like the Great Leap Forward and Cultural Revolution; and everyday life under 'Communism with Chinese characteristics'.

40 credits

Nomadland: The Peoples of the Steppe, 600-1000

Nomads are the dark matter of history. Choosing neither to produce written sources, nor found cities which are the usual target of archaeology, they defy the typical means of investigation of the historian. Yet their political impact – from the Huns of Attila to the Mongols of Ghengis Khan – was vast. Fear of the nomad other, framed in terms of barbarism, is one of the defining literary themes of the settled civilisations who were their neighbours. This fear had a huge impact on settled society: the Great Wall of China was built to keep nomads out.This course asks how we can look beyond the fearsome, caricatured image produced by sedentary authors to reconstruct the politics, mentalities, and lifestyles of these crucial agents of pre-modern history. To do so, we will focus on the varied experiences of the nomadic peoples who emerged in the aftermath of the disintegrations of the great Turkic Khaganate in the seventh century. The Khaganate stretched over the vast, flat, grasslands of the Steppe, from China to Hungary and its successors settled regions across modern day Kazakhstan, Uzbekistan, Russia, Ukraine and the Balkans. These new peoples and their cultural and political choices fundamentally transformed the region, and had a profound impact on the great empires around them, namely Byzantines, Sassanian Iranians, and the Islamic caliphate.Throughout, we will use material culture and sources written originally in Greek, Arabic, Armenian and Slavonic (all available in modern English translation), to ask: how do we write a history of a people who chose not to write? 

40 credits

Permissive Britain? Social and Cultural Change 1956-74

This module explores British society and culture as the nation moved from an era of austerity to one of unprecedented affluence. Key topics include the impact of affluence on class and gender relationships, the emergence of a national youth culture, changes and continuities in sexual behaviour, and debates about immigration and race. The unit encourages students to assess the significance of reforming legislation that relaxed the censorship regime, decriminalised homosexuality, enabled easier access to abortion, liberalised the divorce system and abolished capital punishment, examining the arguments of those who resisted, as well as those who championed the 'permissive society'.

40 credits

Popes, Caliphs, Emperors, ca. 1130-1215

The Crusades are known as religious wars, in search of the earthly and heavenly Jerusalem. Yet they were only part of the complex interactions between peoples of different politics, religions, and cultures in the medieval Mediterranean basin. Using sources including histories, letters, buildings, art and mosaics, this module will examine how religion intertwined with medieval politics, culture and society. From Iberia to Jerusalem, and from Italy to Africa, we will investigate religion's role in expressing political power and in the everyday life of the people who lived there. How was religious authority received, understood, and contested by contemporaries?

40 credits

Red Continent: Socialism in Twentieth Century Africa

When we think about the history of 'socialism', we might first consider Marx and Mao, Lenin and the Soviet Union, even Castro and Cuba. Africa rarely features in these conversations. Yet no fewer than 35 African countries claimed to be 'socialist' at some point in the late twentieth century. There was little consensus as to what 'socialism' meant in Africa, however. To some, it was a homegrown ideology, with its origins in 'traditional' village life. To others, it was a set of imported theories that could propel anticolonial liberation struggles. Critics alleged that Africa's socialists were simply pawns of Cold War superpowers. Socialism's proponents responded that they were building a new future after empire - a vision which had evaporated by the end of the century, but increasingly of interest to historians today.

Rather than seek an encyclopaedic understanding of socialism in every African country, this special subject module combines in-depth studies of key cases with the study of broader, transnational themes. We will examine the political thought of major thinkers, including pan-Africanists among the diaspora, anticolonial leaders, and public intellectuals. We will assess the 'African socialist' project in Tanzania and the military dictatorship in Ethiopia which preached Marxist revolution. Yet no leader or government controlled the meaning of socialism, as their visions were challenged by students, workers, and women's activists. Locating African socialism in a global context, we will follow the transnational journeys of these figures as they forged relationships with Cold War actors and contributed to the radical project of the Third World. 

The thematic classes will trace connections and divergences between these socialist experiences in Africa. We will investigate the role that the media played in communicating socialism. We will understand how artists, directors, and novelists all engaged with the ideas of socialism. The module will take us into the villages, to see how rural communities responded to state-making projects which were imposed from national capitals. Then we will explore the concrete design of Africa's 'socialist cities' and the livelihoods of the men and women who lived among them. Finally, we will gain an understanding of life in post-socialist Africa and ask 'what's left of the African left?' 

In this module, students will work with a wide range of primary source material. This includes excerpts from the work of major African intellectuals, like Kwame Nkrumah, Léopold Senghor, and Julius Nyerere. Students will examine how these ideas were put into practice (or not) through material drawn from government archives and diplomatic cables. Moving beyond the vision of the state, we will also analyse student magazines, film, poetry, fiction, street photography and architecture. All source material and secondary reading will be provided in English, either as original or in translation.

40 credits

Resistance & Liberation in South Africa: Gandhi to Mandela

This module analyses resistance to segregation, apartheid, and white supremacy in South Africa. Drawing upon memoirs, oral histories, novels, films, speeches, news reporting, online databases, and document collections, we begin with the non-violent campaigns led by Mohandas Gandhi in the 1900s against the segregation of Indians in South Africa, and end with Nelson Mandela's election as president in the country's first non-racial democratic elections in 1994. We will explore the inspirations, nature, and effects of a wide range of forms of political, social, and cultural resistance by opponents of white supremacy - from ordinary people to elite politicians - both inside South Africa and around the world.

40 credits

Revolution, Dictatorship and Democracy in Latin America, 1944-90

This special subject uses the three themes of revolution, dictatorship and democracy to examine the history of Latin America in the second half of the twentieth century. Beginning with Guatemalan Revolution (1944-54), this module explores key events over the next four decades, including the Cuban Revolution of 1959, the rise of anticommunist dictatorships across the region in the 1960s and 1970s, the Nicaraguan Revolution of 1979, and the 'Third Wave' of democratisation that swept the region in the 1980s. Throughout, we will identify and analyse regional trends in Latin American history while remaining attentive to national dynamics. In particular, this module will focus on two subregions of Latin America: the Southern Cone (especially Chile, Argentina and Brazil) and Central America (especially Nicaragua, Guatemala and El Salvador). Primary sources will include government documents, speeches, visual sources and other cultural outputs, including song, poems, and testimonials. This mix of different sources will allow students to consider the ways in which gender, race, and class all shaped how different Latin Americans experienced the second half of the twentieth century.

40 credits

The Great Depression in the Age of Empire

During the interwar period, the United States and European nation-states were thrown into near simultaneous and deep social and economic crisis, ushering a decade of de-globalization, which was spurred by deep financial and monetary crisis, the breakdown of international trade, protectionism, border closures, and world-wide disruptions in the production and circulation of goods and foodstuffs. But what did interwar de-globalization mean for the colonial world? This course will explore the joint crises of European colonialism and capitalism during the 1930s. Using case studies from the British, French, Dutch, and Portuguese colonial empires in Africa, Asia, and the Caribbean, the course will examine the politics of European imperial economic blocs while seeking to move beyond Western-centric understandings of this global crisis. Bringing together perspectives from political, economic, social, intellectual, and cultural history, we will look at the workings of colonial capitalism, commodity production patterns, the role of imperial states in the management of colonial economies, peasant uprisings, and urban strikes. Sources may include pamphlets, novels, administrative documents produced by colonial states, peasants' petitions, labour control devices and objects (e.g. workbooks, tax receipts), films, etc. 

Topics for discussion will include channels of contagion of economic crisis to Asia, Africa, and the Caribbean; responses of colonial powers and nominally independent nations; the collision of imperial and indigenous capitalisms; debates about industrialization and manufacturing; overlapping political, social, and economic crisis; and the roots of decolonization. A century after the onset of the 1929 Wall Street Crash, and the beginning of a decade of global economic fragmentation or 'de-linking', what can we learn from the experience of countries which were then under formal and informal colonial rule? Did they manage to 'weather the storm' or did the crisis on the contrary reveal and exacerbate irremediable tensions? 

This course seeks to introduce students to the various ways in which a crucial episode of economic crisis has been experienced and discussed in areas of the world which are known today as the 'Global South' and whose economic and political role will shape the twenty-first century. Through critical engagement with a wide range of historical sources, they will develop the skills to distil arguments and marshal relevant evidence.

40 credits

The National Security State, Treason, and Individual Rights during the Twentieth Century

National security scares over 'whistleblowers' such as Edward Snowden, Chelsea Manning or Kathrine Gun have catapulted the image of the 'traitor' back into public discourse. At the same time, controversies over Wikileaks' political agenda and Russian interference with the Brexit referendum and the 2016 US presidential elections were as much discussed in terms of British and US national security as a threat to the security of 'the West' as a whole. These conflicts stand at the end of a century that has seen the rise of the modern surveillance state and transnational security frameworks organized through institutions such as Interpol, NATO, and the Warsaw Pact states (until 1989/91). 

Over the course of the 20th century, more and more people saw themselves suspected of betrayal of the community. The First World War transformed older clearly defined criminal offenses of 'high treason' against the sovereign and their immediate family members to wider accusations of treason against the nation, state, and people. The rise of communism and fascism triggered the building of new domestic public security apparatuses in the interwar period. War crimes and genocide of the Second World War further complicated debates on the morality of collaboration with the enemy. In response, security agencies professionalized their work and the early Cold War saw calls for transnational bloc-wide security regimes to combat subversion by the Cold War enemy. Since then, state surveillance has come to be seen more and more as a constant everyday threat to privacy and individual rights after the digital revolution of the 1970s. 

In this special subject, we explore through rich source material the political, emotional, social, and cultural dynamics that were at play when individuals or groups from across Europe, the US and Soviet Union were accused of betraying society. We will consider how people's ethnic, gender, and class background impacted their fate of becoming 'traitors'. Taken together, their cases will provide answers to the central question of how demands for the professionalization of the national security state have impacted ordinary people's lives and rights under different forms of government and how they shape our contemporary understandings of democracy and authoritarianism.

40 credits

The Rise and Fall of the British Transatlantic Slave Trade, 1640-1807

The transatlantic slave trade is the largest forced migration in human history. Europeans transported 12 million captive Africans across the Atlantic Ocean between the sixteenth and nineteenth centuries. This contributed to the development of a transatlantic economic system that linked three continents - Europe, Africa, and the Americas - and which funnelled wealth created through the exploitation of enslaved Africans into the hands of Europeans.  Britain was the pre-eminent slave trading nation of the eighteenth century. From 1640 to 1807, British vessels trafficked 3.2 million captive Africans across the Atlantic to work in the plantation economies of North America and the Caribbean. This module traces the rise and fall of Britain's participation in the transatlantic slave trade, studying developments in West Africa, the Caribbean, and Britain, and exploring the linkages between the three. It begins in the seventeenth century with the corporate activities of the London-based Royal African Company, moves into the eighteenth century when non-corporate merchants based in the outports of Liverpool and Bristol dominated the trade, and ends with Abolitionist efforts to abolish British involvement in the trade in the late eighteenth and early nineteenth centuries.  The module is fully Atlantic in scope. Using a wide range of primary and secondary sources we will analyse the process of cross-cultural exchange on the West African coast, the horrors of the Middle Passage, the exploitation of enslaved Africans in the Caribbean plantation system, and the direct and indirect impacts of the transatlantic slave trade on early modern Britain. We will make regular use of case studies to explore the history of the transatlantic slave trade 'from below', foregrounding the lived experience of enslavement for captive Africans and the vital role of African Abolitionists in precipitating the process of abolition.

40 credits

The United States and the Cold War, 1945-1975

The Cold War shaped American foreign policy as well as domestic politics and culture for much of the second half of the 20th century. But how all-encompassing was the Cold War? How did non-state actors react to and influence the course of its development? And how 'cold' was the Cold War? This module will examine the Cold War with fresh perspective. We will revisit the traditional historiography, which focuses on high policy actors and U.S. relations with the Soviet Union. But we will also gain new insight from an emerging literature that challenges such a deterministic and elite framing of what was a global conflict that involved multiple actors at all levels of society, many of whom brought with them complex motivations that existed prior to, or outside of, the rigid Cold War binary. In addition to these secondary sources, we will explore a wide range of primary source material, from declassified State Department documents to Third World assertions of sovereignty to popular films and novels.

40 credits

The Wars for Vietnam: Empire, Decolonisation and Liberation

In the middle decades of the twentieth century, Vietnam was wrenched by wars: a world war, a war of decolonisation, a civil war, the Cold War, and a war against its erstwhile communist allies. By studying these conflicts, we not only learn about modern Vietnam, but also the French empire, U.S. foreign policy, and communist internationalism in the mid-20th Century. As case studies, these wars shed light on larger global processes of imperial conquest, decolonisation and neo-colonial control, communist revolution and the limits of internationalism. As an archetype of national liberation, events in Vietnam also profoundly shaped anti-colonial struggles around the world and social movements in the United States and Europe, from Black Power to the women's liberation movement. This module explores the wars for Vietnam through the themes of empire, decolonisation, and liberation, paying close attention to Vietnamese perspectives, exploring the role of France, the United States, the Soviet Union, and China, and uncovering the global reverberations of these conflicts. We will investigate the historiography which set the broad parameters of debate, as well as newer scholarship which has challenged these orthodox interpretations, and we will examine a wide range of primary sources, from government documents, memoirs, and oral histories, to images, fiction, and film.

40 credits

The West & the East in each other's eyes 1850-2000

The idea that the 'East' and the 'West' are fundamentally different in their thinking and values and are locked in a mutually antipathetic 'clash of civilizations' is an age-old one. It has been argued by European and Asian politicians and writers alike, by imperialists and anti-imperialists, 'orientalists' and their critics, and has been manifested in a range of approaches and ideologies, including 'Orientalism', 'Occidentalism', pan-Asianism, pan-Islam, and Samuel Huntington's notorious 'clash of civilizations' thesis. It has fed into both colonialist and anti-colonialist thought. This course is intended as a case study in the history of ideas. We will investigate how ideas of a division between 'West' and 'East' have been expressed and developed in the late 19th and 20th centuries and how they have been deployed by politicians in a range of different countries and contexts. We will also examine some of the more subtle, alternative formulations of East/West cultural difference, assimilation and appropriation that have been articulated in the same period. The course will encourage you to rethink how cultures relate to each other, and about what is distinctively 'Western' or 'Eastern' about political and economic organization, human rights, democracy and secularism. Can we really talk about 'East' and 'West' as meaningful categories, and if not, when and how did people start using these terms and why, and what does that tell us about how we should understand the world and write about it? In semester 1, after an initial introduction of the themes and questions of the course, the next 4 weeks ('the West looks at the East') will analyse Western accounts of the East. The second half of the first semester ('the East looks at the West') then undertakes a chronological and thematic analysis of the different ways in which Asian governments and writers have understood, analysed and critiqued the West and its values. The second semester ('the East looks at the East') concentrates on how Asian governments and thinkers have understood the East, and their views of how far it can be said to enshrine coherent non-Western values. As well as studying transnational movements (pan-Asianism, pan-Islam and the Non-aligned Movement), we will also study selected Asian writing on democracy, human rights, nationalism, and secularism up to the present day.
During the course we will be using a wide range of documents in translation - from constitutional debates, political tracts, government declarations, policy documents and educational literature, to travel accounts, speeches, letters, poetry and images.
The course is intended to help you to rethink how you understand Western and non-Western cultures and to provide you with a more informed sense of the roots and nature of current global geo-political and cultural tensions.

40 credits

The World of Intoxicants in Early Modern England

Intoxicants were a key feature of early modern societies. This is as true for 'old' world alcohols like wine, beer, ale, and other fermented drinks as it is for 'new' intoxicants like opiates, tobacco, sugar, caffeines, chocolate, and distilled liquors that began to enter European diets after 1600 from the Levant, the Americas, and Asia. Focusing on intoxicants in England, this module considers a) the ongoing importance and, indeed, increasing significance of alcohols to culture, society, and economy over the course of the seventeenth century and b) the introduction and popularisation of new intoxicants over the same period.

40 credits

Tools of Empire? Medicine, Science and Colonialism, 1800-1950

Western science and biomedicine have, for long, been seen as symbols and agents of progress. Research in the last two decades has, however, revealed their close ties with the history of colonial conquest and rule - so much so that scientific discoveries such as guns, steamboats, and quinine have been seen as 'tools of empire'. This module will, however, go beyond this fact and discuss much larger questions of equal relevance. It will, for instance, deal with the question of the 'consumption' of science in the colonies, the role of the colonies in constituting western science, the role of medicine in furthering colonial hegemony, the 'reinvention' of traditional sciences such as Unani and Ayurveda under colonial influence, the relationship between scientific centres and peripheries, and post-colonial developments with respect to medical and scientific administration. In exploring these themes, the module will not limit itself to any particular region, but will draw upon readings from South Asia, Africa, and the Americas.

40 credits

Visions and Violence: race, empire and identity in mid-nineteenth-century Britain

British expansion did not result from a single, coherent imperial strategy, or a fit of 'absence of mind'; it developed from specific cross-cultural encounters and competing colonial visions. Some saw the Empire as a place of adventure, others an opportunity for Christianisation, still others as a 'New World' in which to build a Greater Britain. These visions were always contested and challenged both overseas and in Britain. This module explores these contested visions and the impact of empire at home. It is structured around different 'visions of empire' including those of humanitarians; missionaries; settlers; travellers; scientists and the British public.

40 credits

Try a new subject:

The flexible structure of your third year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 20 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.