English and History BA

English literature pathway core modules:

Renaissance to Revolution: Early Modern Literature

This module will introduce you to literary study at degree level by focusing on the sixteenth and early seventeenth centuries, a period of enormous innovation in English literature. You will study writers such as Christopher Marlowe, Ben Jonson, Philip Sidney, Mary Wroth, John Donne, and Aemelia Lanyer, and you will develop close reading skills by analysing the ways in which these writers used formal and stylistic techniques. You will examine how the literature of the period related to the surrounding culture, society, and politics, and consider the different ways in which texts could be produced, read, and performed.

20 credits

Writing Revolutions: Restoration to Romanticism

'Writing Revolutions: Restoration to Romanticism' starts with the literature of the second half of the seventeenth century (including Marvell and Milton) and moves through to the late eighteenth century (including writers such as Behn, Pope, Heywood, Gray, Equiano, and Burney). Building on the work you completed on 'Renaissance to Revolution: Early Modern Literature', you will continue to think about the relationships between literary texts and the social, cultural and political contexts in which they were produced. You will also explore the evolution of forms and genres through the period.

20 credits

English literature pathway optional modules:

Contemporary Literature

This module introduces you to a diverse range of texts in English (prose, poetry, and film) with a focus on texts published since 2000. Texts will be chosen to provoke thinking and debate on urgent and controversial topics that might include: globalisation and neoliberalism; ecology and animal lives; artificial intelligence and the posthuman; political activism and social justice; migration and displacement; state violence and armed conflict. We will discuss formally and conceptually challenging works, raise ethical and philosophical questions and begin to discover how current critical and theoretical approaches can help us to engage with contemporary texts.

20 credits

Hybrid Forms: Reading Genre

This module gives you the opportunity to study developments in comedy and tragedy from classical antiquity to the present day. This focus on genre enables you to take a broadly comparative approach, setting, for instance, works of classical antiquity alongside those of the early modern, modern, and contemporary worlds. As such, the module equips you to draw connections between periods studied separately at different points of your degree and between disparate forms, e.g. drama and the novel. Over the course of this module we will consider questions such as: what is genre, and why is it important? How does genre reflect or respond to historical change? Is there any such thing as a 'pure' genre or is hybridization a defining feature of genre itself? We will answer these questions by reading texts by authors such as Angela Carter, Noel Coward, Plautus, Shakespeare, Sophocles, and Michaela Coel.

20 credits

Wonders, Warriors, and Werewolves: Intro to Medieval Literature and Language

This module is of particular interest to anyone who wants to know more about the first c.900 years of English literature and language. We will analyse a wide range of the earliest English literary texts (c. 600-1500), including the oldest known English poem and the first autobiographical work by a woman, covering texts that are well known (e.g. Chaucer's Canterbury Tales) and texts that you will probably never encounter elsewhere. You will look at Old English texts (in translation) and Middle English texts (in translation or in the original with notes and glosses as appropriate).

We will open up discussions around issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English in a multilingual society. You will investigate medieval English literature in an international context, explore medieval worldviews and how they might differ from modern ones, query what it means when we say something is medieval, and explore some medieval afterlives.

You will be introduced to a variety of techniques and methodologies - literary, linguistic, cultural-historical - to analyse medieval texts and topics in the lectures and seminars; you can engage with these different scholarly approaches in assessments as you prefer. No prior knowledge of Old or Middle English is required; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided. Two additional sessions will be held to help you develop your skills and confidence to read Middle English.

In short, this module aims to give you an overview of early English literature, language, and cultural history (c. 600-1500); to develop your skills and confidence in reading and analysing medieval English texts; to give you the opportunity to engage critically and creatively with both primary and secondary works from perspectives of your choice; and to encourage you to reflect on why and how the medieval is used in modern culture.

20 credits

Reading Theatre and Film

This core module explores the development of theatre and film from 1900 to the present, tracking that journey through a series of canonical and counter-canonical examples from each medium. These two art forms have much that connects them as representational, performance-based and commercial cultural practices, but also much that separates them as human, technical and technological spectacles. The module offers a practical introduction to theatre and film criticism, theory and interpretation that will help to interrogate such medial distinctions as well as their common ground. By means of weekly lectures and seminar-workshops, you will encounter a wide range of plays and films, located in their original historical, ideological and aesthetic contexts but equally considered for their afterlife, relevance and currency today.

20 credits

Myth, Scripture and Story: Biblical and Classical Sources in English Literature

The Bible, Greek and Roman mythology, represent some of the central sources for European literary imaginations. In this module you will explore the range of literature indebted to biblical and classical literature, themes, and characters. Featuring a range of lecturers from across the School of English, the module will help you learn to think critically about biblical and classical themes such as divine destruction, love, gender, homecoming, colonialism, nostalgia, and empire, and read a variety of authors, from Amelia Lanyer and Shakespeare to Derek Walcott and Margaret Atwood. When we understand the ways in which biblical and classical writers shaped their narratives, and how creative authors revised, resisted or radicalised their themes, we have several important keys to unlock crucial facets of English literary tradition.

20 credits

Introduction to Creative Writing

The aim of this unit is to help you to develop your expressive and technical skills in writing poetry and prose and to improve your abilities as an editor and critic of your own and other people's writing. You will be guided in the production of new work and encouraged to develop an analytical awareness of both the craft elements and the wider cultural and theoretical contexts of writing. This module explores poetic and prose techniques for creating new poems and narrative techniques for generating some prose work through the critical study of published examples, imaginative exercises, discussion and feedback on your own writing. This exploration will help you develop your own creative work while sharpening critical appreciation of published poetry and modern and contemporary fiction. The course is designed to give you the experience of being workshopped as well as to establish basic creative writing techniques at Level 1 in preparation for the challenges of Creative Writing Level 2 and/or 3.

20 credits

Darwin, Marx, Freud

This course is structured around the writings of Darwin, Marx, Freud. We will consider selections from all three philosophers' writings, such as, for example, Darwin's The Origin of Species; cover key concepts from Marx's work—commodity fetishism; alienation—and investigate Freud's philosophy of the subject through selected readings from his writings. We will dismantle cultural prejudice and engage with, and in, revolutionary thinking. This course will prepare you for modules like Critical and Literary Thought but, most importantly, it will help you become critical, potentially revolutionary, thinkers.

20 credits

English language pathway core modules:

Sounds and Structures of English

This module is an introduction to the subdisciplines of linguistics known as phonetics and phonology (sounds), and morphology, syntax, and semantics (structures). The module is designed to provide you with an understanding of the key concepts and terminology necessary to describe and explain sounds and structures of English, and of other languages. Lectures will cover major topics in the formal descriptions of speech sounds and morpho-syntax. Seminar activities will help equip you with the practical skills necessary to accurately describe and transcribe speech sounds, and to analyse word and sentence structure and meaning. The module serves as an essential basis for more advanced study across linguistic subdisciplines.

20 credits

Style in Language

This module introduces students to stylistic variation in language, exploring the varied ways in which linguistic choices contribute to meaning and effect. We will examine a wide range of different text types, including literary narratives, journalism, advertising, political speeches, poetry and song lyrics, drama and screenplays. We will move beyond basic grammatical analysis to consider the functional, contextual, and generic dimensions of language use. We will apply relevant linguistic concepts and theories to the study of stylistic phenomena including register, sentence structure, deixis, lexical choice, parallelism, narrative structure, transitivity, and metaphor. Students will be equipped with the practical tools necessary to investigate the relationships between style and effect in a rigorous, retrievable, and replicable way, and gain hands-on experience using their analytical, critical, and interpretative skills.

20 credits

English language pathway optional modules:

History of English

What is English? Taking this question as a point of departure, this module introduces students to the exceptionally dynamic linguistic history of English(es). Changing linguistic forms and functions are contextualized within their historical moment, and language external factors such as language contact, imperialism and racism are also discussed as they pertain to periods of English. To be clear: this is not just a module about old forms of language (although there is plenty of that!) - it's about gaining historical linguistic perspective on current Englishes (including related Creoles) and their place within a much bigger story.

20 credits

Early Englishes

This module is of particular interest to anyone who wants to know more about the first 1000 years of English language and literature. Early Englishes works backward over a whole millennium of English, 1600 to 600. Each week's lectures and seminar focus on one century and one text representative of that century (for example, Margery Kempe's Book, Chaucer's Canterbury Tales, and Beowulf). We will use a variety of techniques - literary, linguistic, anthropological, cultural-historical - to analyse each text, thereby opening up discussion of issues that preoccupied the English of the time, from glorious monster-slaying to the first expressions of love and desire, from religious devotion to comedy, from the power of insults to the status of English. We will investigate international influences on English language and literature, explore medieval worldviews and how they might differ from modern ones, and query what it means when we say something is medieval. No prior knowledge of Old or Middle English is necessary; students will be given the opportunity to examine texts in the original language but where necessary translations will be provided.

20 credits

Language and Creativity

Creativity is a core property of human language use. Speakers of English and all other languages can use their knowledge of the language to produce endless utterances that have never been heard before. What's more, listeners can understand these utterances, despite the fact that they are completely new. In this module you will learn about the creative dimensions of human language through a series of practical experiments, writing and rewriting texts and reflecting on what that process teaches us. You don't have to be 'good at creative writing' to do this. The focus isn't on producing wonderful poems and stories but rather on learning about language through creative experimentation - through a process of doing and then thinking about what you've done. We'll look at creative language use in a range of everyday contexts and we'll think about popular forms of writing like comics, journalism, interactive digital narratives, and spoken-word forms like podcasts.

Learning by doing is an important aspect of many jobs, especially the ones that English graduates often go into, and so the experience this module offers will stand you in good stead for later life. The creative properties of language use are also important for the communication of identity and there will be plenty of opportunity to think about this in relation to aspects of identity that are important to you.

By taking this module you will learn more about language by actually using it, a process that is both rewarding and fun.

20 credits

Living Englishes

Discover the extraordinary diversity of English today! This module explores varieties of English in Britain and worldwide, shaped by expansion, colonialism, and globalisation. You'll analyse spoken and written language using linguistic tools, gaining insight into sociolinguistic and ideological issues. From local dialects to global Englishes, you'll engage with language in real-world contexts while developing key transferable skills in communication, analysis, and reflection. Perfect for students excited to explore language variation and its impact on society.

20 credits

Linguistic Theory

This module explores how language is structured by examining central issues in linguistic theory, building upon the concepts introduced in EGH105 Sounds of English and EGH106 Structures of English. Students will be instructed in (1) foundational theories and concepts in areas such as phonology, morphology, syntax, and semantics, (2) the linguistic evidence that informs these approaches, (3) the analytical techniques required to apply these theories to language data, and (4) the relevance of such theoretical models for the wider study of language. This inclusive module will develop analytical tools and problem-solving skills in using linguistic theory, training students to think critically to interpret data from any language within theoretical frameworks.

20 credits

Core history modules:

History Workshop

What does it take to be a historian? In this module, you will study the process of historical research, learning discipline-specific methods and essential study and writing skills through close engagement with a historical text (usually a work of narrative non-fiction) linked to your tutor's research interests. You will develop skills in critical reading, historiography, essay writing, bibliographic techniques, and reflection.

The assessment for this module is aimed at giving you a strong foundation in the skills you will need throughout your degree and beyond: critical reading and writing, bibliographic techniques, and the ability to reflect on and articulate your skills as a historian.

20 credits

Thinking Historically

Building upon the foundational skills acquired in the introductory 'History Workshop,' this module will cultivate your ability to critically engage with the past, develop disciplinary awareness, and apply historical thinking. To do so it provides an introduction to the breadth of interests in the school and the way historians have made sense of patterns in historical developments. Moving from the Ancient and Medieval past to the contemporary world, the module shows how Sheffield historians approach the periods and places that interest us, whilst provoking you to ponder the issues involved in framing historical questions of your own. In this module, you will explore a recurring set of questions which inform history as a discipline: how and why have historians divided up the past into discrete periods, and with what consequences? How have historians constructed narratives that give shape and meaning to the events of the past? How can we evaluate the truth of historical representations and interpretations? How are they shaped by the availability of sources about past societies, and what determines which sources have survived to the present day? How have relationships of power influenced the sorts of stories that we tell and the voices that we hear from the past, and how do they continue to do so?By the end of the module, you will not only have a strong sense of what it means to see problems through a historical lens, but also a better understanding of the chronological and geographical range of work undertaken by Sheffield historians.

20 credits

Optional history modules:

Common People: Everyday Lives in Modern Britain and Ireland

Who were the 'common people' of modern Britain and Ireland? What was their experience of life? What are their stories, and how are they told? Against a backdrop of vast political and economic changes, this module draws back the curtain on the experience of everyday life in modern Britain and Ireland, asking how ordinary people experienced and understood the transformations happening around them. Moving beyond the traditional focus on elites to the women, working-class men and people of colour who lived in, or migrated to or from, these islands, we will investigate the impacts of the rise and fall of an empire and two world wars on people's lives, and how they responded to, shaped and challenged those impacts. 

At the heart of this module lies the question of how these external forces irrevocably reshaped the culture and society of modern Britain and Ireland. You will learn about changes to the family, welfare, and sexuality in this period, and consider the impact of religion, politics, race, and empire on everyday life. Democracy was forged but could never quite resolve tensions about poverty, inequality and regional division. Empire shaped Britain and Ireland, at its height and at its fall, influencing popular culture and understandings of disability and the body. In an already diverse society, how could minorities carve out their own spaces and identities? From high culture to pop culture, the curation, consumption, and communication of information altered radically over these two centuries, but to what end and with what results?

Above all, this module asks you to consider the experiences of ordinary people in nineteenth- and twentieth-century Britain and Ireland and how diverse these experiences could be. Sheffield saw many of these issues first-hand, and provides real, lived case studies in how common people engaged with and understood a world that was changing around them.

20 credits

The 'Disenchantment' of Early Modern Europe, c. 1570-1770

This module explores the fundamental shifts in mental attitudes and public behaviour that occurred in Europe between the age of the Reformation and the age of the Enlightenment. The central focus of the course will be the examination of the supernatural - religious beliefs, but also witchcraft and magic. You will explore the changing ways in which beliefs impinged on people's lives at various social levels. You will also have an opportunity to study the impact on people's world views of such changes as rising literacy, urbanisation, state formation and new discoveries about the natural world. All these will be investigated in the institutional contexts of state and church and the ways in which they sought to channel and mould beliefs and behaviour. This module enables you to understand how the early modern period is distinctive from and links medieval and later modern historical studies.

20 credits

The Long View: an introduction to archaeology

This module traces the development of modern humans through to the modern era. It introduces the wide range of materials and methods that archaeologists use to study the past.  The practical laboratory-based classes and field classes provide experience in the basic identification, investigation and interpretation of archaeological evidence. They are supported by lectures that introduce archaeological methods, theories and worldwide case studies. From field to laboratory using examples from throughout the world, you will learn about how archaeology shapes knowledge about the deep and recent human past.

Through this module students will be introduced to debates on the formation and development of archaeological thought through a world-wide perspective from the Palaeolithic to the present. They will be presented with techniques and ideas used by archaeologists to explore the human record and understand the past. It offers an opportunity to explore and discover the archaeological record through practical engagement, using field and laboratory methods, while also highlighting the importance of selecting analytical techniques appropriate to the question posed and the data available. The module will enable students to develop core skills in decoding and critically understanding literature, observation, recording, analysis and interpreting archaeological evidence.

20 credits

Beyond Borders? A Deep History of the Connected World

We live in a moment where the world is more interconnected than ever before, where big brands dominate global economies and imaginations, TikTok shapes trends across the planet, political rhetoric reverberates across borders, and pandemics and climate change offer threats on a planetary scale. We cannot avoid global thinking, and the impacts of international networks - from media to economies to culture and consumption - are so engrained that we barely even notice them. But how did we get here? How did the world become so intensely interconnected? And why do those processes of entanglement matter?

At a time when the rise of this increasingly global outlook is facing challenges from ethnonationalism and isolationism - from Brexit to Trump and Modi's India - this module will equip you to understand the processes at work in global integration (and isolation), not as a linear narrative of 'progress', but as historically contingent, complex and messy. In this module, we will trace the ways in which these global interconnections developed, from the earliest tentative colonies and the rise of empires, enslavement and extraction. Through the lens of global history, we will see revolutions, liberation, and worldwide conflicts, the modern international order of nation states, waves of decolonisation, and ecological crises.

Through the study of transnational structures, cultures and systems which reach from Asia to Europe and from Africa to the Americas, alongside an understanding of the many peoples of every status who were agents in these exchanges, this module will challenge you to ask: what drives nations and individuals together, or pulls them apart? What makes and breaks cultures, states, and communities? And how did we end up in a place where environment; food systems; national security; human rights; political, religious and racial ideologies; culture and language; war and peace, are all so globally determined and yet so locally rooted.

20 credits

Empire: From the Ancient World to the Early Modern

In the early first Millennium CE, Rome conquered most of the Mediterranean world. A thousand years later, Europe began to expand to the east and the west, invading the Caribbean and establishing new long-distance trade routes to east Africa and south Asia. Historians have defined this as a time of empires, when imperial ambitions and imperial traditions shaped politics, societies, economies and cultures, creating empires of different sizes, strengths and locations across Eurasia, Africa, and the Americas. 

In this module, you'll explore this world through the analytical lens of 'empire', starting in the Mediterranean basin with Rome and moving further afield over the next thousand years. From the slow diminishment of the Western Roman Empire at the end of the ancient world, to the end of its Byzantine successor and the emergence of commercial empires in the Mediterranean and further afield, this module will introduce you to different types of empire in the pre-modern world and their politics, people and perspectives. It will demonstrate the connectedness of the ancient, medieval, and early modern worlds, and introduce you to ideas of 'empire' in the period before modernity.

Using a wealth of primary evidence and drawing on corresponding historiographical debates, you will explore what it meant to live in these empires, what kind of social, cultural and religious encounters they engendered, and whether and how their peoples resisted imperial rule.

20 credits

Try a new subject:

The flexible structure of your first year at Sheffield means that you also have the chance to experience modules from outside of English and History - you can choose up to 40 credits of modules from a list approved by the Faculty of Arts and Humanities. A final guided module list is made available to new students when you select your modules as part of registration.

English Literature Core modules:

Romanticism to Modernism (a)

This module focuses on a diverse range of texts (including poetry, prose, drama and film) produced between the late eighteenth to the late twentieth century. It pays detailed attention to the varied styles, issues, and movements produced by the rapid technological, political and cultural shifts that characterise these two centuries. Drawing on the expertise of the teaching team, the module introduces cutting-edge research carried out within the department in areas such as romanticism, the Gothic and science fiction, experimental literature, colonial and postcolonial contexts, war studies, and animal studies

40 credits

English Literature optional modules:

English Works: Foundations

Students taking this module will connect their academic studies to future careers. Teaching from experts across the School's different subject areas - linguistics, language, literature, screen studies and creative practice - will challenge students to think deeply (critically, creatively, reflectively) about the meanings and practices of work and education. Sessions dedicated to career-decision planning (e.g. applications and interviews; online profiles and networking) will enable students to reflect on their values, motivations and career aspirations in addition to providing practical guidance and support. This module provides opportunities to gain career insights and access to work-related learning (e.g. workplace visits; virtual internships and projects). Together, through a series of interactive workshops, students will think about their future careers while making novel connections between English studies and the worlds of education and work.

20 credits

Creative Writing: Poetry, Experimentation, De/Construction

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while discovering themes and concepts of self and selves, borders and boundaries of both psyche and language, the liminal, memory, as creative source of self invention, concepts of I as Non-I, Anti-I, gender, history, identity and culture as complex components of identity, identity as construction, identity as self-theory, as text(s). During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

Shakespeare: Page, Stage, Screen

This module focuses on the poetry and plays of William Shakespeare. You will read a wide range of his works and analyse them in the context of the cultural and historical energies of sixteenth- and seventeenth-century England, as well as exploring how they have been reinvented and reimagined through performance and as texts which have been refashioned through editorial intervention or adaptation. The module considers the range of dramatic styles and genres that Shakespeare uses, alongside the conditions of performance, kinds of publication, and the characteristics of the language in which he worked. It also relates the texts to critical methods that help illuminate the relationships between drama and the culture, politics, and religion of the period and the ways in which Shakespeare's works have been remade for different times and contexts.

20 credits

Hollywood Cinema

This module introduces you to the study of Hollywood's films, methods, meanings and creative figures, and the history and significance of American filmmaking in the twentieth and twenty-first centuries. You will examine key examples of films and filmmakers from the period of silent cinema up to the present day. You will learn about the characteristics of Hollywood style and narrative, the evolution of film genres such as the Western, the Musical and the Horror film, the progression of the cinema's treatment of subjects such as race, gender, politics and war, and developments in business and technology which have underpinned the international dominance of Hollywood film. As well learning to analyse the details of film form, and gaining understanding of aspects such as editing, lighting and shot composition, you will also engage with the political and cultural readings of popular entertainment cinema, and the history of film theory and criticism. Watching and discussing film texts from different eras will equip you with the analytical and communication skills to debate controversial subjects, to understand the contexts of diverse representations, balance and evaluate differing opinions on challenging subjects, and appreciate the importance of popular cinema.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce students to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context, which will also allow us to assess the commonly held notion of Chaucer as the father of English literature. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, tradition and philosophy that his work continues to inspire.

20 credits

Good Books: Intertextual Approaches to Literature and the Bible

Literature, film and television constantly return to the Bible as a source of narrative, character and image. Biblical texts are translated, rewritten, transposed and radically challenged by literature from the medieval period to the present day and so intertextual readings of the Bible and literature provide insight into the ways authors engage with politics, philosophy, and tradition. In this module you will explore a range of intertextual relationships, from the ancient texts describing Lilith to Zora Neale Hurston's literature of the Harlem Renaissance through to recent cinematic approaches to the Bible, including a range of genres and approaches. You will learn to critically analyse film, TV and visual media as well as literary forms, to explore the ways in which creative writers interpret and re-imagine biblical narratives and tropes.

20 credits

The Art and Politics of Hip Hop

This module will introduce you to Hip Hop as a musical, cultural and (especially) literary phenomenon. Both extremely popular and at times highly controversial, we will explore various forms of the art of Hip Hop from its early developments to the present.The module is organised around two principal ideas. The first is that Hip Hop is poetical; the second is that Hip Hop is political.Working mainly in a North American context, over the course of the module, we will reflect upon the various ways in which Hip Hop fuses manner and matter, combining aesthetic innovation and different kinds of social commentary.Each week, we will focus on a specific artist or group, and attend principally to one album. Expect to study some 'mainstream' work (e.g., Fugees or Cardi B, but definitely NOT Vanilla Ice). You will also encounter underground, 'conscious' and alternative artists.Seminars are complemented by 'listening sessions' wherein we gather to collectively experience albums (i.e., 'sound works') in a specially-dedicated space in Western Bank Library, using a specially-dedicated collection of vinyl recordings.Throughout, we consider how radical forms of rhetoric, prosody, intertextuality, performance relate to explicit expressions of power, hope, marginalisation, identity, community. Our aim is to start understanding Hip Hop in its troubling and ingenious complexities.

20 credits

English Language Pathway core modules:

Historical Linguistics

Language change is a fact of all living languages, and historical linguistics is as much about the present and future as it is about its past. This module introduces the study of how and why languages change, and how languages are related. Students are encouraged to reflect on the ways in which historical linguistics bears on other areas of linguistics. The subject will be approached by 1) levels of inquiry, e.g. semantic, phonological, morphological, syntactic and pragmatic change; and 2) 'big questions', e.g. language families and linguistic prehistory, the role of acquisition in change, linguistic reconstruction, and historical sociolinguistics.

20 credits

Sociolinguistics

Is there any use of language that isn't social? To what extent do situation and context affect how we speak? In this module, we will explore the relationship between how we speak and our social class, gender, race, ethnicity, age and social connections. We also examine what constrains our ability to vary language use across space and time. You will be provided with the methodological tools necessary to carry out independent fieldwork and undertake your own exploration of language in social contexts. We consider both language practice (how people use language to do social action) and language perceptions (what we think and believe about speakers on the basis of their language variety). Consequently, in the course of this module, you will develop a sense of your own ethical responsibilities as language users and analysts.

20 credits

English Language optional modules:
Narrative Experiments

Phonetics

The first year module Sounds of English will be expanded upon in order to give a practical knowledge of a much broader range of speech sounds, how they are produced and how they can be analysed by careful listening and by examination of their acoustic properties. A working knowledge of phonetics is fundamental to the wider study of linguistics, both theoretical and applied. You will be given straightforward access to other bodies of knowledge which are often denied to students of the humanities but which inform the study of phonetics, such as the biological and physical sciences. The module has a practical as well as a theoretical component which involves learning to recognise, produce and transcribe the sounds of the International Phonetic Alphabet.

20 credits

Syntax

This module builds on what students have learnt in the Level 1 Structure of English and Linguistic Theory modules, providing a more in-depth look at the structure and organising principles of sentences cross-linguistically. We will discuss how syntactic structures form a system of cognitive representation that can be used for any language, including constraints on the grouping of words into phrases, and various operations that move elements inside sentences to generate word orders. This module will also begin to introduce the interfaces between syntax and other areas of language, particularly phonology, meaning, and sentence processing.

20 credits

Phonology

This module examines phonological theories and the data on which they are constructed, exploring how languages across the world organise their systems of speech sounds, and critically interrogating how their phonological processes can be analysed. Sound-based and prosodic (e.g. syllable-based) phenomena will be investigated, using rule- and constraint-based frameworks. Problem-solving, data-handling, and critical thinking are key skills developed in this module, and by treating all languages equally in terms of what they can tell us about human communication, the module is inherently diverse and inclusive. As well as being a core part of theoretical linguistics, an understanding of phonology is essential to the studies of historical linguistics, sociolinguistics, psycholinguistics, speech pathologies, language acquisition, and computerised speech synthesis and recognition technologies.

20 credits

The History of Persuasion

This module focuses on why some written texts seem more persuasive (or authoritative) than others. To answer this question we will look at non-literary writing from a range of different contexts: journalism, advertising, political speaking, science writing, and religious communication. You'll look closely at the language used in each context, think about what constitutes persuasive writing in each, and talk about why this differs from context to context. You'll also have a chance to look at the histories of these different kinds of text. Examples from earlier periods look different from what we are used to in the 21st century and it is fascinating to explore how journalism, for example, has come to look as it does today. All these types of writing are associated with powerful institutions: journalism with the national press, advertising with big corporations, political speaking with the major political parties. But we will also explore how people with more marginalised identities use them, resist them, and are represented through them. The overall aim is help you become more critical in your response to the different kinds of written communication that surround us and this is valuable in many of the careers that English graduates go into.

20 credits

First Language Acquisition

This second-year module is aimed at students who have already taken Linguistic Theory in Level 1. In this course, we focus specifically on the first language acquisition of phonetic, phonological, and morpho-syntactic knowledge. Addressing both theoretical and methodological issues, the course explores the relationship between the logical problem of language acquisition -- how very young children manage to acquire quite abstract and subtle properties of their target grammars in the absence of clear positive evidence -- and the developmental problem of acquisition -- how children recover from systematic errors, and acquire subtle language-specific properties. We also explore the related tension between nativist vs. emergentist explanations for language acquisition and development.

20 credits

Language and Cognition

This module introduces you to the key theories and frameworks at the core of cognitive linguistics. The module explores the relationships between language and the human mind and considers how recent advances in the study of human cognition can enhance our understanding of the conceptual processes that underpin the production and reception of discourse. The module introduces you to such concepts as embodiment, prototypes, situated simulation, profiling, mental representation, conceptual mapping, and conceptual integration. The module equips you with the necessary knowledge and analytical skills to design and carry out your own investigations into language and cognition.

20 credits

Exiles and Monsters: An Introduction to Old English

This module explores the language and literature of early medieval England (500-1066), enabling you to read, translate, and understand the earliest English literature. You will learn Old English, developing a good understanding of Old English grammar and applying that knowledge as you translate Old English texts. You will also gain familiarity with Old English literature through translating a range of diverse texts. We normally start translating Old English prose in Week 2 and move on to poetry after a few weeks. Texts studied on this module might include Wulfstan's famous sermon to the English (in which he goes on about how sinful the English are), The Battle of Maldon (about a real battle in 991 in which the Vikings defeated the English), Judith (about a woman who chops off the head of the general whose army is besieging her city), and Beowulf (about a hero and several monsters). The module will briefly examine the historical background, cultural contexts, and stylistic features of these texts, introducing you to the breadth and variety of Old English texts and to differing critical approaches to them. No prior knowledge of Old English language or literature is required.

20 credits

History core modules:

Parchment to Pixels: Interrogating Historical Evidence

History and the Public

This module explores the theory and practice of public history by providing students with the opportunity to communicate their scholarly work to an audience beyond the boundaries of our discipline. Students will work collaboratively in writing a critique of a piece of public history as part of a broader evaluation of the use of history outside academic settings. The course will engage in debate about important questions facing historians in the present, and consider ideas about the role and purposes of History as an academic subject.

20 credits

History Optional modules:

Contemporary Crises in Historical Perspective

History and Historians

How has History developed as a subject of inquiry? Why do historians view the same issues and sources in different ways? What forces internal and external to our profession have shaped the way the past has been written? And who has had the power to write history and for what ends? This module, building on the foundational work students have done at Level 1, poses these questions. It is designed to encourage greater methodological reflection on the part of students. What kind of historian are they? And why? It also sets them up for more advanced interrogation of 'historiography' elsewhere in the programme.

20 credits

Trumpism: An American Biography

Donald Trump's election, commentators claim, was unprecedented as well as unexpected: a break with more than two centuries of custom. Yet closer scrutiny of American history suggests Trump is no aberration. The module will interrogate the U.S. past to better understand the present, looking at the likes of populism as a political language, whiteness as a psychological wage, masculinity as a path to high office, protectionism as an economic policy, and deindustrialization as a political spur. By asking historical questions about the roots of Trump's rise, we will situate the American present in a complex and often painful past.

20 credits

A History of Eastern Africa since 1940

This module examines the history of Eastern Africa during the era of decolonisation. It focuses on comparisons and connections between three states: Kenya, Tanzania, and Uganda. The module assumes no prior knowledge of African history and seeks to provide an accessible, dynamic introduction to the region's often contentious past.

The module begins by situating Eastern Africa within the context of British colonialism, which came under increasing strain due to the global impact of the Second World War. It then turns to the contrasting experiences of independence in the region. We will analyse the development of nationalist movements in Tanganyika and Uganda, which took peaceful if still politically contentious paths to independence. On the other hand, in Kenya the end of empire took a violent shape. We will ask whether the 'Mau Mau' conflict was an anticolonial struggle or civil war. The journey from colonial territory to independent nation-state was not the only possible outcome at this moment, as we go on to explore the rise and fall of regional integration projects and the notion of an 'East African' identity.

The region's states became democracies at independence, but multiparty politics soon gave way to single-party governments in all three countries. Yet 'authoritarianism' meant different things across the region. We will study Tanzania's turn to revolutionary socialism and Uganda's years of dictatorship and civil war, including the notorious - but poorly understood - military regime of Idi Amin. Finally, we will examine the reasons behind the return to democratic government at the end of the Cold War - and the limits of reform.

Although this political story provides a spine to the module, we will understand it not just from the perspective of state actors, but those of ordinary East Africans. Themes of gender, race, generation, and class run through the module. For example, we will assess the role of women's activists in struggles for first independence and then democracy. We will examine the changing role of the family in decolonising societies, whether under socialism or military dictatorship and in contexts shaped by rapid urbanisation and the AIDS pandemic. We will explore the experiences of the region's minorities, such as Muslim communities and South Asian diaspora. 

Throughout the module, we will consider how historians can 'decolonise' the study of African history, especially by foregrounding the rich but often overlooked work of East African historians. In class, we will work at first hand with primary sources like newspapers, cinema, and short stories, to place the voices of the region's peoples at the centre of this overview.

20 credits

Byzantine Intersectionality: Gender, Race and Power in the Medieval Mediterranean, c.500-1300

How did race and gender appear before modernity? How similar were they to how race and gender appear to us today? And can the tools of intersectionality, an approach developed by the critical race theorist Kimberlé Crenshaw that thinks of different kinds of identities as deeply intertwined in structuring our lives, help us understand the medieval world? These questions sit at the heart of this module, which will guide you through the Byzantine world, the survivor of the Roman empire in the East, stretching from the Balkans to Syria, but with a particular focus on the manifold ways in which this world and its power hierarchies were structured by complex ideas about gender and race. From castrated men, or eunichs, sleeping at the foot of the emperor's bed, to saints assigned female at birth who decided to spend their lives as men in male monasteries, this course will ask us to reconsider the assumptions we make about gender and race today, by tracing both how far they have come from the medieval period, and how far they have deviated from it. It will both start and conclude with some bigger historiographical questions: does the existence of race and gender in the past, the realities of racial and sexual hierarchy, offer us an origins story or an opportunity for liberation today?

20 credits

Life Worth Living

What does it mean for a life to go well? How does one live life well? What is a flourishing life? These questions have shaped intellectual endeavour for millennia. Life Worth Living explores approaches to these questions through engagement with diverse traditions/thinkers including classical Greek philosophy, Buddhism, Judaism, Christianity, Islam, Confucianism, Existentialism, Marx, and Nietzsche. The module includes historical analysis of these traditions, visits from individuals whose lives are shaped by them, fieldwork to discuss the ideas beyond the classroom, and assessments to help students develop their own vision of a life worth living.

20 credits

Gender and the Georgians: Sex and Society in Britain 1714-1837

Eighteenth-century Britain witnessed great change: historians have argued for a 'revolution' in industry, the 'birth of a consumer society' and the emergence of a 'public sphere' of political debate; global trade expanded, towns grew, and new Enlightenment ideas flourished. In this context, gender identities and roles were redefined, understandings of the body debated, and notions of masculinity and femininity contested. This module explores these ideas about gender, and how they informed people's experiences, from polite fashions to the criminal underworld, bluestocking sobriety to drunkenness in gentlemen's clubs, and from 'subcultures' of homosexuality to the first 'feminists'

20 credits

From Democracy to Dictatorship: the 1973 coup in Chile

This document option explores the coup of 11 September 1973 as a turning point in Chilean, Latin American and global history. It will use primary sources to explore events on both sides of this critical date, casting light on life in Chile under both democracy and dictatorship. This module will also situate the Chilean coup in international and global history, asking why events in a small Latin American country held such global importance. We'll use government documents to explore why  the United States found it necessary to intervene against the Allende government and assist the reactionary forces who supported the military coup and transcripts of interviews to grasp how everyday life changed for Chileans in 1973. We'll also explore the significance of events in Chile for the wider global Cold War, using music, art and documents left by activists to ask why everyday people in countries across the world - including the United Kingdom - mobilised in solidarity with the Chilean people and in the name of human rights, and we'll also assess the impact this activism had.

20 credits

The Irish Republican Brotherhood, 1858-85

Britain's 'Irish problem' has long roots. This document module examines one of the most important violent Irish organisations that challenged British sovereignty in Ireland. Founded in 1858, the Irish Republican Brotherhood (IRB) (or the Fenian movement, as it was also known) was a transatlantic movement dedicated to the overthrow of the British state in Ireland. Fuelled by hatred for the British after the dreadful Famine in Ireland of the 1840s, the Fenians constructed a sophisticated organisation that was part secret society, terrorist cell structure and propaganda machine. It was the early forerunner of the Irish Republican Army. This document option investigates aspects of Fenianism from a range of angles. Using sources written and produced by contemporaries, we will consider the dynamics of the IRB and its place within nineteenth-century Ireland.

20 credits

The Putney Debates, October 1647

Following the first English civil war there was political stalemate over the post-war settlement. By late 1647 there were calls for revolutionary political change, not least at the famous Putney debates. They came at a crucial moment in the development of the revolution, and successive editors between 1891 and 2007 presented the records of the debates in varying contexts in order to reveal the fundamental significance of the revolution. This module explores the background to the debates at Putney, what was said, and also considers how different editions of the debates reflect the shifting significance attached to the English revolution.

20 credits

A Very British Revolution? The 1926 General Strike

In this document module you will consider the significance of the 1926 General Strike to Britain's historical development in the interwar period. You will examine how the strike was interpreted by both contemporary actors and historians, and consider a range of different perspectives on its effects across class, gender and regional divides. You will gain confidence in analysing and debating different types of primary source evidence, including Royal Commission reports, government papers, press coverage, memoirs, and newsreel footage. You will also have the opportunity to develop your technique in writing gobbet-style analyses via seminar discussions, practice attempts, and formal assessment.The module covers the full chronology of the General Strike's origins, conduct, aftermath and subsequent construction in historical memory. This includes: its association with post-war problems in the coal industry; the growth of syndicalism and anti-capitalist ideologies; government attempts to resolve trade union unrest; the events of the strike itself; the information war in the press; local studies on the strike in different parts of Britain; the defeat of the trade unions and government retaliation; and how the strike has been remembered

20 credits

Murder in the cathedral: the Becket Affair

On 29 December 1170, Thomas Becket, Archbishop of Canterbury, was brutally murdered in his cathedral by four knights of his King and one-time friend, Henry II. In the space of ten years, a close friendship had been ruined, and Thomas' stubbornness, flight to France, and untimely death created additional tensions for the English king. This document option investigates events surrounding Thomas' death and the emergence of his cult. It asks how a minor squabble became a continent-wide cause célèbre, forcing Henry into an act of ritual humiliation to clear his name while ensuring that Thomas' memory lived on.

20 credits

Holy Russia, Soviet Empire: Nation, Religion, and Identity in the 20th Century

This module explores the twentieth-century history of Russia, the Soviet Union, and its successor states. Rather than approaching this turbulent period in history by focusing on the rise and fall of different political leaders (as is often the case in survey courses), we instead approach this subject through the prism of nation, religion and identity. The course probes the following questions: What did the 'Russian revolution mean for the multi-national empire created by the Romanovs? How far did the communist party manage to create a 'Soviet' identity, and on what was this based? Did the Bolsheviks attempt to create an atheist society succeed? And what happened to 'Soviet' identity when communist leaders began to lose their grip on power in the final decades of the twentieth century?

20 credits

The Battle for China's Future, 1839-1949

This module explores a century in which nationalists and imperialists fought over China. We will begin by looking at how the Qing empire, having expanded China's frontiers, confronted the 'semi-colonialism' of foreign powers and bloody domestic rebellions. After covering the Qing's fall in the 1911 Revolution, we will examine different designs for national integration on the part of warlords, reformers, and radicals, and consider the civil wars that followed. China's history in this period is sometimes told as a straightforward story of Eastern response to Western impact. But in introducing you to China before Communist rule, we will consider a more complex story of innovation, exchange, accommodation, and resistance, as the Middle Kingdom's dynastic rulers and their republican successors tried to meet foreign and domestic challenges, balance conservatism and modernization, and redraw their country's social, political, and geographic boundaries.

20 credits

Egypt's Golden Empire

Ancient Egypt has stimulated public interest for hundreds of years.  This is because of the rich legacy left by the Egyptians to illustrate their power, wealth and belief system in elaborate temples, monuments and highly decorated tombs containing treasures, and latterly a deciphered script.  But, how much of this evidence is a skewed version of a rich past based on power, wealth and propaganda?  This module focuses on the New Kingdom Egypt, between the 16th and 11th centuries BCE, the Age of Empire, to interrogate the historical record and throw light on Egyptian society in the New Kingdom. In the late Bronze Age, from the late fifteenth century BCE, Egypt's political power and wealth reached its zenith; it dominated the political landscape and trade in and around the Mediterranean.  It had an empire that stretched beyond the Euphrates and Turkey in the north, and into what is now Sudan in the south.  This is the time of warrior kings such as Thutmose III, alleged heretics in Akhenaten whose iconoclastic rule all but erased Egyptian history, magnificent queens in Nefertiti and minor insignificant royals such as Tutankhamun who brought a powerful dynasty to its end; the so-called pharaohs of the sun.  The later meteoric rise of Ramesses II again brought dominance to Egypt only to be eroded by a succession of weak leaders around 1100 BCE.  These economic powerhouses provided the wealth to build the documentary, architectural and material legacy we have today.  This is the Egypt which excites the popular imagination.  However, these resources tell the story not only of the succession of powerful rulers, but also about how ordinary people lived their lives, and how society functioned. Through a series of fascinating case studies, this module traces the development and decline of this superpower through these empire builders, heretic kings, and young rulers who had their power usurped by generals and administrators.  It draws on wide range of sources; hieroglyphic texts document a written history through the succession lists of Egypt's rulers, economic transactions at home and abroad attesting to a powerful trade network and efficient economic system, financial accounts showing ownership and trade at home, judicial trials of treachery and plots, and poems giving a more intimate view of daily life.  Magnificent stone temples tell of power, but also of religious practice, social hierarchy and of international relations.  Statuary, effigies and art tells us of elite dominance, power and achievements, but also of conflict, control and the use of propaganda.  Extensive and elaborate funerary monuments and burial sites with rich and extremely well-preserved artefactual evidence demonstrate an elite wealth, but also illustrate trade, craft and workmanship; these tombs also contain the remains of individuals which enables us to explore lifestyle, health and, through genetic analysis, family relationships.  How science and experiment has changed our views of written history in recent years, and the apparent conflict between the different sources of data will be discussed.  Topics such as the interplay of power at both local and international levels, the lives of everyday Egyptians - social and economic inequalities, how society functioned and was organised, and the pressures of gaining and maintaining international dominance will be explored.

20 credits

English Literature Pathway core modules:

Research Project 1

English Literature optional modules:

The Invention of Romanticism

This module is about the birth and legacy of romantic-era writing. It studies famous figures such as William Wordsworth, John Keats and Emily Bronte alongside lesser-known writers such as Charlotte Smith, Charles Waterton and John Clare. It is taught by a team who use their research interests in fields such as environmental criticism, gender studies or colonial writing to think about how such authors inform our thinking about the world today. Over the year you'll write two essays and develop a proposal for an end-of-year module conference where, supported by your tutors, you can present your ideas and findings to the class. As well as helping you find your own critical voice and developing your academic writing and research skills, this module believes that the modern world and how we think of it was born and shaped by the literature of the Romantics and it encourages you to think critically about that legacy.

40 credits

Renaissance Literature, Modern Crisis

This module considers early modern and Renaissance literature in relation to some of the pressing concerns of the modern world, e.g. the climate emergency, decolonisation, and gender identity (topics may vary from year to year depending on staff expertise and current events). It will combine historicism (looking at texts in historical contexts) with presentism (thinking about how we read texts in our own historical context). You'll write a critical essay relating early modern literature to a modern priority, and then work on a project whose nature and scope you'll decide in dialogue with your tutor(s): for example, an edited collection of texts based around a shared theme; teaching materials; or a magazine-style article. As well as helping you hone your academic writing and your research and critical thinking skills, this module encourages you to think about how literary texts can speak to problems in the wider world.

40 credits

Research Topics in Theatre and Film

This module introduces you to significant research topics that cut across theatre and film studies, opening up the synergies and divergence between these art forms. Key themes such as Bodies, Identities, Memory, Site and Migration will focus our analysis of diverse historical and contemporary examples, positioned critically alongside notable remakings and sometimes radical adaptations. Research into these case studies will uncover important contexts of creation, production and reception that serve to deepen and problematise their meanings. You will also explore current approaches in theory and criticism that reframe theatre and film in exciting and challenging ways. The module's year-long structure allows substantial time to pursue individual research interests, guided by your tutors and inspired by and extending beyond work we undertake as a group. Reflecting the creative mediums we focus on, this module includes supported assessment options for video essays and project pitches, building skills in editing and audiovisual presentation, as alternatives to the traditional essay. Whether or not you choose to experiment with these formats, you will acquire sophisticated knowledge of film and theatre, deepen your understanding of cinematic and performance languages, and gain valuable skills in creative thinking and expression beyond the written word.

40 credits

Mod Cons: Exploring the Long 20th Century

This module introduces you to current research in the study of literary and related forms of cultural text and practice, focusing on the modern and contemporary periods from the beginning of the twentieth century to the present. With a curriculum adapted each year in response to the current research interests of academic staff, the module focuses on the ways in which literary and related works can be understood in terms of important aesthetic, cultural and socio-political concerns in the period. During this module you will be given the opportunity to develop your critical thinking and your writing and analytical skills through an in-depth engagement with a variety of text from the modern and contemporary periods.

40 credits

Middlemarch

Virginia Woolf famously described Middlemarch as 'one of the few English novels written for grown-up people.' Spanning eight books, it is widely regarded as George Eliot's masterpiece. Eliot described and defied her society; she scrutinised her Victorian moment. She lived and worked at odds with nineteenth-century religious institutions: for more than twenty years, she was the partner of George Henry Lewes, a married man, and in her writing she sought to portray life 'as it was', to represent and celebrate everyday life, to resist its injustices. She is also one of the few pseudonymous women to retain their pen name in posterity. This module focuses on Middlemarch's eight books, exploring a range of historical and thematic issues including: serialisation; gender and marriage; class, religion and politics; Victorian science; art and ethics.

20 credits

The Idea of America

If you are interested in how and why contemporary (1950-present day) American writers revise myths of America, then this module will appeal to you. We explore how foundational ideas of America (such freedom, equality, democracy, self-reliance, the frontier, capitalism and American exceptionalism) are reimagined by its poets, playwrights and prose writers. You might read works by authors such as Toni Morrison, James Baldwin, Cormac McCarthy, C Pam Zhang, Charles Yu, Arthur Miller and Ocean Vuong and the module is organised around a series of thematic strands that will help you to make connections between writers and key American mythologies. For example, the themes could include a focus on the ongoing legacies of slavery and settler colonisation and/or a study of the role of religion, region and place in shaping literary perspectives of America. You can expect to read a diverse range of works by Asian-American, Native-American, African-American and Arab-American authors and by the end of this module you will develop valuable leadership and employability skills including improved emotional intelligence and global awareness.

20 credits

Crime and Transgression in Romantic Literature

This module explores the themes of crime and transgression in the literature of the Romantic period across a range of Romantic texts, including fiction, drama, poetry and short essays. We will explore why, precisely, the literature of the Romantic period reflects crime and transgression so persistently, investigating that through a variety of texts. We will look, for example, at marriage laws through Mary Wollstonecraft's posthumously published The Wrongs of Woman, or Maria, at transgressive forms of literature through Charlotte Dacre's sexually-charged Gothic romance Zofloya, or the Moor, at the depiction of hatred and vengeance in Joanna Baillie's drama De Monfort, and at the themes of sexual transgression in Coleridge's ballad Christabel, and in John Keats's The Eve of St Agnes. In addition to these exciting texts, we'll also look at Thomas De Quincey's superbly disturbing essay 'On Murder Considered as One of the Fine Arts', before concluding the module by looking at Scottish author James Hogg's Private Memoirs and Confessions of a Justified Sinner. The course will be assessed through means of a portfolio of three shorter pieces, responses of 500 words apiece on individual texts (1500 words in total) and by a final summative comparative essay. Through developing your portfolio in consultation with the tutor and seminar discussions, you will emerge with a stronger contextual and literary understanding of the Romantic period across different literary forms.

20 credits

Fin de siècle Gothic

The module examines a range of Gothic texts and their fin de siècle contexts. You will explore writers such as R.L. Stevenson, Arthur Conan Doyle, Vernon Lee, Oscar Wilde, M.R. James, Bram Stoker, and H.G. Wells. You will explore a diverse range of contemporary contexts which will enable you to see how theories of degeneration, images of Empire, models of medicine, notions of decadence, and ideas about history can be applied to the fin de siècle Gothic. The focus on ghosts, vampires, and aliens will help identify how a language of 'otherness' articulated the culturally specific anxieties of fin de siècle Britain. You will look at novels, novels and short stories. The assessment enables you to develop and discuss an essay plan before starting your research essay. Teaching involves a mixture of lectures and seminars.

20 credits

Creative Writing Poetry Experiments: (De)Constructing Paper Selves

This module offers a practical and theoretical workshop which is designed to look at current methods of creative writing exploring a wide range of forms of poetry and poetics, prose poetry, poetic prose and hybrid writing. During the term our core readings and discussions (critical and creative) will be focusing on producing new work, new texts while we will be revisiting, reconfiguring and deconstructing concepts of poetry, contemporary poetry and its various new, experimental formations, poetics of fusion and the hybrid while thematically and theoretically we will explore concepts of borders and boundaries of the contemporary poem while looking at complex concepts of identity, self, form and language, inner and outer landscapes, gender and politics, trauma, historicity and phenomenology. We will be focussing on the manifold ways in which language constructs and deconstructs self and selves, breaches old paradigms, looks 'behind' itself (in panic?) and yet audaciously ploughs on towards the 'unforeseeable'. During the module you will be given the opportunity to develop your writing in various contemporary formations of more established and currently forming conventions/experimentations; your critical thinking through a wide range of creative samples by currently published authors of both poetry and prose and other speculative genres of fusion; and through the weekly workshops to sharpen your editorial skills.

20 credits

Writing Fiction 3

What is the relationship between creation and destruction? How might we creatively 'destroy' literary conventions, and to what ends, particularly in a time of widespread environmental destruction? This module considers the possibilities and potentials of experimental creative prose - not only the short story and the novel, but the creative essay, memoir and hybrid texts. You will read examples of work which deliberately destroys the boundaries between form and genre; you will also be encouraged to experiment in your own creative work.We will explore destructive writing from two angles. First, we will look at writing which breaks with the conventions of literary narrative, form, genre and language. We will focus, in particular, on texts that creatively engage with the failures writers experience during the writing process. Second, we will consider writing which explores destructive worlds - both internal and external, realist and dystopian and speculative. We will read examples of creative texts alongside craft essays and critical texts, relating our discussion of specific techniques and styles to broader questions about the ethical, political and philosophical purposes of creative prose.The seminars will alternate between text-based classes in which we will discuss set reading and engage in generative writing exercises, and workshops where you will exchange constructive critical feedback with your peers. You will be encouraged to take inspiration from the reading both in terms of writing process and in terms of technique.

20 credits

Chaucer

Geoffrey Chaucer is not only the most famous medieval English writer, he is also one of the most varied, controversial, and gritty writers at the time. This course aims to introduce you to a wide range of Chaucer's writings, including the Canterbury Tales, while situating Chaucerian writing in its medieval context. We will explore literary, linguistic, material, cultural, religious, and political aspects of his fascinatingly rich body of texts to gauge Chaucer's status as a medieval poet, and interrogate questions of society, gender, and philosophy that his work continues to inspire.

20 credits

Life After Death? Romantic Poets and Writing the Afterlife

Kant's Critique of Pure Reason held that there were only two real questions: Is there a God and is there eternal life? Poets and philosophers (and for Coleridge, 'no man was ever yet a great poet, without being at the same time a profound philosopher') have sought to imagine, conjure, or deny the idea of a life after death. This module will explore the versions of eternity written by Romantic poets. From Keats's denial of eternity, Byron's questioning, Shelley's agnostic yearning, and Hemans's feminist redress of the issue, we will consider the idea of life after death in poetry. Starting with a grounding in key philosophical ideas from Plato's assertion of the soul's immortality and Lucretius' denial of any life after death, this module will look at the hell, purgatory, heaven, and nothingness of life after death as written by Romantic poets.

20 credits

Reading Animals

Contemporary literature is filled with stories about animals, and told by animals, which provide astonishing perspectives on animals' experiences—their ideas and feelings, needs and desires; their sense of place, of past and future; their sense of community, loneliness, freedom or danger, or solidarity with humans. In literature, animals tell us what it is like to live in family homes or factories; to go on adventures or to go extinct; to be wild or captive, domestic or feral; to lose their home; to be owned, watched, admired, hunted, worshipped, medically treated, and more. This module looks at literary texts in which nonhuman animals' lives are the central concern. We will study works by writers such as NoViolet Bulawayo, George Saunders, Sabrina Imbler, George Orwell, Yoko Tawada, and Ceridwen Dovey. We will ask: in what ways have authors given voice to animals' experience? What are the most effective literary strategies for representing animals (both portraying and speaking for them)? How have writers re-imagined the fable and other genres in which animals conventionally appear? How are portrayals altered in authors of different race, nation, or gender? And, perhaps most topically, how does literary writing help us rethink animals' importance in an age of extinction and industrial-scale consumption?

20 credits

Privilege and Subversion in Early Modern Drama, 1580-1700

This module surveys the theatre of early modern England, a cultural phenomenon that ranged from the scandalous and iconoclastic drama of Christopher Marlowe to the bawdy, urbane comedy of William Wycherley. We will interrogate the manifold ways in which the privileges and hierarchies of the period (relating, for example, to knowledge, power, gender, politics, sexuality and social class) were interrogated, subverted or upheld by dramatists such as Aphra Behn, John Dryden, Thomas Middleton and John Ford. We will read plays in a variety of genres and will analyse them in the context of landmark cultural and historical changes of sixteenth- and seventeenth-century England, such as religious conflict, colonial expansion, and the growth of London as a centre of pleasure and consumption.The module considers the changing conditions of performance in pre- and post-civil-war theatre, the kinds of publication that dramatists used, and the characteristics of the language with which dramatists worked. It also relates the texts to critical methods that help illuminate the relationships between theatre and the explosive cultural, political, and religious differences of the period.

20 credits

English Language pathway core modules:

Research Project 1

English Language Pathway optional modules:

Research Project 2
language and Social Justice

Advanced Syntax

This module builds on the material covered in the module Syntax, focusing on both the universal and language-specific rules that govern syntactic structure in human language. The topics covered will intoduce new areas of syntactic structure, including further instances of movement, a more nuanced understanding of verbal structure, and a greater emphasis on data from languages other than English. It will also introduce more links between syntax and other areas of linguistic research, including prosodic intonation and language dialects.

20 credits

Historical Pragmatics

Historical pragmatics is an exciting and relatively new field which takes a holistic approach (i.e. inclusive of linguistic, social and historical factors) to studying how language users communicated and constructed meaning in earlier periods. Based on the study of English, the aims of this course are: 1) to introduce the study of historical discourse as evidenced by (for example) correspondence and courtroom dialogue; 2) to introduce topics such as sociopragmatics, (im)politeness, and the 'new philology', grounding them in historical pragmatic theory; and 3) to offer an opportunity to perform historical pragmatic analysis through textual study and corpus applications.

20 credits

Teaching English to Speakers of Other Languages

This final-year module is designed to provide you with a thorough grounding on the key theoretical and practical aspects of teaching English as a second or foreign language. It reviews the historical developments, methodological approaches and principles underlying contemporary TESOL practices. It also explores and assesses what we know about teaching the grammar and vocabulary of English as a foreign or second language, the processes involved in language production and reception in a second language and the implications for teaching and assessing the four language skills (i.e., reading, listening, writing and speaking). Finally, it discusses context and learner differences that influence and determine the teaching of a second language. The module aims to help you uncover your individual beliefs about language teaching and guide you to critically explore a variety of language teaching techniques. It also encourages you to critically reflect on the complex and diverse nature of language teaching, as well as to design lesson plans for specific educational situations that involve research-informed choices. On completion of this course, you should be able to understand, identify and evaluate the various TESOL methodologies and techniques, and select and apply the most appropriate ones for different learning contexts, including the design of lesson plans and activities to teach and undertake research on the various language features and skills.

20 credits

Constructed Languages

This module builds on theories learned in Level 1 and 2 ELL and Language and Literature modules, applying them to the constructed languages ('conlangs') created specifically for books, television, and film. Topics covered will include the grammatical patterns underlying the sound and structural systems of conlangs, the similarities and differences between conlangs and 'natural' human languages, the representation of historical change in conlangs, and the textual use and representation of conlangs in literature.

20 credits

Second Language Acquisition

This module will introduce students to major theoretical notions and assumptions in Second Language Acquisition (SLA) - a theory that investigates how language speakers acquire a second language both in adulthood and childhood. The module focuses on the second language knowledge that is by formal linguistic constraints, as well as on how it interplays with language differencs, language input and classroom teaching. It provides a historical overview of how SLA theories have evolved and examines influential concepts to explore how different arguments have been developed and how they have been investigated empirically. At the same time, the module offers students hands-on training in analyzing second language learner data. This will help students relate data to theories they learn and learn how to extend the data with a follow-up study.

20 credits

Psychology of Language

This final-year module in psycholinguistics examines the relationship between the human mind and language, addressing both theoretical and methodological issues. We look at the processes involved in speaking, listening, and reading, exploring the ways in which we represent and store linguistic knowledge. The core linguistic components will be investigated: phonology, morphology, syntax, and semantics. Evidence from speech errors, language impairments, and neuroscience alongside classic psychological experimental work in the field will be considered. Students will gain a firm grounding in psycholinguistic theory and practice, and should acquire the tools to undertake their own research in the future.

20 credits

History core modules:

Short Dissertation

The dissertation in History is an exercise of 7,500-8,500 words in which students explore an individually chosen topic involving problems and issues derived from a module taken at level two or level three. It is expected to consist of research at a high level where interpretation and analysis will be of importance. The balance between primary and secondary materials will depend on the topic and an availability of sources. In each case students work independently under the guidance of a supervisor.

20 credits

History optional modules:

Permissive Britain? Social and Cultural Change 1956-74

This module explores British society and culture as the nation moved from an era of austerity to one of unprecedented affluence. Key topics include the impact of affluence on class and gender relationships, the emergence of a national youth culture, changes and continuities in sexual behaviour, and debates about immigration and race. The unit encourages students to assess the significance of reforming legislation that relaxed the censorship regime, decriminalised homosexuality, enabled easier access to abortion, liberalised the divorce system and abolished capital punishment, examining the arguments of those who resisted, as well as those who championed the 'permissive society'.

40 credits

The World of Intoxicants in Early Modern England

Intoxicants were a key feature of early modern societies. This is as true for 'old' world alcohols like wine, beer, ale, and other fermented drinks as it is for 'new' intoxicants like opiates, tobacco, sugar, caffeines, chocolate, and distilled liquors that began to enter European diets after 1600 from the Levant, the Americas, and Asia. Focusing on intoxicants in England, this module considers a) the ongoing importance and, indeed, increasing significance of alcohols to culture, society, and economy over the course of the seventeenth century and b) the introduction and popularisation of new intoxicants over the same period.

40 credits

Cannibals and Christians: Mexico and Spain, c.1492-1600

This module examines the extraordinary clash of cultures which occurred following the 'discovery' of America, and the reciprocal relationship which developed between Europe and the 'New World' in the sixteenth century. Focusing on the sixteenth-century discovery, conquest and settlement of Central and South America, especially Mexico, the module will address such themes as the nature of the encounter, the intellectual and cultural impact, trade and exchange, migration, evangelisation and empire. The module addresses the encounter from a wide range of perspectives, evaluating the encounter from the viewpoint of sailors, conquistadors, priests, historians, explorers, missionaries, administrators and the indigenous people themselves.

40 credits

The Wars for Vietnam: Empire, Decolonisation and Liberation

In the middle decades of the twentieth century, Vietnam was wrenched by wars: a world war, a war of decolonisation, a civil war, the Cold War, and a war against its erstwhile communist allies. By studying these conflicts, we not only learn about modern Vietnam, but also the French empire, U.S. foreign policy, and communist internationalism in the mid-20th Century. As case studies, these wars shed light on larger global processes of imperial conquest, decolonisation and neo-colonial control, communist revolution and the limits of internationalism. As an archetype of national liberation, events in Vietnam also profoundly shaped anti-colonial struggles around the world and social movements in the United States and Europe, from Black Power to the women's liberation movement. This module explores the wars for Vietnam through the themes of empire, decolonisation, and liberation, paying close attention to Vietnamese perspectives, exploring the role of France, the United States, the Soviet Union, and China, and uncovering the global reverberations of these conflicts. We will investigate the historiography which set the broad parameters of debate, as well as newer scholarship which has challenged these orthodox interpretations, and we will examine a wide range of primary sources, from government documents, memoirs, and oral histories, to images, fiction, and film.

40 credits

Resistance & Liberation in South Africa: Gandhi to Mandela

This module analyses resistance to segregation, apartheid, and white supremacy in South Africa. Drawing upon memoirs, oral histories, novels, films, speeches, news reporting, online databases, and document collections, we begin with the non-violent campaigns led by Mohandas Gandhi in the 1900s against the segregation of Indians in South Africa, and end with Nelson Mandela's election as president in the country's first non-racial democratic elections in 1994. We will explore the inspirations, nature, and effects of a wide range of forms of political, social, and cultural resistance by opponents of white supremacy - from ordinary people to elite politicians - both inside South Africa and around the world.

40 credits

Makers of a New World: Merchants, Scholars and Commoners in Late Medieval Europe

Between 1350 and 1450, many of the foundations of the Europe as we know it and the world has experienced it were laid by specific groups of people: merchants who established capitalist market economy and, at the same time, shaped the appearance of their cities through patronage and the promotion of new artistic models; scholars who reconsidered past evidence and the meaning of the past through the 'rediscovery' of the Classics; and commoners that developed individual and collective ways of getting their voices heard in politics and religion.The module builds on new scholarship on the late medieval period and, to an extent, the early modern period and extra-European history to engage critically with developments that have more traditionally been referenced as the Renaissance, Humanism, the Waning of the Middle Ages, and approached as transition, crisis, transformation or, more specifically, through notions including the 'disanchantment', the birth of the 'nation-state' and 'European expansion'.

40 credits

Merchants, Pirates and Planters: The English Overseas, 1570-1624

The period c.1570-1624 saw a reorientation of England's global position, as increasing numbers of English people began to venture into unfamiliar regions. This course charts the nature and significance of their travels. We will encounter merchants in Europe, the Ottoman Empire and the far east, settlers and conquerors in Ireland and America, explorers in the frozen seas of the far north, and pirates in Spanish America. The latter part of the course focuses on the foundation of England's first 'successful' American colony, Jamestown. Throughout, we consider the motives driving these ventures, and the complex nature of the encounters that ensued.

40 credits

The National Security State, Treason, and Individual Rights during the Twentieth Century

National security scares over 'whistleblowers' such as Edward Snowden, Chelsea Manning or Kathrine Gun have catapulted the image of the 'traitor' back into public discourse. At the same time, controversies over Wikileaks' political agenda and Russian interference with the Brexit referendum and the 2016 US presidential elections were as much discussed in terms of British and US national security as a threat to the security of 'the West' as a whole. These conflicts stand at the end of a century that has seen the rise of the modern surveillance state and transnational security frameworks organized through institutions such as Interpol, NATO, and the Warsaw Pact states (until 1989/91).  Over the course of the 20th century, more and more people saw themselves suspected of betrayal of the community. The First World War transformed older clearly defined criminal offences of 'high treason' against the sovereign and their immediate family members to wider accusations of treason against the nation, state, and people. The rise of communism and fascism triggered the building of new domestic public security apparatuses in the interwar period. War crimes and genocide of the Second World War further complicated debates on the morality of collaboration with the enemy. In response, security agencies professionalized their work and the early Cold War saw calls for transnational bloc-wide security regimes to combat subversion by the Cold War enemy. Since then, state surveillance has come to be seen more and more as a constant everyday threat to privacy and individual rights after the digital revolution of the 1970s.  In this special subject, we explore through rich source material the political, emotional, social, and cultural dynamics that were at play when individuals or groups from across Europe, the US and Soviet Union were accused of betraying society. We will consider how people's ethnic, gender, and class background impacted their fate of becoming 'traitors'. Taken together, their cases will provide answers to the central question of how demands for the professionalization of the national security state have impacted ordinary people's lives and rights under different forms of government and how they shape our contemporary understandings of democracy and authoritarianism.

40 credits

Italy in the Age of Dante, ca. 1200-1350

In the 13th and 14th centuries, northern-central Italy was one of the most urbanized, economically dynamic and culturally innovative parts of Western Europe, to the point that important scholars of the past have seen the Italian city-states as forerunners of modern concepts of republicanism and individualism. The cultural efflorescence of this period is still visible in the historical city centre of many Italian towns, in the frescoes of Giotto, and in the literary works of authors such as Dante Alighieri (1265-1321), best known for his exploration of the Christian afterlife in the Divine Comedy. And yet, Dante's Italy was also plagued by instability, civil wars and factionalism, as exemplified by the poet's banishment from his city, Florence, on account of political rivalries. How did the Italian city-states manage to flourish economically and culturally in such a fraught political landscape? How could they reconcile intellectual sophistication and religious revival on one side, and significant levels of violence and turmoil on the other? This module will make use of sources such as artwork, chronicles, literature and charters to explore various facets of the political, social and cultural life of the communes with the aim of providing a deeper understanding of this multi-faceted society.

The module will introduce you to the political, religious, social, and cultural landscapes of the Italian city-states between the 13th and the 14th century. It will develop your awareness of the historiographical interpretations of the period and its key features, e.g., the communal movement, merchant capitalism, the 14th century crisis and lay sanctity.

40 credits

The World Transformed? The League of Nations and the End of Empire, 1919-46

The League of Nations was a major experiment in the organisation of international relations after the devastation of the First World War. Political theorists and historians have long debated its merits, and references to its failures line the pages of textbooks. But rather than reproduce these arguments about the inability of the League of Nations to prevent a second world war, this module takes a different approach. It draws our attention to the surprising role it played in a whole range of areas of international governance in former imperial territories in Central and Eastern Europe, Africa, and the Middle East. In this module, we see League officials working with institutions, governments, and non-governmental actors on programmes directed at disarmament, international crime, trafficking, public health, universal children's rights, slavery, communications, and much more. We ask: Who worked for the League or participated in its internationalist programmes? How did they realise their work? What problems, opportunities, or opposition did it cause? What was the significance of their work? And does a study of the League help us to better understand the UN and international organisations more generally today? 

In other words, instead of focusing on high politics, the module introduces students to the League's work in practice, offering insight into the experiences of millions of ordinary men and women as they sought to rebuild their lives after war, revolution, and the collapse of empires. The module draws on the completely digitised archive of the League of Nations. In this module you will be taught how to navigate this vast archive and search through its depositories. We will analyse sources ranging from reports to first-hand accounts of life in internationalised territories, where continued violence, food shortages, and other problems persisted long after the war. We will also examine magazines, film, photography, and architecture related to peacekeeping, which is held in the archive. The League's archive provides an excellent resource for writing dissertations and conducting original research.

40 credits